Originally known as Sir Quick Draw, Naru Kwina began his hip-hop career when few others were recording and releasing music in the Bay Area compared to nowadays - and those that did make rap/hip-hop music had a tough time getting their music out there and heard. "I started rapping in 1979, the day I first heard Rappers Delight," he recalled recently. However it would several years later, in 1986, when I first met the artist. He had submitted a demo cassette tape for a Bay Area rap contest I produced on UC Berkeley radio station KALX in the Fall of that year. With a fresh upbeat inspired style and flow on the song he submitted ("Rapaholic") Sir Quick Draw's tape was so good that the judges of the contest (including Davey D Cook) all agreed that he was the best out of all the demo tape submissions. In fact in the months following the radio contest win, into the following year of 1987, the song "Rapaholic" that was recorded with his David K-OS got signed and released by Baywave/Macola Records as a 12" single. Then the year after that, in 1988, he would record another 12 inch single - this time under the name MC Quick but again along with David K-Os entitled "I Like It Like That" (b side "I'm Just Rollin'").
Both rappers had drawn inspiration for their names from the 1975 movie Let's Do It Again and its character Biggie Smalls that was played by Calvin Lockhart. So by the time the Biggie born Christopher Wallace arrived on the rap map the other Biggy Smallz was already out there releasing hip-hop singles including 1993's "Cruisin" which, like 1994's "Nobody Rides For Free," was also produced by Johnny "J" who was also producing for 2Pac - an affiliation that he is best known for. Reportedly it was Tupac Shakur who asked Christopher Wallace to change his name from Biggie Smalls to avoid confusion with his Thug Life buddy Biggy. Hence Christopher Wallace officially became The Notorious B.I.G. before releasing his major label debut. Although since some have suggested that it was not Pac's request for the name change but rather fear of legal copyright infringement from the producers of the Let's Do It Again movie that was the real reason for Wallace changing his name.
Just finished in production and finally published yesterday is the above anticipated second part/sequel to the excellent premiere in the The History of DJ and the continued story of the UK founded DMC as told by DMC founder Tony Prince - the former Radio Luxembourg DJ/founder of the British company that would become synonymous hip-hop DJ/turntablist battles - even if DMC initially (and still does) stand for Disco Mix Club. It was so named since initially it was all about the mixing end of the DJ but soon morphed into the scratch area of the DJ as is outlined in this second part of the documentary above when some participants in the contest took offense to the (then) new direction in the latter 80's that the battle was taken - upon its cue from the scratch-themed Superman battles at the annual New York City convention the New Music Seminar. Tony Prince formed the "Disco Mix Club" in 1986 as an offshoot of his Disco Mix Club Show radio program that he began in 1981. The above second part is a great history lesson that covers a lot of ground in the history of both the DMC and of the DJ. It returns to some memorable moments such as Philly DJ Cash Money traveling to the UK in 1988 to reign supreme in the competition, 1989 DMC World champ Cutmaster Swift doing a live routine on the high profile Terry Wogan television program, and Germany's DJ David winning the world title in 1991 when, in the final dramatic 15 seconds of his six-minute routine, he wowed the judges with the ultimate body trick of palm-spinning his entire body around on top of one of his turntables. However many (justly) argued at the time that the judgement was unfair and based on his purely eye-catching, visual body trick rather than on his turntablist skills and that runner up DJ Qbert should have in fact won. But such are the debates surrounding any competition that carries as much weight as the DMC does. Upcoming in this year's DMC battles are the 2014 DMC US Finals taking place in NYC at Webster Hall on August 23rd (look for a full review of that battle here on the Amoeblog shortly after that date), followed by the 2014 DMC World Championships in London at the Forum on October 5th. Below is the video of the winning routine by last year's champion - DJ Fly from France.
Gang Starr "Just To Get A Rep" from the album Step Into The Arena (1991)
"Mad brothers know his name" are just a few of the well known (and oft quoted or sampled) Gang Starr lyrics rapped by the late great emcee of the legendary hip-hop duo GURU (Gifts Unlimited Rhymes Universal) over DJ Premier's killer track on "Just To Get A Rep." The song was released in February 1991 by Chrysalis/EMI as the lead single (with "Who's Gonna Take The Weight" on the filp side of the 12" single) from the duo's hip-hop classic full-length Step In The Arena that was released a few weeks earlier. Like that album the single "Just To Get A Rep" remains a hip-hop classic. And now 23 full years later it is even clearer what an important role this particular song plays in its part of hip-hop's legacy, with each phrase and rhyme from the song known by heart by every true hip-hop fan and DJs/producers who like to take snippets of it and throw it in the mix. See full song lyrics listed below along with the videos for the other Step In The Arena album tracks as the mellow, chilled out "Lovesick" whose numerous samples include Digital Underground's best known song "The Humpty Dance," the heavily politicized "Who's Gonna Take The Weight?" (my personal fave album track with "Check The Technique" in close second), and the title track itself from the album Step In The Arena that while it was technically the group's second album it was their main introduction to most hip-hop audiences at the time.