Amoeblog

Hip-Hop History Tuesdays: A Tale of Two Biggies (Biggie Smalls Vs. Biggy Smallz)

Posted by Billyjam, August 19, 2014 09:43am | Post a Comment
The tale of two Biggies is the tale of two rappers with the same name, and with one of them having to change his rap name. It dates to back to the early to mid 1990's when legendary Brooklyn rapper Biggie Smalls of Puff Daddy's Bad Boy Records fame first arrived on the scene to some confusion among hip-hop fans at the time who were familiar with the other existing rapper named Biggy Smallz who was Thug Life and 2Pac affiliated. That Biggy started out a bit earlier in his rap career, beginning in 1991 at a young age.

Both rappers had drawn inspiration for their names from the 1975 movie Let's Do It Again and its character Biggie Smalls that was played by Calvin Lockhart. So by the time the Biggie born Christopher Wallace arrived on the rap map the other Biggy Smallz was already out there releasing hip-hop singles including 1993's "Cruisin" which, like 1994's "Nobody Rides For Free," was also produced by Johnny "J" who was also producing for 2Pac - an affiliation that he is best known for.  Reportedly it was Tupac Shakur who asked Christopher Wallace to change his name from Biggie Smalls to avoid confusion with his Thug Life buddy Biggy. Hence Christopher Wallace officially became The Notorious B.I.G. before releasing his major label debut. Although since some have suggested that it was not Pac's request for the name change but rather fear of legal copyright infringement from the producers of the Let's Do It Again movie that was the real reason for Wallace changing his name. 

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Hip-Hop History Tuesdays: History of DJ (The DMC Story Part 2)

Posted by Billyjam, August 12, 2014 10:34am | Post a Comment
           
The History of DJ Part 2: The DMC Story (2014)

Just finished in production and finally published yesterday is the above anticipated second part/sequel to the excellent premiere in the The History of DJ and the continued story of the UK founded DMC as told by DMC founder Tony Prince - the former Radio Luxembourg DJ/founder of the British company that would become synonymous hip-hop DJ/turntablist battles - even if DMC initially (and still does) stand for Disco Mix Club. It was so named since initially it was all about the mixing end of the DJ but soon morphed into the scratch area of the DJ as is outlined in this second part of the documentary above when some participants in the contest took offense to the (then) new direction in the latter 80's that the battle was taken - upon its cue from the scratch-themed Superman battles at the annual New York City convention the New Music Seminar.  Tony Prince formed the "Disco Mix Club" in 1986 as an offshoot of his Disco Mix Club Show radio program that he began in 1981. The above second part is a great history lesson that covers a lot of ground in the history of both the DMC and of the DJ. It returns to some memorable moments such as Philly DJ Cash Money traveling to the UK in 1988 to reign supreme in the competition, 1989 DMC World champ Cutmaster Swift doing a live routine on the high profile Terry Wogan television program, and Germany's DJ David winning the world title in 1991 when, in the final dramatic 15 seconds of his six-minute routine, he wowed the judges with the ultimate body trick of palm-spinning his entire body around on top of one of his turntables. However many (justly) argued at the time that the judgement was unfair and based on his purely eye-catching, visual body trick rather than on his turntablist skills and that runner up DJ Qbert should have in fact won. But such are the debates surrounding any competition that carries as much weight as the DMC does. Upcoming in this year's DMC battles are the 2014 DMC US Finals taking place in NYC at Webster Hall on August 23rd (look for a full review of that battle here on the Amoeblog shortly after that date), followed by the 2014 DMC World Championships in London at the Forum on October 5th. Below is the video of the winning routine by last year's champion - DJ Fly from France.

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Hip-Hop History Tuesdays: Gang Starr's 1991 Classic LP Step In The Arena featuring "Just To Get A Rep"

Posted by Billyjam, August 5, 2014 01:05pm | Post a Comment

Gang Starr "Just To Get A Rep" from the album Step Into The Arena (1991)

"Mad brothers know his name" are just a few of the well known (and oft quoted or sampled) Gang Starr lyrics rapped by the late great emcee of the legendary hip-hop duo GURU (Gifts Unlimited Rhymes Universal) over DJ Premier's killer track on "Just To Get A Rep." The song was released in February 1991 by Chrysalis/EMI as the lead single (with "Who's Gonna Take The Weight" on the filp side of the 12" single) from the duo's hip-hop classic full-length Step In The Arena that was released a few weeks earlier. Like that album the single "Just To Get A Rep" remains a hip-hop classic. And now 23 full years later it is even clearer what an important role this particular song plays in its part of hip-hop's legacy, with each phrase and rhyme from the song known by heart by every true hip-hop fan and DJs/producers who like to take snippets of it and throw it in the mix. See full song lyrics listed below along with the videos for the other Step In The Arena album tracks as the mellow, chilled out "Lovesick" whose numerous samples include Digital Underground's best known song "The Humpty Dance," the heavily politicized "Who's Gonna Take The Weight?" (my personal fave album track with "Check The Technique" in close second), and the title track itself from the album Step In The Arena that while it was technically the group's second album it was their main introduction to most hip-hop audiences at the time. 

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Hip-Hop History Tuesdays: April 1996 Bay Area Hip-Hop Top 50 Chart and Hip-Hop News

Posted by Billyjam, July 29, 2014 12:18pm | Post a Comment
                                 BAY AREA HIP-HOP TOP 50  Week ending April 6, 1996

Recommended Bay Area Rap Compilation from mid nineties 1) Various Artists Cell Block Compilation (Cell Block/Priority)
2) Rappin' 4-Tay Aint No Playa (Rag Top/Chrysalis)
3) Conscious Daughters Gamers (Priority)
4) 2Pac All Eyez On Me (Death Row)
5) IMP Ill Mannered Playas (In-A-Minute)
6) Mac Mall Get Right (Relativity)
7) Peanut Butter Wolf Step On Our Egos (South Paw)
8) Too $hort Gettin' It  12"  (Jive)
9) N.O.A. forilla (120)
10) The Delinquents Smooth Getaway (Dank Or Die)


11) Suga T Paper Chasin' (Sick Wid It/Jive)
12) Twisted Mind Kids Twisted Mind State (8-song demo - No Exit)
13) Lateef The Wreckoning/Latyrx (Solesides)
14) MadFace Black Attracts Heat (Corn Field)
15) Lil Gangsta P meet the lil gangsta (Erin)
16)  V/A The Dangerous Crew (Dangerous/Jive)
17) Richie Rich Half Thang (41510/Shot)
18) Milkman feat Da Goonz Reminisce (Major Music)
19) Hobo Junction E.P. (South Paw)
20) Sacred Hoop demo tape (Miasmatic)

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Hip-Hop History Tuesdays: Joe Conzo (Born In The Bronx) Amoeblog Interview

Posted by Billyjam, July 15, 2014 06:47pm | Post a Comment
     

"It's pretty humbling and amazing to see my photos from when I was a sixteen, seventeen year old kid," Joe Conzo told the Amoeblog - as seen in the above video clip - speaking last week by the wall of photos on display at Gavin Brown’s Enterprise gallery space on Greenwich Street in the Village in New York City. The exhibit is similar in title and theme as well as contributors to the highly recommended 2007 published book Born In The Bronx that he is an integral part of. "Born In The Bronx: Afrika Bambaataa, Buddy Esquire, Charlie Ahearn’s Wild Style and Joe Conzo - A Visual Record of the Early Days of Hip Hop" the exhibit that is curated by Johan Kugelberg (editor of the book) runs through July 26th, 2014 at the downtown gallery space and is well worth visiting - and it is free.

In addition to Conzo's photos on exhibit are such artifacts as classic original era hip-hop show flyers by Buddy Esquire (RIP), a grid of original cells from the animated sequences of Charlie Ahearn’s landmark hip-hop film Wild Style, and a wall display of LP and 12" vinyl from the Afrika Bambaataa's influential record collection.  There's also Afrika Bambaataa manuscripts and notebooks and the original lyrics handwritten for “Planet Rock” - all of which adds up to must-see material for any true hip-hop history fanatic.

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