Cassette Store Day at Amoeba on Saturday, Oct. 17

Posted by Amoebite, October 14, 2015 04:51pm | Post a Comment

Cassette Store Day

Satuday, Oct. 17, is the day to be at Amoeba. First off, it’s our Super Saturday Sale at all three stores, where we’ll have 20% off all turntables, posters, T-shirts, books, headphones and mugs. And it’s also Cassette Store Day, where we’ll have a number of albums reissued to cassette.

Cassette Store Day is an internationally observed record store holiday much like Record Store Day. It started in the United Kingdom in 2013 to acknowledge the importance of the medium and has seen exclusive releases in the past from Deerhunter, The Flaming Lips and many others.

Below are this year’s cassettes that we’ll have in stock at Amoeba Hollywood on Saturday. Amoeba SF and Berkeley will also carry CSD tapes as well. And if you can’t make it out on Saturday, the leftovers will be made available on the next day!

Alex G - Beach Music Keep Shelly In Athens - Now I'm Ready
Beach Slang - Here, I Made This For You Method Man - The Meth Lab 
Berlin Brats - Zeitgeis Motorhead - Bad Magic
Bratmobile - Pottymouth Muse - Drones
Car Seat Headrest - Teens Of Style Someone Still Loves You Boris Yeltsin - Broom
Down - Down III: Over The Under STRFKR - Reptilians
Down - Down IV Part I Surfer Blood - Astro Coast
Down - Down IV Part II T.S.O.L. - Beneath The Shadows
Expert Alterations - You Can't Always Be Liked Twin Compulsions - Twin Compulsions
Foals - What Went Down Robert Tomaro - Slime City [OST]
Free Kitten - Sentimental Education Various Artists - BIPPP: French Synth Wave 1979-85
Girl Band - Holding Hands With Jamie Chris Walla - Tape Loops
Green Day - Dookie The Wonderland Philharmonic - Shogun Assassin
Here's what we'll have at Amoeba SF:  
Jaylib - Champion Sound
Peanut Butter Wolf & Dam-Funk 45 Minutes Of Funk
Jaylib - Champion Sound Remixes Sebadoh - KCRTroubleyou
Quasimoto - Further Various Artists - Counterfeit Blanks: 25 Years of Shrimper

Cassette Store Day

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Get Discounted Tickets to 'These Paper Bullets' Musical Featuring Music From Green Day's Billie Joe Armstrong

Posted by Amoebite, September 2, 2015 09:01am | Post a Comment

these paper bullets musical green day

See the musical "These Paper Bullets!" in Los Angeles at Geffen Playhouse with a special offer from Amoeba. Tickets are $38 (including fees) for any available seat for performances Sept. 17-30, while supplies last. No ticket limit. Use the promo code Billie at checkout.

Labeled “a modish ripoff of William Shakespeare’s Much Ado About Nothing,” the play features new music by Green Day’s Billie Joe Armstrong. The play follows four lads from Liverpool who woo the ladies of London with their music but end up in a comedy of errors. The play is written by Pulitzer Prize finalist Rolin Jones and directed by Jackson Gay.

Green Day’s rock opera concept album American Idiot was previously made into a successful play of the same name.

'American Idiot' Returns to the Stage in L.A., Amoeba Auctions Off Tickets

Posted by Billy Gil, April 15, 2014 03:56pm | Post a Comment

american idiot

The Tony-nominated production of “American Idiot,” the play based on the concept album of the same name by Green Day, comes to L.A.’s Pantages Theatre next month.

The limited one-week engagement runs from May 13 through May 18. Amoeba Hollywood will be auctioning off two tickets to the opening May 13 show at our May 3 charity auction. The tickets also include a meet-and-greet with the cast after the show.

We’ll also have merchandise from the show available to bid on, so head to Amoeba that day for a chance to win. The charity auction goes to benefit Sweet Relief, a non-profit that provides a fund for musicians in medical and financial need.

american idiot dance“American Idiot” tells the story of three childhood friends looking for meaning in a post-9/11 world. The musical features the music of Green Day and lyrics by frontman Billie Joe Armstrong, using hit songs from the album like “Boulevard of Broken Dreams,” “Wake Me Up When September Ends” and “American Idiot,” as well as songs from Green Day’s 2009 album 21st Century Breakdown and the unreleased Green Day song “When It’s Time.” The show’s Grammy-winning soundtrack is available now.

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Albums Out Dec. 11: Jawbreaker, Green Day, Bruno Mars and More

Posted by Billy Gil, December 10, 2012 07:03pm | Post a Comment

Jawbreaker – Bivouac [20th Anniversary Edition]

Jawbreaker BivouacCD $12.98

LP $18.98

Unlike some of its alt-rock contemporaries (call it emo or whatever, Bivouac is firmly 1991 in sound), Jawbreaker’s Bivouac is ripe for reissue because A) it can’t be found in your average record store, B) it was overlooked during its time and C) it has aged better than your average album of the era. Beginning with the roaring “Shield Your Eyes,” the album still hits hard, thanks to Blake Schwarzenbach razor vocals and the band’s scrappy attack. “Chesterfield King” echoes the boozy swagger of their elders in The Replacements, while “Sleep’s” sheet of guitars and hushed melodies place them as both Husker Du’s heir and as a band making music akin to their shoegazing brethren across the pond. For new listeners, especially those interested in some of the roots of emo, the brutal “Parabola” and the title track, which balances delicate passages with high-octane chunks of ferocious noise for 10 breathtaking minutes, should be elucidating in and of themselves. If only emo had stayed as good as Bivouac, we’d all be better off! The LP has four fewer tracks than the CD (as it did in the original pressing); the Chesterfield King EP also is reissued, including those four tracks (“Tour Song,” “Face Down,” “You Don’t Know…” and “Pack it Up”).

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Album Picks: Melody's Echo Chamber, Chris Cohen, The Soft Pack, Lavender Diamond, Plus Albums Out Tuesday

Posted by Billy Gil, September 25, 2012 04:30pm | Post a Comment
Album Picks:
Melody's Echo ChamberMelody’s Echo ChamberMelody’s Echo Chamber
My favorite new band out right now is Melody’s Echo Chamber, whose enchanting self-titled debut is a study in ebullient dream-pop perfection. The story goes that Melody Prochet hooked up with Aussie psych-rock greats Tame Impala, calling on the band’s Kevin Parer to beef up her beauteous, French-pop-inspired arrangements with the kind of soaring sonics employed by that band. What comes out is indeed a perfect marriage. It’s one of those records where the cover perfectly captures the mood: mysterious, colorful and ethereal, you get lost in the folds of this record and don’t want to come out. Fans of Broadcast and Blonde Redhead, take note. The only downside is that aside from a few strong standouts, like the garage rocky opener “I Follow You” and lush (and Lush-esque) “Endless Shore,” the record blurs together. No matter — for fans of this kind of thing, you won’t know where the time has gone. As with like-minded peers A Sunny Day in Glasgow, the emphasis is more on album as experience, following dissociative dream logic in which melodies and arrangements are allowed to meander and linger and flow into one another in a singular happening. In a word, divine.
Chris CohenChris CohenOvergrown Path
Chris Cohen is one of the great underappreciated guitar players of our generation — listen back to Deerhoof records from when he was in the band for proof of his and John Dieterich’s insane riffery and interplay. Since leaving that band, he’s spent time with projects such as Cryptacize, but now on his first solo album and John Cale Paris 1919 moment, we get to see what a strong singer, songwriter and arranger he is, as well. “Monad” opens the album with the sort of skewed guitarwork that will make early Deerhoof fans squeal, but that quickly fades into a brisk, smart soft-pop track punctuated by splashy drums, not unlike one of Yo La Tengo’s more ornate songs. Cohen packs his intricate guitarwork into skilled compositions, such as the Latin-psych vibing “Caller No.99,” in a way that was never as apparent in his flashier Deerhoof contributions. Though his voice is unremarkable, its nice-guy pleasantness carries listeners swiftly through mellow but tricky compositions, avoiding the sort of fussiness that could have resulted with punchier performances. By the time you arrive at the sweet “bum bum bum bums” of the irresistible “Optimist High,” you’re floating on a cloud of contentment and ready to follow Cohen just about anywhere. Overgrown Path is really the perfect fall album, cozy and warm and subtly, almost magically, life-affirming.

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