Amoeblog

'American Idiot' Returns to the Stage in L.A., Amoeba Auctions Off Tickets

Posted by Billy Gil, April 15, 2014 03:56pm | Post a Comment

american idiot

The Tony-nominated production of “American Idiot,” the play based on the concept album of the same name by Green Day, comes to L.A.’s Pantages Theatre next month.

The limited one-week engagement runs from May 13 through May 18. Amoeba Hollywood will be auctioning off two tickets to the opening May 13 show at our May 3 charity auction. The tickets also include a meet-and-greet with the cast after the show.

We’ll also have merchandise from the show available to bid on, so head to Amoeba that day for a chance to win. The charity auction goes to benefit Sweet Relief, a non-profit that provides a fund for musicians in medical and financial need.

american idiot dance“American Idiot” tells the story of three childhood friends looking for meaning in a post-9/11 world. The musical features the music of Green Day and lyrics by frontman Billie Joe Armstrong, using hit songs from the album like “Boulevard of Broken Dreams,” “Wake Me Up When September Ends” and “American Idiot,” as well as songs from Green Day’s 2009 album 21st Century Breakdown and the unreleased Green Day song “When It’s Time.” The show’s Grammy-winning soundtrack is available now.

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Albums Out Dec. 11: Jawbreaker, Green Day, Bruno Mars and More

Posted by Billy Gil, December 10, 2012 07:03pm | Post a Comment

Jawbreaker – Bivouac [20th Anniversary Edition]

Jawbreaker BivouacCD $12.98

LP $18.98

Unlike some of its alt-rock contemporaries (call it emo or whatever, Bivouac is firmly 1991 in sound), Jawbreaker’s Bivouac is ripe for reissue because A) it can’t be found in your average record store, B) it was overlooked during its time and C) it has aged better than your average album of the era. Beginning with the roaring “Shield Your Eyes,” the album still hits hard, thanks to Blake Schwarzenbach razor vocals and the band’s scrappy attack. “Chesterfield King” echoes the boozy swagger of their elders in The Replacements, while “Sleep’s” sheet of guitars and hushed melodies place them as both Husker Du’s heir and as a band making music akin to their shoegazing brethren across the pond. For new listeners, especially those interested in some of the roots of emo, the brutal “Parabola” and the title track, which balances delicate passages with high-octane chunks of ferocious noise for 10 breathtaking minutes, should be elucidating in and of themselves. If only emo had stayed as good as Bivouac, we’d all be better off! The LP has four fewer tracks than the CD (as it did in the original pressing); the Chesterfield King EP also is reissued, including those four tracks (“Tour Song,” “Face Down,” “You Don’t Know…” and “Pack it Up”).

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Album Picks: Melody's Echo Chamber, Chris Cohen, The Soft Pack, Lavender Diamond, Plus Albums Out Tuesday

Posted by Billy Gil, September 25, 2012 04:30pm | Post a Comment
Album Picks:
 
Melody's Echo ChamberMelody’s Echo ChamberMelody’s Echo Chamber
 
My favorite new band out right now is Melody’s Echo Chamber, whose enchanting self-titled debut is a study in ebullient dream-pop perfection. The story goes that Melody Prochet hooked up with Aussie psych-rock greats Tame Impala, calling on the band’s Kevin Parer to beef up her beauteous, French-pop-inspired arrangements with the kind of soaring sonics employed by that band. What comes out is indeed a perfect marriage. It’s one of those records where the cover perfectly captures the mood: mysterious, colorful and ethereal, you get lost in the folds of this record and don’t want to come out. Fans of Broadcast and Blonde Redhead, take note. The only downside is that aside from a few strong standouts, like the garage rocky opener “I Follow You” and lush (and Lush-esque) “Endless Shore,” the record blurs together. No matter — for fans of this kind of thing, you won’t know where the time has gone. As with like-minded peers A Sunny Day in Glasgow, the emphasis is more on album as experience, following dissociative dream logic in which melodies and arrangements are allowed to meander and linger and flow into one another in a singular happening. In a word, divine.
 
 
Chris CohenChris CohenOvergrown Path
 
Chris Cohen is one of the great underappreciated guitar players of our generation — listen back to Deerhoof records from when he was in the band for proof of his and John Dieterich’s insane riffery and interplay. Since leaving that band, he’s spent time with projects such as Cryptacize, but now on his first solo album and John Cale Paris 1919 moment, we get to see what a strong singer, songwriter and arranger he is, as well. “Monad” opens the album with the sort of skewed guitarwork that will make early Deerhoof fans squeal, but that quickly fades into a brisk, smart soft-pop track punctuated by splashy drums, not unlike one of Yo La Tengo’s more ornate songs. Cohen packs his intricate guitarwork into skilled compositions, such as the Latin-psych vibing “Caller No.99,” in a way that was never as apparent in his flashier Deerhoof contributions. Though his voice is unremarkable, its nice-guy pleasantness carries listeners swiftly through mellow but tricky compositions, avoiding the sort of fussiness that could have resulted with punchier performances. By the time you arrive at the sweet “bum bum bum bums” of the irresistible “Optimist High,” you’re floating on a cloud of contentment and ready to follow Cohen just about anywhere. Overgrown Path is really the perfect fall album, cozy and warm and subtly, almost magically, life-affirming.
 

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100 Famous Rock Guitar Riffs Offers Concise History of Rock N' Roll

Posted by Billyjam, July 17, 2012 10:00am | Post a Comment
      

Rock music has way too many incredibly memorable guitar riffs to limit a best of list to just one hundred, but the 100 riffs that guitarist Alex Chadwick of The Chicago Music Exchange came up with for the above video performance ain't half bad, and it is a nice informal overview of the history of rock n' roll. Sure it's a subjective selection that includes a lot of mega hits of the genre, and no doubt every rock fan could come up with their own unique list of a hundred best guitar riffs. But I like what Alex has done: from his playing to his choices of riffs, and from how he segues from song to song, to how he plays it on his 1958 Fender Strat all in chronological order. Below is that list of songs and artists in order with the artist names that are blue highlighted linking back to the Amoeba Online Store. where you can find their respective music (CDs, LPs, DVDs) including (in near all cases) the song played by Alex.

SONG/ARTIST PLAYLIST & AMOEBA SHOP LINK OF ALEX'S 100 GUITAR RIFFS (IN ORDER):


1 "Mr. Sandman"  Chet Atkins
2 "Folsom Prison Blues" Johnny Cash
3 "Words of Love"  Buddy Holly
4 "Johnny B Goode"  Chuck Berry
5 "Rumble"  Link Wray

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Amoeba Hollywood Vinyl Insider- Box Sets and Punk Collectibles This Week!

Posted by Mr. Chadwick, July 27, 2010 09:05pm | Post a Comment
This week we will be putting out a ton of recently priced and marked down box sets; look for them near info next to the new arrival LPs. Also, over on the south east wall, we will be changing out all of the punk and hc collectible rows.
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