Amoeblog

Such a Vision: Grace Sings Sludge's Red Light Museum

Posted by Kelly S. Osato, November 24, 2014 07:14pm | Post a Comment
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There are plenty of divas and dime-a-dozen darlings moving through the vanity fair on any given day, but there is only one Grace Cooper in existence. An artist, singer, and songwriter known in part for her countless collaborations with local visionaries and troubadours aplenty, as well as for her contributions as one-third of the oft celebrated and much missed Bay Area "girl band" The Sandwitches, Grace has lately released a new collection of songs as Grace Sings Sludge, an alias that serves as a monicker for her mostly-solo show, one that is apparently executed entirely on her own terms.

Following up from her past two Grace Sings Sludge releases with San Francisco’s Secret Seven Records, This Time It’s Personal and Last Year’s Friend, this new self-released album, Red Light Museum (via Empty Cellar), is a heady potion of lust, devotion, and darkened encounters that seems to be a more disturbed affair compared its predecessors, in a good way. One bewitching example of this is the opening track, "Difficult to Luv," what begins as an intimate, barely-there rhythmic apparition that slowly slips it's limbs around you, easing into a slow-handed throbbing inquisition for the "Jesus Christ of love" -- see the cattitudes aplenty video for the song, below:


Ten reasons why last year didn't suck: another Best Music of 2011 list

Posted by Kelly S. Osato, January 1, 2012 12:00pm | Post a Comment
2011, what can I say? A great year for music if not for anything else. So without further ado, I'm pleased to present my very own "Best of 2011" list, because listing is fun (unless, of course, you're on a ship in danger of capsizing). Let's sail on shall we, beginning with the top of the best, old Mr. Natural himself:

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Little Wings

Black Grass
Rad

This apple made a monumental leap from the tree in that it was many years in the making. It seemed that Kyle Field, the man behind the Little Wings mystique, had gone on hiatus only to return on his own terms with this juicy bramble of soft melodies, surf-salted served with a side of Lil Wayne-influenced folk-rock jammage. Field spins wooly yarns that sound like a conversation gone unspoken in the moment regaining shape in memory, voiced to oneself longingly. It's introspective almost to a fault, but the overall sound and vibe offers enough volume and warming to light even the darkest reaches of your keep and stay the ghosts of Black Grass' pasts at bay. Without a doubt the best new record and best instore performance of the year.

Little Wings - "Black Grass"


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The Sandwitches
Mrs. Jones Cookies
Empty Cellar

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