Amoeblog

A look at the Lyon's Eye -- Jeff Regan, Investigator

Posted by Eric Brightwell, August 18, 2014 04:12pm | Post a Comment

Jeff Regan, Investigator is a fine, hardboiled detective/radio noir series from the 1940s. Today it's perhaps best-remembered as Jack Webb's last role before Dragnet. After his departure, it continued with Frank Graham filling Webb's formidable (gum)shoes until his untimely death. 




*****

Jack WebbJeff Regan, Investigator debuted on CBS with the title Joe Canto, Private Eye on 10 July, 1948 with Barton Yarborough starring as Canto. The first episode, "Doctor, Lawyer and Indian Chief" was rerun a week after its initial airing with the new title of Jeff Regan, Private Eye. During its short run it would variously be referred to in print as Jeff Regan, Jeff Regan Det., and Jeff Regan Detective in addition to its proper title. Webb took over the role of Regan in the second episode, "The Prodigal Daughter" after which Yarborough continued to occasionally appear as Canto. 

Webb and his roommate/creative partner, Richard L. Breen, had made names for themselves on the west coast and within radio circles with Pat Novak...for Hire (1946) produced by San Francisco's KGO. After quitting that show and relocating to Los Angeles, the two created its near clone, Johnny Madero, Pier 23 (1947) which aired nationally, on the Mutual Network. However, Johnny Madero was a summer replacement series and did not continue after its short season. After freelancing for a spell, Webb was approached by CBS about creating a new series, which led to the creation of Jeff Regan.

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Six Shooter -- The Radio Western Starring Jimmy Stewart Debuted 20 September, 1953

Posted by Eric Brightwell, September 20, 2013 02:16pm | Post a Comment
Jimmy Stewart at microphone

On this date (20 September) in 1953, one of my favorite old time radio Westerns debuted on NBC -- Six Shooter. It was created and written by Frank Burt, who'd also written for The Six Shooter promo picWhistlerThe Man Called X, and The Unexpected. It was produced by Jack Johnstone (Buck Rogers, The CBS Radio Workshop, Richard DiamondSomebody KnowsYours Truly, Johnny Dollar, and others). The music director, Basil Adlam, arranged and conducted the theme,Ralph Vaughan Williams’s "The Highland Lament." The announcers were Hal Gibney (and John Wald), who introduced each episode with the words "The man in the saddle is angular and long-legged. His skin is sun-dyed brown. The gun in his holster is gray steel and rainbow mother-of-pearl, its handle unmarked. People call them both "the Six Shooter."

The only recurring character was Britt Ponset – played with greatness by Jimmy Stewart, who'd been interested in starring in a radio drama for some time before Six Shooter. Other actors that frequently appeared on the series included Parley Baer, Virginia Gregg, Harry Bartell, Howard McNear, Jeanette Nolan, Dan O'Herlihy, Alan Reed, Marvin Miller and William Conrad (though often credited as "Julius Krelboyne" since, at the same time, he was starring on Gunsmoke over at NBC's rival network, CBS).

Tales of the Texas Rangers -- Police Procedural with a Lone Star Twist

Posted by Eric Brightwell, July 8, 2013 12:42pm | Post a Comment

It took me a while to discover the brilliant radio drama, Tales of the Texas Rangers. I inferred from its name that it was a juvenile Western -- possibly a derivative of The Lone Ranger. Even though The Tales of the Texas Rangers Dell comicLone Ranger provided my childhood introduction I have never been a fan of white hat vs. black hat shoot 'em ups. The fact that the Ranger Reid and his taciturn buddy, Tonto, are once again galloping onto the screens of multiplexes does absolutely nothing for me besides lodging Gioachino Rossini's William Tell Overture into my head on a loop.




Luckily for me, Tales of the Texas Rangers is almost completely unlike The Lone Ranger beyond the fact that the protagonists of both are (or were, in the Lone Ranger's case) members of the Texas Rangers. Tales of the Texas Rangers isn't even a Western, really, any more than Bottle Rocket, Office Space, Pee-Wee's Big Adventure, or any other film that happens to be set in Texas of the present day. Tales of the Texas Rangers is actually a police procedural, having more in common with Dragnet and the similarly-technology-fetishizing CSI franchise than even radio noir adult westerns like Gunsmoke. Like Dragnet, the episodes were supposedly based on actual cases handled by the rangers from the late 1920s to the then present. Also like Dragnet, after the apprehension of the criminal, the announcer would state the outcome of the case -- usually a sentence at Huntsville in place of San Quentin.

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Somebody Knows and Wanted -- Golden Age Radio's great unsolved mysteries

Posted by Eric Brightwell, July 2, 2013 12:31pm | Post a Comment

In the wake of Dragnet's success for NBC (after having been rejected by CBS), radio audiences more and more craved authenticity from their crime dramas. Programs like Gang Busters (1936-1957) and This is Your FBI (1945-1953) claimed to be based on authentic cases, but were less realistic and adult in tone than the true crime series of the 1950s. Most of the scores of earlier hard-boiled detective shows were often utterly implausible, even when enjoyable. As they often did, in the summer of 1950, CBS and NBC went head to head with two similar programs that aimed to up the authenticity stakes, Somebody Knows and Wanted.
 

*****

SOMEBODY KNOWS

Somebody Knows debuted on 6 July, 1950 as that year's summer replacement for Suspense (1942-Elizabeth Short1962). Through narration and dramatizations, the known facts of unsolved crimes were presented and listeners who provided information leading to the conviction of a criminal in one of the profiled cases would get $5,000 for their effort (more than $47,000 in 2013, adjusted for inflation). Unable to find a sponsor, independent series creator Jimmy Saphier put up $40,000 of his own money. In a promotional interview Sapphier stated, "I don't care if we only have one listener. As long as he's the guy who knows who did it--and will rat on his pals." 

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Happy Birthday, Gunsmoke - The Greatest Radio Western of All Time

Posted by Eric Brightwell, April 26, 2011 12:24pm | Post a Comment
Gunsmoke was, without question, the greatest radio western of all. It debuted 59 years ago today, on April 26th, 1952. Having been exposed to juvenile westerns like The Lone Ranger and Red Ryder as well as the boring Gunsmoke TV series, for a long time I avoided the radio program. Besides, it was set in Kansas.
 
Then one day, I tuned in to an episode already in progress. Not knowing what it was, I didn't immediately change the station and was drawn into what sounded like a vivid, violent film noir, albeit set in 19th century Dodge City. When I realized it was Gunsmoke, I was surprised to say the least, but also hopelessly hooked.
 

Gunsmoke was created by director Norman MacDonnell and writer John Meston at the behest of CBS's programming chief, Hubell Robinson. His boss, CBS chairman William S. Paley, was a fan of another classic CBS program, The Adventures of Philip Marlowe. Robinson had suggested to the West Coast CBS Vice-President, Harry Ackerman, who had developed the Philip Marlowe series, to create a 
"Philip Marlowe of the Old West" in the 1940s.
 
In 1949, Ackerman and the famed scriptwriting duo of Mort Fine and David Friedkin created an audition script called "Mark Dillon Goes to Gouge Eye" based on one of their Michael Shayne radio scripts, "The Crooked Wheel." It starred Michael Rye as Matt Dillon. A second audition used Howard Culver, who employed a lighter approach. CBS OKed the latter but Ackerman's contract as the star of Straight Arrow (on the Mutual Network) interfered. Gunsmoke was thus shelved until three years later, when MacDonnell and Meston discovered it whilst working on their own adult-oriented western.
 

The new version cast the inimitable William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell and Parley Baer as deputy Chester Proudfoot. The writers sought to create the first realistic western, one populated by sociopaths and without untarnished heroes. Stories unflinchingly depicted rape, lynchings, murder, prostitution, scalping, massacres, theft, drug addiction and more. Justice was often not served.