Amoeblog

A look at the Lyon's Eye -- Jeff Regan, Investigator

Posted by Eric Brightwell, August 18, 2014 04:12pm | Post a Comment

Jeff Regan, Investigator is a fine, hardboiled detective/radio noir series from the 1940s. Today it's perhaps best-remembered as Jack Webb's last role before Dragnet. After his departure, it continued with Frank Graham filling Webb's formidable (gum)shoes until his untimely death. 




*****

Jack WebbJeff Regan, Investigator debuted on CBS with the title Joe Canto, Private Eye on 10 July, 1948 with Barton Yarborough starring as Canto. The first episode, "Doctor, Lawyer and Indian Chief" was rerun a week after its initial airing with the new title of Jeff Regan, Private Eye. During its short run it would variously be referred to in print as Jeff Regan, Jeff Regan Det., and Jeff Regan Detective in addition to its proper title. Webb took over the role of Regan in the second episode, "The Prodigal Daughter" after which Yarborough continued to occasionally appear as Canto. 

Webb and his roommate/creative partner, Richard L. Breen, had made names for themselves on the west coast and within radio circles with Pat Novak...for Hire (1946) produced by San Francisco's KGO. After quitting that show and relocating to Los Angeles, the two created its near clone, Johnny Madero, Pier 23 (1947) which aired nationally, on the Mutual Network. However, Johnny Madero was a summer replacement series and did not continue after its short season. After freelancing for a spell, Webb was approached by CBS about creating a new series, which led to the creation of Jeff Regan.

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This one's about the Blues, Pete Kelly's Blues

Posted by Eric Brightwell, August 12, 2014 01:40pm | Post a Comment

Today Jack Webb is best remembered for his portrayal of Detective Sergeant Joe Friday on the radio and television series Dragnet. Friday – a stiff, slouching, robotic cop who chain smokes as he rails against drug abuse – embodies for many folks the definition of a hypocrite and a square. However, the real Webb was also quite the hepcat, an amateur jazz musician with a massive collection of records. In addition to playing hard-boiled detectives, he also used radio to attack social injustices (on One out of Seven) and, with Pete Kelly's Blues, indulge his lifelong love of jazz and Chandler-esque noir.
 

Pete Kelly's Blues lobby card
Pete Kelly's Blues lobby card

Pete Kelly's Blues began as an unsponsored replacement series for The Halls of Ivy after a 13 February audition. It debuted on NBC on 4 July, 1951 and aired on Wednesday nights in most markets (Saturdays in others). It was created by Richard L. Breen, who'd previously worked with Webb on the wonderful and not-at-all dissimilar radio noir series, Pat Novak, for Hire, which Webb had left in 1947. Throughout the series' short run, Webb continued to star on both the radio version of Dragnet, which ran from 1949 until 1957, and the television version, which began a few months after Pete Kelly's Blues and continued to air until in its first run until 1959).

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Suspense - Radio's outstanding theater of thrills

Posted by Eric Brightwell, June 23, 2014 01:36pm | Post a Comment
AND NOW, A TALE WELL CALCULATED TO KEEP YOU IN SUSPENSE
 
Lurene Tuttle (left) and Rosalind Russell in "The Sisters" (9 December, 1948)
Lurene Tuttle (left) and Rosalind Russell in "The Sisters" (9 December, 1948)

On 17 June, 1942, the anthology Suspense debuted on CBS Radio. The long-running series, which anticipated television programs like Alfred Hitchcock Presents and The Twilight Zone, concluded in 1962, an occasion now usually cited as signalling the end of radio's Golden Age.

The formula of Suspense was similar to that of another excellent anthology of the day, The Whistler. In most episodes a crime occurs shortly after the program begins. Suspense is heightened as the drama unfolds. In the end justice prevails and the program concludes. Suspense succeeds where lesser anthologies often failed through good production, usually-taut writing, and the presence of some of the biggest names in Hollywood including giants like Bela Lugosi, Cary Grant, Charles Laughton, Henry Fonda, Humphrey Bogart, Joan CrawfordJohn Garfield, Judy Garland, Lana Turner, Lena Horne, Marlene Dietrich, Orson Welles, Paul Muni, Peter Lorre, among others -- who were often cast against type (especially in the case of actors mostly thought of as comedians like Jack BennyLucille Ball, and Red Skelton). 

Stories start in many ways -- a look back at old time radio's Night Beat

Posted by Eric Brightwell, February 20, 2014 02:45pm | Post a Comment
Frank Lovejoy at NBCIn the Golden Age of Radio, NBC produced some of the medium's best crime dramas, programs like The Adventures of Philip MarloweThe Adventures of Sam Spade, ConfessionDragnet, and Tales of the Texas Rangers. Another -- although sadly not well-remembered today -- was Night Beat, which debuted on 6 February, 1950 and aired not just in the US, but Australia and South Africa as well. 

The plot of Night Beat revolves around a reporter named Randy Stone who works for the fictional Chicago Star newspaper. In the process of writing his human interest column, "Night Beat," Stone passes in and out of the lives of night owls, underworld figures, lost souls, and other denizens of an improbably noir Chicago

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Six Shooter -- The Radio Western Starring Jimmy Stewart Debuted 20 September, 1953

Posted by Eric Brightwell, September 20, 2013 02:16pm | Post a Comment
Jimmy Stewart at microphone

On this date (20 September) in 1953, one of my favorite old time radio Westerns debuted on NBC -- Six Shooter. It was created and written by Frank Burt, who'd also written for The Six Shooter promo picWhistlerThe Man Called X, and The Unexpected. It was produced by Jack Johnstone (Buck Rogers, The CBS Radio Workshop, Richard DiamondSomebody KnowsYours Truly, Johnny Dollar, and others). The music director, Basil Adlam, arranged and conducted the theme,Ralph Vaughan Williams’s "The Highland Lament." The announcers were Hal Gibney (and John Wald), who introduced each episode with the words "The man in the saddle is angular and long-legged. His skin is sun-dyed brown. The gun in his holster is gray steel and rainbow mother-of-pearl, its handle unmarked. People call them both "the Six Shooter."

The only recurring character was Britt Ponset – played with greatness by Jimmy Stewart, who'd been interested in starring in a radio drama for some time before Six Shooter. Other actors that frequently appeared on the series included Parley Baer, Virginia Gregg, Harry Bartell, Howard McNear, Jeanette Nolan, Dan O'Herlihy, Alan Reed, Marvin Miller and William Conrad (though often credited as "Julius Krelboyne" since, at the same time, he was starring on Gunsmoke over at NBC's rival network, CBS).

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