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Warrant Frontman Jani Lane Dead At 47

Posted by Kelly S. Osato, August 12, 2011 07:22am | Comments (1)
jani lane dead at 47 singer frontman warrant hear gram metal
Jani Lane
(born John Kennedy Oswald), the flaxen-tressed former lead singer of 1980's hair-metal band Warrant, was found dead on Thursday in a hotel room in Woodland Hills, California.

According to The Hollywood Reporter, police found the body of Lane, 47, at a Comfort Inn, with no cause of death available at press time. Lane was best known for the Warrant hit "Cherry Pie," which he wrote and features a guitar solo by Poison's C.C. DeVille. The double entendre-filled video for the song — featuring a barrage of footage flaunting the accolades of Lane's future wife, celebrated Star Search spokesmodel champion turned video vixen, Bobbie Brown — quickly became a programming staple on MTV's Headbanger's Ball when it was released in 1990. warrant singer frontman jani lane dead death at 47 marriage model video vixen bobbie brown star search wedding

The singer was born in Akron, Ohio, on February 1, 1964. He began his career as a teenage drummer before moving to Florida and playing in a series of metal bands. Eventually he made it to Los Angeles with future Warrant drummer Steven "Sweet" Chamberlin in search of fame and a steady gig.

He was recruited to join Warrant in 1986 and the band released their major-label debut, Dirty Rotten Filthy Stinking Rich, in 1989, spawning the hits "Heaven" and "Down Boys" -- a vastly underrated song that, as far as I can tell, is about a wild child, looking cool on the cheap and ogling, i.e. "the way the street lights silhouette your thighs through your dress." But it was 1990's Cherry Pie that really put them on the map, selling three million copies and realizing their dreams of "making it" as hair-metal superstars. Supposedly, the title tune was written on the back of a pizza box, which can be seen on display at the Hard Rock Café in Destin, Florida. jani lane warrant singer frontman dead at 47 death solo later years alcoholism rock star

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OMG! Look What the Cat Dragged In!

Posted by Kelly S. Osato, January 26, 2011 01:08am | Post a Comment
I don't know about you but when I was thirteen years old this is what I thought rock 'n' roll looked like:
poison anniversary tour 2011 glam rock look what the cat dragged in vinyl reissue bret michaels motley crue rumor
Hardly petal fresh but definitely party pretty! Poison celebrates their 25th anniversary this year and rumor mills are a-spinnin' that Bret Michaels is intent on putting together a commemorative tour with a reluctant Mötley Crüe who, at 30 years of "togetherness," accuse Michaels of "trying to will" the bill into being. And why not? It's a dreamy match up of iconic glam-rockery and bitchy cocksureness the likes of which RuPaul's Drag Race can only boast, and don't we know Ru can put on a show! But I digress..
poison debut lp reissue look what the cat dragged in tour 2011 25th anniversary motley crue
Even if the Crüe doesn't fit, I hope Poison still moves ahead with their tour and, if they have any imagination what-so-ever as to what their audience of once-thirteen-year-old girlies want, they had better play right through all thirty-eight glorious minutes of their recently reissued (on 180 gram vinyl housed in deluxe gatefold, no less) debut LP Look What the Cat Dragged In. The record once described by Michaels as a "glorifed demo" spawned four singles (and, after almost a year of climbing, peaked at #3 on the Billboard charts in 1987, how lucky! Like Mötley Crüe, Poison originally formed under a crap name (Paris; in Mötley Crüe's case, Christmas) and changed it to a lesser crap name after moving from Pennsylvania to Hollywood, where they met their future ("reality") star guitarist, Brooklyn native C.C. DeVille (who apparently won out over Slash in auditions due to personal preferences concerning wardrobe; you know, stilettos over moccasins). Though possibly best known for the sleazy, erectual frustration of songs like "Talk Dirty To Me," "I Want Action" and "Want Some, Need Some," not forgetting the corny "I Won't Forget You" slow jam, Look What the Cat Dragged In serves up more than just a teased tumbleweed of ambition which, given their swift success, surely pissed off a lot of the competition. To revisit Ru, I believe this record to be a portrait of the charisma, uniqueness, nerve and talent a certain kind of musician had to harness --- however desperate, ripped-off or closeted --- in their quest to make a name for themselves in the unforgiving 1980's Hollywood rock scene, namely "glam." The video for Poison's debut single from Look What the Cat Dragged In, "Cry Tough," is a slice of Hollywood glam zeigeist unparalleled in every aspect -- check it out (p.s. did these guys love Van Halen or what?!):
 

Midriff Men

Posted by Mr. Chadwick, September 1, 2009 09:40pm | Post a Comment
No muffin tops, but the farmer's daughter knotted shirt look was obviously once the rage amongst musical studs. Plenty of late summer looks to be found here-- plan now, as we're bound to have another couple of nasty heatwaves before the fall cool down.

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full force lp coverjohn travolta lp coverisley brothers showdown lp cover
starbuck moonlight feels right lp coverjontahan richman i'm just beginning to live lp coverfame rock n roll world lp cover
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snakebyte lp coverconey hatch lp coverchico debarge talk to me 12" cover

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The Moon missions and the children of Major Tom -- the end of the space age and the music that followed

Posted by Eric Brightwell, July 20, 2009 03:58pm | Comments (3)
first moon landing

It's the 40th anniversary of the first manned moon landing, and looking back at that achievement it's obvious that one of the many repercussions was evinced in the music of the era. In addition to the space rock of bands like Pink Floyd and Hawkwind and sci-fi minded funk acts like Funkadelic, the glam rock scene, which exploded around the same time, is one of the most obvious manifestations. For a couple of years, glam rock was massively popular in several countries and it spawned hordes of mylar-and-make-up-wearing rockers singing about extraterrestrial love and lonely planet boys. On December 7, 1972, the Apollo 17 was the last manned mission to the moon and the space age, shortly after, seems to have drawn quietly to a close. Glam rock seemed to fizzle shortly afterward, but maybe it just went underground, seeking out new frontiers in a different set of clothes.



First, in 1973, David Bowie retired his extraterrestrial Ziggy Stardust and released Aladdin Sane. Although hardly a radical departure, it was famously hyped as "Ziggy goes to America" and represented Bowie's efforts to move in a new direction. Then, in early 1974, glam rock's creator Marc Bolan announced that "Glam rock is dead." His February release, Zinc Alloy and the Hidden Riders of Tomorrow - A Creamed Cage in August, was described by its creator as "cosmic soul." Bowie described his next direction as "plastic soul" shortly afterward. Glam's two most important stars seemed committed to moving on in spirit, if perhaps overstating the change in their music.

Mimes in music and film

Posted by Eric Brightwell, November 8, 2008 09:12pm | Comments (2)
mimes

Last year for Halloween I was Bip the Clown, a famous creation of the then recently passed master of mime, Marcel Marceau. I thought it would be good to go an entire day without talking, yet it seemed to arouse violent annoyance in as many people as liked it.


 
I think it made me realize that I like mime, especially when it's darker and scarier... as in the mimetic acting of German Expressionist silent film... as well as comedians like Buster Keaton, Harry Langdon, Harold Lloyd and Charlie Chaplin, who were all essentially mimes. And, come to think of it, so was Cesar the somnambulist in Das Cabinet des Dr. Caligari... whom I was for Halloween a while ago, come to think of it.


Mime has its roots in ancient Greece but most conventions of modern mime were developed by the Bohemian mime, Jean-Gaspard Deburau, who adapted aspects of the commedia dell'arte for nineteenth century French actors. His most famous character was Pierrot, the moonstruck, dumb romantic in white face and poofy threads. He was portrayed in Marcel Carné's Les Enfants du Paradis.

Etienne Decroux

In the 1920s, Étienne Decroux created a highly original take on mime, focusing on statuary poses, a technique known as corporeal mime.

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