Amoeblog

More One Album Wonders

Posted by Eric Brightwell, July 21, 2014 10:00am | Post a Comment
The vinyl LP was introduced by Columbia Records in 1948 but the 45 inch single remained the primary market for the music industry until the dawn of the album era, which began in the mid-1960s. In that era, for any number of reasons, many fine musical acts released only one studio album. Here's Part II of a look at some of my favorite "one album wonders."



MICHAELANGELO - ONE VOICE MANY (1971)

Michaelangelo - One Voice Many


Michaelangelo were a Greenwich Village-based psychedelic folk-rock group led by Angel Petersen (but credited simply as “Angel”) who wrote the group's music and played electric autoharp -- an instrument popularized within the folk-rock scene by Lovin' Spoonful's John Sebastian. Rounding out the band were Michael John HackettRobert Gorman, and Steve Bohn. After attracting interest from producer Rachel Elkind and composer Wendy Carlos, what proved to be Michaelangelo's solitary album, One Voice Many, was released by Columbia. It incorporates a variety of influences that give the band a unique sound but one that might appeal to fans of Pidgeon and Renaissance (and not just because both used autoharps as well). Apparently the excellent album was poorly promoted which accounted for its poor sales and the group's subsequent disbandment. However, it clearly found its way to some fans over the years, as in 1992 the band Golden Smog included a cover of their song, 
"Son (We've Kept the Room Just the Way You Left It)" as the lead track on their EP, On Golden Smog. In 2009 it was released on CD by Rev-Ola.


One Album Wonders

Posted by Eric Brightwell, July 15, 2014 04:14pm | Post a Comment
The vinyl LP was introduced by Columbia Records in 1948 but the 45 inch single remained the primary market for the music industry until the dawn of the album era, which began in the mid-1960s. In the album era, for a variety of reasons, many fine musical acts released only one studio album. Here's Part I of a look at some of my favorite "one album wonders."

*****


THE FIREBIRDS - LIGHT MY FIRE (1968)

The Firebirds - Light My Fire


In 1968 a group of studio musicians who cut a collection of songs as The Firebirds as a cash in for budget label, Crown Records, "king of the junk record labels" (not their slogan but an apt description). It was joined by the label's Hey Jude, credited to Underground Electrics, and Hair, credited to 31 Flavours -- all of which were recorded anonymously and might very well have been a product of the same musicians. Theses sorts of cheapie cash-ins used to be a dime a dozen but they're almost never performed as well as here, where the faceless group of unknowns bash out some stoned immaculate heavy psych and acid rock of the brown variety.




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The Moon missions and the children of Major Tom -- the end of the space age and the music that followed

Posted by Eric Brightwell, July 20, 2009 03:58pm | Post a Comment
first moon landing

It's the 40th anniversary of the first manned moon landing, and looking back at that achievement it's obvious that one of the many repercussions was evinced in the music of the era. In addition to the space rock of bands like Pink Floyd and Hawkwind and sci-fi minded funk acts like Funkadelic, the glam rock scene, which exploded around the same time, is one of the most obvious manifestations. For a couple of years, glam rock was massively popular in several countries and it spawned hordes of mylar-and-make-up-wearing rockers singing about extraterrestrial love and lonely planet boys. On December 7, 1972, the Apollo 17 was the last manned mission to the moon and the space age, shortly after, seems to have drawn quietly to a close. Glam rock seemed to fizzle shortly afterward, but maybe it just went underground, seeking out new frontiers in a different set of clothes.



First, in 1973, David Bowie retired his extraterrestrial Ziggy Stardust and released Aladdin Sane. Although hardly a radical departure, it was famously hyped as "Ziggy goes to America" and represented Bowie's efforts to move in a new direction. Then, in early 1974, glam rock's creator Marc Bolan announced that "Glam rock is dead." His February release, Zinc Alloy and the Hidden Riders of Tomorrow - A Creamed Cage in August, was described by its creator as "cosmic soul." Bowie described his next direction as "plastic soul" shortly afterward. Glam's two most important stars seemed committed to moving on in spirit, if perhaps overstating the change in their music.

Glam & Glitter Christmas

Posted by Eric Brightwell, December 24, 2008 10:15am | Post a Comment

 Marc Bolan Santa Claus

I'm not
sure what it is about Glam Rock and Christmas but I've always appreciated how many contributions to the Christmas song canon have big drums, fuzzy sax and '50s via the '70s Yuletide vibes.


My vote for the best Glam Rock Christmas song goes, hands down, to Slade with their never-tiresome-no-matter-how-many-times-you-hear-it classic, the misspelling free "Merry Xmas everybody."



 

Sadly, there's no proper footage of T. Rex's "Christmas bop" but you can just imagine Marc and Gloria Jones frolicking in the... snow.


 

No doubt eager to cash in on the success of Wizzard and Slade's Christmas successes, the less-inspired but still enjoyable Mud give us this Showaddywaddy-esque version of "Lonely this Christmas."

CUM ON FEEL THE NOIZE OF SLADE

Posted by Billyjam, July 20, 2007 08:20pm | Post a Comment

Slade
-- the great UK rock group performing "Look Wot You Done" from 1971 when they were more rock than glam, since glam rock didn't fully kick in til 1972/73. In 1972 they released the hard rock album Slayed, featuring such timeless chant-alongs as "Gudbuy T-Jane" and "Mama Weer All Crazee Now." Then there was the song "Cum On Feel The Noize," which years later was popularized in the US by Quiet Riot. Formed in 1966, Slade's lineup was Noddy Holder (vocals/guitars /bass), Dave Hill (guitars/vocals/bass), Jim Lea (bass/guitar/vocals/keyboards/violin), and Don Powell (drums/percussion). Their most successful years were 1971 to 1974, during which time they made some truly classic hard rock and glam songs -- scoring over a dozen UK Top of the Pops hits.

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