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Revolutionary Rapper Paris Announces September 11th Release Date For "Pistol Politics"

Posted by Billyjam, July 27, 2015 09:53am | Post a Comment

Never one to back down or shy aware from controversy, outspoken veteran Bay Area rapper Paris continues to stay true to both his revolutionary rap style and his core political beliefs. The controversial artist, who famously got dropped by his record label over political content early on in his career and has since stayed true to his often unpopular convictions, announced that September 11, 2015 will be the release date of his newest politically charged hip-hop album, Pistol Politics

9/11 and what it symbolizes has been a topic close to Paris's heart since the history-changing 2001 event, and one that he has openly questioned in his music, being among the few hip-hop artists to label 9/11 an inside job. On his 2003 album Sonic Jihad, which showed on its original cover art a plane crashing into the Pentagon, he featured the "truth" music track "What Would You Do" (see video below) that addressed his theories on 9/11 as well as the Illuminati's agenda, asking listeners "Would you stand up for truth? Or would you turn away too? And then what if you saw All of the things that's wrong?" 

Another funk-fueled production, the album (his eighth album since his 1990 debut The Devil Made Me Do It) was first announced seven months ago with the release of the single and video for the album track "Night of the Long Knives" that addresses police brutality, racism, and other issues (video below). It is being described by the artist as both a condemnation of society's ills and a celebration of its virtues, emphasizing themes promoting unity, progression, and community upliftment, and a "musical statement of solidarity" with a wide range of guest collaborators that include Chuck D, George Clinton, E-40, WC, Kam, Tha Eastsidaz, Dead PrezT-K.A.S.H., and The Conscious Daughters that is "a much needed united front against oppression and institutional racism in an age almost devoid of meaningful commentary in urban entertainment."

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Jerry and the Dead May Be Gone But George and Parliament Funkadelic Are Still Here

Posted by Billyjam, July 15, 2015 08:30am | Post a Comment

















Fans of the Grateful Dead feeling bummed about not getting to attend the final Dead series of concerts recently, might consider the alternative of going to check out George Clinton's Parliament Funkadelic who are currently on a summer tour that includes some free shows in New York City this week. As anyone like myself who has ever witnessed concerts by both Jerry Garcia's beloved band and by the Godfather of Funk's various funk incarnations (Parliament / Funkadelic / P-Funk All Stars) will attest, both share an approach to concerts that tend towards long extended jams that are related to "the One." So if you were among those Deadheads disappointed to not get to attend either the two anniversary Dead shows last month in Santa Clara, CA or this month's sold-out (and expensive) show series at Chicago's Soldier Field, where the four remaining members of the Grateful Dead - Phil Lesh, Bob Weir, Mickey Hart, and Bill Kreutzmann - performed together reportedly for the last time, then I say honor Jerry and the Dead by going to see George and Parliament Funkadelic

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Music History Monday: December 15

Posted by Jeff Harris, December 15, 2014 10:46am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: December 15, 1967The Who Sell Out, the third studio album by The Who, is released. Produced by Kit Lambert, it is recorded at Talentmasters Studios in New York City; IBC Studios, Pye Studios, De Lane Lea Studios, CBS Studios, and Kingsway Studios in London; and Gold Star Studios in Los Angeles from May - November of 1967. The band's third release is a concept album that includes songs interspersed with fake commercials and public service announcements, mimicking the British pirate radio station Radio London. The band will actually be sued by a number of companies whose real products are parodied on the album. It will spin off the classic "I Can See For Miles" (#10 UK, #9 US Pop). Original pressings of the album include a short instrumental cut in the runout groove. The first 1,000 copies of the original stereo and first 500 mono copies of the UK LP will come packaged with a psychedelic poster of a butterfly painted by artist Adrian George. The art had originally been intended for the album's cover, but is rejected. The rarity of these initial pressings have sold in recent years for more than $1,000 each or more on the collector's market. The album is reissued on CD in 1995 with ten additional bonus tracks including outtakes not included in the original release. It is reissued again in 2009 as a two CD Deluxe Edition featuring the original mono and stereo versions of the album, with 28 bonus tracks.The Who Sell Out will peak at number 13 on the UK album chart and number f48 on the Billboard Top 200.
 

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Rickey Vincent Discusses "Party Music" - His New Book on the Black Panther Party House Band, The Lumpen

Posted by Billyjam, February 20, 2014 11:00am | Post a Comment


Rickey Vincent
- the veteran Bay Area funkateer, radio DJ, University of California-Berkeley professor, and author of the bible of funk music (Funk: The Music, the People, and the Rhythm of The One (St. Martin's Press) is back with a new book that beautifully melds two of the author's passions - the history of local music and politics - and this month has doing some readings in San Francisco of his book. Next week he will be at the Main Public Library on Wednesday Feb 26th. "Party Music: The Inside Story of the Black Panthers' Band and How Black Power Transformed Soul Music" - recently published by Chicago Review Press is the story the short-lived five member funk band The Lumpen who, back in the late 60's/early 70's in Oakland, were the Black Panthers house band. Little known for many years after the fact the Lumpen were a close knit collective of activist musicians who used music and song as their medium to deliver their revolutionary ideology with the record "Free Bobby Now" about Bobby Seales. Even Vincent, a scholar on funk and local music, did not know about The Lumpen until he randomly found out about them about. Vincent instantly knew he had to learn more about the Lumpen, their music, and their historical impact, and to share this information with the public at large. The result is Party Music which neatly ties together the black music tradition with the black activist tradition. This week I caught up with Rickey Vincent to ask him about his new book, the significance of its content, and what to expect at his San Francisco book reading next week.

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Music History Monday: March 4

Posted by Jeff Harris, March 4, 2013 11:00am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Born on this day: March 4, 1944 - Legendary R&B singer, songwriter, and musician Bobby Womack (born Robert Dwayne Womack in Cleveland, OH).

Happy 69th Birthday, Bobby!!

 


On this day in music history: March 4, 1967 - "Ruby Tuesday" by The Rolling Stones hits #1 on the Billboard Hot 100 for one week. Written by Mick Jagger and Keith Richards, it is the fourth chart-topping single for the British rock band. Richards will come up with initial idea for the song, writing it in a Los Angeles hotel room in early 1966 while the band are in the city recording tracks for their album Aftermath. The song is based on a groupie Richards knows and his then girlfriend, Linda Keith. Jagger will write most of the lyrics including the songs' chorus. The Stones will record "Ruby Tuesday" at Olympic Studios in London on November 8, 1966 with additional overdubs recorded on December 3rd. Guitarist Brian Jones will also play the recorder on the song, giving it its distinctive baroque sound. "Ruby" is originally released as the B-side of "Let's Spend The Night Together" in January of 1967. When American radio stations feel that the former song is "too suggestive" for airplay, DJ's will flip the single over and play "Ruby Tuesday" instead. Entering the Hot 100 at #78 on January 21, 1967, it will speed to the top of the chart six weeks later. Certified Gold in the US by the RIAA, "Ruby Tuesday" will be added to US LP pressings of The Rolling Stones' next album Between The Buttons when it is released on February 11th.
 

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