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Music History Monday: October 13

Posted by Jeff Harris, October 13, 2014 10:33am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: October 13, 1965 - "My Generation", the third single by The Who, is recorded. Written by Pete Townshend, he will take inspration from singer Mose Allison's song "Young Man Blues." The song's crowning touch will be provided by singer Roger Daltrey stuttering like a one of the band's mod fans on speed. Produced by Shel Talmy, the band will record the song at IBC Studios in London. Recorded on three track tape, the final mono master will feature a second guitar part overdubbed by Townshend (direct to tape while being mixed) that features the song's trademark feedback. Released in the UK on November 5, 1965 (US release date is November 20, 1965), the song is an instant smash in their home country peaking at #2. Though it will only peak at #74 in the US, it will go on to be one to be one of most influential rock singles of all time. "My Generation" is now part of the The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was inducted into the Grammy Hall Of Fame in 1999. In 2002, "My Generation" will be mixed into true stereo for the first time from the original multi-track tape (though it is missing the additional guitar overdub from the mono mix), which has been in the possession of Shel Talmy, and appears on the Deluxe Edition of My Generation.
 

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Where My Ears Went in 2012

Posted by J. Mark Beaver, January 10, 2013 01:33pm | Post a Comment
sandro perri impossible spaces
SANDRO PERRI Impossible Spaces
(Constellation Records)

Easily the most confounding sound I heard this last year. In all truth, this record was released in late 2011, but I didn't find any indicators pointing towards it until this year. Perri is a multi-instrumentalist, vocalist, producer from Toronto, Canada who also creates electronica under the name Polmo Polpo. On Impossible Spaces, Perri presents a light, meandering soul in a voice that sometimes reminds me of Michael Franks, sometimes Antony, sometimes Christopher Cross. It's a strange tone to hear in 2012, but it is all couched and wrapped in, levitated and nudged along by a busy production of electronica, (fretless?) bass, warped keyboards and processed saxophone that keeps pulling my ear deep into its sheer inventiveness. Guaranteed to confuse.








MOUNT EERIE Clear Moon
((P.W.Elverum & Sun)  

One of this year's two "sister" releases (with Ocean's Roar), Clear Moon, is issued, as it should be, on clear vinyl. Phil Elverum, the creative force behind Mount Eerie and its former incarnation, Microphones, is a master of mood. His albums are for headphones, for closed eyes, akin to sitting alone (or with silent friends) in the forest or on some chilled rocky outcropping from where you can see no sign of civilization and yet always aware that its there.
mount eerie clear moon

The Art of the LP Cover- Halloween Special Pt 3.

Posted by Mr. Chadwick, October 31, 2010 12:05am | Post a Comment

Happy Halloween!




Soul Wall Remodeled

Posted by Mr. Chadwick, May 6, 2010 01:05pm | Post a Comment
Where do I start? At the Hollywood store, the entire soul LP collectible wall is being overhauled and we've got a ton of killer titles. Sealed classics, modern soul rarities, boogie monsters, disco divas, gospel crossovers as well Prince, Michael Jackson & Jackson 5 rarities. It really is sick...

Stories Of A Young Gomez, Pt. 1 - How Prince & Funkadelic Rocked A Young Mind

Posted by Gomez Comes Alive!, January 22, 2008 01:17am | Post a Comment
prince 1999
It was 1982. I was on a school bus with my classmates, coming back from a field trip. We went to one of those historical Spanish ranches that were built when California was still Mexico (or Aztlán, if you swing that way). I was in a haze, staring out the window when my classmate, Krystal, yells out to me, “Hey, have you heard the new Prince yet?” She threw me her cassette Walkman and I pressed play.

“Don’t worry, I won't hurt you. I only want you to have some fun…”

I knew "Little Red Corvette;" it was all over the radio. But by the time I got to "Lady Cab Driver" I was a full-blown fan and 1999 was my Sgt. Pepper. It took me months to figure out that this was the same Vato that sang "Wanna Be Your Lover" a few years back.

Orale! I always thought it was a woman who sang that song!

funkadelic one nation under a grooveA few weeks later, my cousin Diana had a party in Buena Park. She had a pretty big record collection. I managed to ignore all the other records and went straight to 1999. As soon as the needle hit the wax, Diana’s boyfriend, Larry, was like, “Aw hell no, Prince again?’ At that moment I remember hating Larry. Like most kids, I held every discovery sacred and I thought I knew more than everyone. Larry looked at me like he knew what I was thinking. “You want to hear where Prince got all that from?’ He went to the record collection and pulled out Funkadelic’s One Nation Under A Groove and Uncle Jam Wants You. He played each album consecutively, side a, side b, side a, side b. All those songs, "Who Says A Funk Band Can't Play Rock?!," "Cholly (Funk Gettin' Ready To Roll), "One Nation Under A Groove," "(Not Just) Knee Deep Pt.1," "Freak Of The Week." I stood staring at the speakers, digesting every song, every note, every deep bass note, every keyboard bend, every guitar solo and vocal harmony. It was as if I was trippin', way before I knew how that felt.

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