Amoeblog

Guy Peellaert 1934 - 2008

Posted by Whitmore, November 22, 2008 10:02am | Post a Comment


Belgian artist Guy Peellaert, most famous for his album cover illustrations of David Bowie’s Diamond Dogs and The Rolling Stones’ It’s Only Rock 'n' Roll and his ground breaking art book Rock Dreams, died this past Monday of kidney cancer in Paris. He was 74.

Born in Brussels in 1934 into an aristocratic family, Peellaert broke with his family as a teenager, first by entering the military, then by choosing an art career over his father’s demands to pursue a career in medicine. Peellaert first major success was the comic strip, Les Aventures de Jodelle, published in 1966 in the French magazine Hara-Kiri. The central character, Jodelle, was modeled after Ye-Ye singer Sylvie Vartan. Peellart's second comic strip, Pravda, again modeled the heroine after a French singer, the iconic Françoise Hardy. In the 1970’s Peellaert went on to design movie posters for such films as Martin Scorsese's Taxi Driver; Wim Wenders's Paris, Texas and Wings of Desire and Robert Altman's Short Cuts.

But Peellaert is best known for his rock album covers -- especially his controversial Diamond Dogs design from 1974. The gate-fold cover features Bowie as a half-man, half-dog grotesque. Peellaert painted in a photo-realistic style and the controversy stems from how well he flaunted the hybrid genitalia. I guess that was something of a no-no in the early 1970’s. A few copies of the original cover inexplicably survived, today they fetch upwards of a few thousand dollars each. The initial RCA release had the genitalia airbrushed out, but the recent reissue on Rykodisc/EMI revives the original artwork.

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scattered to the winds

Posted by Whitmore, July 26, 2007 01:50pm | Post a Comment

Scattered … That’s where I am these days, early July. Completely to the wind all up and down the west coast.

If I’m not in the middle of packing up some 350 boxes of household items, toys, records, and books, and moving from an island in the Puget Sound back to my native Los Angeles, I ‘m sitting in a van doing a small tour back up the coast to the northwest with the band Listing Ship, this schedule is hell.

(We've been waiting on the uber-semi-truck filled with 11,000 pounds of personal possessions, finally it arrived, I bid a big hello to the movers and all my newly-arrived-to-LA crap … found a change of clothes, found some musical gear, kissed goodbye my wife and son and hit the 5 Freeway North in a cargo van with six other band members, first gig tomorrow night. It’s hardly a coincidence my life is so scattered. “Can I self-medicate now, please, Doctor, sir, please?”)

Truthfully ...  (yet not exactly), the biggest excuse for not getting around to this post until now -- ostensibly about my favorite subject, 7 inch 45’s, (I had promised something blog-like for the good people at Amoeba almost two weeks ago) -- touring was the first dent in responsibility, but the installation of the magic window that is cable TV in our new rental and just in time for the Tour de France was actually the culprit.

For me, July is inevitably about my birthday, BBQ’ed sausages on the 4th (just meat--none of this mango/pesto/tofu crap, save those ingredients for a smoothie) and bicycle racing in France. My money for the 2007 Tour was on Alexandre Vinokourov. He would have been my choice to win the Tour last year but his old team, Astana-Würth, was ripped to shreds after five of its riders were implicated in the “Operación Puerto” doping case and scandal, leaving Vinokourov with only three teammates and not even a pot to piss in (pun intended). Last year in 2006 Vinokourov wasn't implicated in the doping scandal, however as of this morning all that has changed. On Tuesday Alexandre Vinokourov tested positive for a banned blood transfusion after winning last Saturday’s time trial, prompting him and his team Astana to pull out of the 2007 Tour de France. I’m broken hearted once again. “So it ain’t so Vino.”

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(In which Job educates you and also lies here and there.)

Posted by Job O Brother, July 17, 2007 12:06pm | Comments (2)
I’m looking around my apartment (it’s a bachelor, so this doesn’t take much time) at my collections of who’s-its and what’s-its (you want thing-a-ma-bobs? I got plenty) to find something I want to tell you about, in hopes that it will inspire or delight you, as it has me.

Which is awfully presumptuous. I mean, there’s a small chance that you and I don’t have the exact same tastes in everything, right? Maybe you don’t think that “Love & Rockets” is one of the finest works of literature in the history of mankind; perhaps you’d disagree that beholding a Rothko in person can be an emotional experience; mayhap, though this seems ridiculously far-fetched, you might even balk at my pronouncement that both Isaac Albéniz’s operas and “SCTV” are under-appreciated.


My idea of a chick-flick. No. 14, 1960, by Mark Rothko

But I digress. Life is confusing and challenging enough without entertaining the idea that you and I might be different. The best course of action is to assume we’re on the same page, and that the only real difference between us is that you don’t know about some of the stuff I do, and my job is to tell you about these things, so you can rush out and discover them. D’accord?

I’ve been employed by Amoeba Music Hollywood for nigh three years. For the first year, I worked full time in the classical music section. This was a valuable opportunity to further develop both my collection and knowledge of the genre. (For instance, I learned that the piano is actually played with hands, and that Mozart wrote most of his music during his lifetime!)

My tastes in classical music are broad. I’m particularly fond of British music of the Victorian era, modern Scandinavian composers, German lieder, and most Baroque music, especially if it involves woodwinds. I’m not a fan of Mozart, except for his operas which are some of my favorites; I detest Chopin and die a little inside when a customer asks me for advice on which recordings of his music to buy; Russian romantics leave me wanting and Anne Sofie Von Otter’s 1993 recording of songs by Edvard Grieg makes me rock out with my cock out.

(In which Job is sooo condescending.)

Posted by Job O Brother, May 18, 2007 12:50am | Comments (2)
Okay.

I’m looking around my room for gems of pop culture (or, as is more often in my case, unpopular culture) that I can gab about.

A good starting point is whatever’s playing on my iPod. Right now, that’s “La Transfiguration de Notre Seigneur Jésus-Christ”, a piece by the composer, Olivier Messiaen.

(*Chuckle*)

Um… That’s Olivier Messiaen.

Hee! You did it again! The way you’re pronouncing it in your brain is – you must forgive me – hilarious. It’s that cluster-f**k of vowels at the end.

Now, before you get all huffy and pronounce a few crueler things in your brain at me, you should know that I too once pronounced Olivier Messiaen the same way you… titter!… you just did.

But now I know better, and I’m going to pass this knowledge on to you. For free!

The first name is easy. It’s the Freedom version… I mean, the French version, of the name Oliver. Oh-LIVE-ee-ay. Like that one actor who won a lot of awards and inspired everyone with his performances and drank to numb the pain of his crushing depression and repressed homosexual desires.

No, silly – not Tom Cruise. Tom Cruise doesn’t inspire anyone. Pay attention!


Beloved actor and all-around doomed soul, Lawrence Olivier

The surname is the challenge, and requires making a couple sounds that don’t appear in the English language. I’ll break it down, syllable by syllable:

Messiaen: Mee-seh-YA-choo.

I know, I know. It doesn’t look like it’s pronounced that way, but it is French after all. We’re talking about a people who can’t be bothered to pronounce half their words most of the time.

(Dans quelle Job feint pour savoir le français.)

Posted by Job O Brother, May 10, 2007 11:17am | Comments (1)
My cat is driving me crazy.

So anyway, about French pop music. A lot of you hipsters know and love Edith Piaf and Serge Gainsbourg and, though technically not French - we’ll not poils fendus – Josephine Baker. But the newness of discovery is spoilt when you realize that all your hipster friends have the same “obscure” French records you do and are just as prepared to profess their love of them over Jack & Cokes at whatever red-wallpapered hole-in-the-wall bar y’all frequent.

You want an upper hand. You want to show your dear, dear friends you’re a little better than them. And you want to sleep with one of them, but they don’t know it and you can’t tell them because, for one, it would wreak havoc with a couple of your friendships, and two, in your heart of hearts you know that they would never really love you back. Not really.

My cat seems to think that everything in this house is a scratching post except his scratching post.

So anyway, about French pop music. I’m no expert, but I’ve been around, and can offer a few new voices to enjoy that, though well-known in France, aren’t quite as obvious a choice stateside.

A particularly glamorous option, and one that lends itself well to barroom conversation (i.e.: showing off) is that blonde bombshell, Suzy Solidor.

She opened a Parisian nightclub in the early 1930’s, Boite de Nuit, which became all the rage. She held the [questionably factual] title of “most painted woman in the world”, with portraits being realized by some dude named Picasso, and the most famous by Tamara de Lempicka...


See? You knew the painting, but you assumed the woman in it was just another cabaret-cruising, syphillus-spreading harlot that took a break from swilling back absinthe to get her portrait painted, when in reality she was a successful businesswoman and popular chanteuse.

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