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The Grammy Museum Presents The Drop: Joy Williams Aug. 19

Posted by Amoebite, August 6, 2015 06:06pm | Post a Comment

joy williams

Amoeba is proud to sponsor folk singer Joy Williams at the Grammy Museum Aug. 19 for their live program "The Drop." She’ll appear for an intimate performance and discussion at the museum’s Clive Davis Theatre, starting at 8 p.m. Tickets are $20.

joy williams venusWilliams came into fame as one half of the popular folk-rock duo The Civil Wars. Along with bandmate John Paul White, the band won four Grammy Awards, including Best Country Duo/Group Performance in 2014 for “From This Valley,” from the band’s self-titled album.

That same year, the band broke up. Since then, Williams has returned to her solo career, which began prior to The Civil Wars, with the releases By Surprise (2002), Genesis (2005) and a number of EPs.

Now the singer/songwriter has released a new album called Venus, which came out in June. Williams collaborates on the album with Michael Einziger and Charlie Peacock, among others. Listen to the upbeat “Woman (Oh Mama)” below:

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Americana Artist Jackie Greene Comes to the Grammy Museum Aug. 11

Posted by Amoebite, August 4, 2015 06:57pm | Post a Comment

jackie greene

Amoeba is proud to sponsor Jackie Greene at the Grammy Museum Aug. 11 at part of the Americana series of its program "The Drop." He'll appear to discuss his career and new album, Back to Birth (out Aug. 21, now available for preorder), and will perform live at the Clive Davis Theater.

jackie greene back to birth cd lpThe show starts at 8 p.m., and doors are at 7:30 p.m. Tickets are $20, however, they are currently sold out.

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The Milk Carton Kids Come to L.A.'s GRAMMY Museum May 18

Posted by Amoebite, May 5, 2015 04:49pm | Post a Comment

the milk carton kids

Amoeba is proud to sponsor The Drop: Milk Carton Kids, presented by The GRAMMY Museum, on May 18 at 8 p.m. Tickets are currently sold out.

the milk carton kids monterey cdThe Milk Carton Kids will appear at the Clive Davis Theater for an intimate performance and Q&A moderated by Scott Goldman, Vice President of MusiCares and the GRAMMY Foundation. They’ll discuss the band’s new album, Monterey, which is due May 19 on ANTI-.  You can preorder the album on LP and CD now.

The genre-bending Americana duo released their debut album, The Ash & Clay, in 2013 to rapturous acclaim, garnering a GRAMMY nomination for Best Folk Album and winning Group of the Year at the 2014 Americana Music Awards. For Monterey, band members Kenneth Pattengale and Joey Ryan created the album in concert halls, churches and theaters across the country in aims of achieving the spontaneity of a live show. The band continues to incorporate jazz, classical and dark lyricism into its sound, which Paste magazine has said carries an “intellectual sophistication.”

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Amoeba Presents Gurrumul in Los Angeles at the El Rey May 6

Posted by Amoebite, March 19, 2015 03:43pm | Post a Comment

gurrumulAboriginal folk singer Gurrumul brings his angelic voice and stirring, spiritual acoustic music to LA's El Rey Theatre on May 6. Amoeba and Goldenvoice are proud to co-present. You can buy tickets at Amoeba Hollywood with a low service fee or online here.

Gurrumul (real name Geoffrey Gurrumul Yunupingu) has been called “Australia’s most important voice” by Rolling Stone. Gurrumul was born blind and a member of Gumatj clan on Elcho Island. On his self-titled debut album, Gurrumul sings in a mixture of Yolngu and English about such subjects as his love for his country, spiritual connection with the land, the death of his father and difficulty of living as a blind man.

Beyond his homeland, Gurrumul has performed for President Barack Obama and the British Royal Family, and Gurrumul won several ARIA Awards (Australia’s version of the Grammys), including Best World Music Album.

Hear the inspiring “Wiyathul” in the video below:

 

Amen Dunes' Damon McMahon Talks Trying Not to Be Cool On New Album 'Love'

Posted by Billy Gil, June 13, 2014 06:16pm | Post a Comment

Amen Dunes Damon McMahonDamon McMahon has been making lo-fi psychedelic folk under the Amen Dunes moniker over the past decade. Several tours, a stint living in China and a few records later, and Amen Dunes are having a breakthrough moment with the recently released Love, a cleaner, more precise album and perhaps one of the best of the year thus far, full of swirling, melancholic folk-rockers with carefully considered experimental touches.

I’ve read that in the past you recorded a lot of things on your own onto tape. What made you want to go for a more produced sound on this record?

I think I’ve always wanted to make records that sounded really good, but I didn’t have the means to do so. It’s always been a solitary process, it never really worked for me in studios, but I’ve always wanted to make a record that sounded really good but I never really had the ability to do that. I had specific visions for this record. I had this idea of imagining what a songwriter record would sound like if it was backed by Pharoah Sanders. I was really obsessed with this Pharoah Sanders record called Karma, I have been for a long time. I wanted to make a record that production-wise was reminiscent of that. And I couldn’t really do that with a TASCAM four-track.  

Was it important to keep some of the immediacy of your earlier work? I’m thinking of a song like “I Can’t Dig It,” which has almost a live feel to it.

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