Amoeblog

Milo Greene Set to Play Amoeba With Live Webcast As Debut Record Lands

Posted by Billy Gil, July 15, 2012 04:00pm | Post a Comment
Milo GreeneMilo Greene is British. He’s well-dressed — three-piece suit and the like. He’s incredibly confident and charming, he’s well-spoken, he’s an intellectual, but also a man’s man. He’s exactly six feet tall to the millimeter, and if he were a dad, he’d be the No. 1 dad.
 
Milo Greene the man also isn’t real — they are a band, not a dude. He’s a fictional character band member Robbie Arnett invented when forming the band with Andrew Heringer. When contacting venues, Milo Greene would send the requests, and Arnett and Heringer saw their fortunes rise accordingly, getting better shows.
 
Now a five-piece who’ve taken the moniker Milo Greene as their own, in a bit of Belle & Sebastian-style alluring bewilderment, is set to release its debut, self-titled record July 17. The band plays Amoeba Hollywood the same day, at 7 p.m. with a live webcast.
 
milo greene milo greeneThe L.A.-based band’s debut record, Milo Greene, offers the same sort of intimate harmonies and natural harmonies of a Fleet Foxes or, further back, Fleetwood Mac just as Stevie and Lindsay joined the band. Written in part in a cabin in the Sierra Nevada Mountains, and recorded with co-producer Ryan Hadlock (Ra Ra Riot, Blonde Redhead, The Gossip, The Lumineers) at Bear Creek Studio, a converted early 1900s barn in the country outside of Seattle, it’s a beautifully crafted set of songs that makes the most the band’s five-person set-up. They offer lush harmonies on songs like “Don’t You Give Up On Me,” which sounds like a gorgeous gospel intervention. Lone girl Greener Marlana Sheetz in particular stands out on songs like “Perfectly Aligned,” in which Sheetz’s testimonial vocals are wrapped in just the right amount of gauzy reverb while the boys (who include Graham Fink and Curtis Marrero, in addition to Arnett and Heringer) back her up with swaying folk-rock, along with electric swells of sound and strident harmonies when necessary. The whole thing’s, you know, perfectly aligned.
 
I sat down to talk with Fink about what it’s like to be in a folk band in L.A. in 2012, and what records and songs are doing it for him these days (Hint: Lots of ’90s R&B).
 
Me: Truthfully it was a bit hard to find out more about you guys, and along with the whole “Milo Greene” concept, it seems to me sort of an early Belle & Sebastian situation where you want the music to stand for itself and not for any member of the collective to stand out. Is that fair to say?
 
Fink: Absolutely. This is a very collective group, and the music has always stood at the forefront. We liked the idea of just releasing some live videos early, so people could see the five of us in a room, making music. No lead singer, no gloss, music first and foremost. That being said, I'm really trying to get famous so I can be gifted courtside Clippers tickets.

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Local Stuff: Best Coast/Iggy Pop, Poolside, IO Echo

Posted by Billy Gil, July 6, 2012 11:12am | Post a Comment
true bloodBest Coast & Iggy Pop - "Let's Boot and Rally"
 
Insane amount of Best Coast happenings. First there was her not one, but two Fleetwood Mac covers, “Storms” and “Rhiannon,” the latter on an upcoming F-Mac tribute album, Just Tell Me That You Want Me, and now she’s teaming with Iggy Pop on a cool song for “True Blood.” It premieres on this Sunday’s episode of “True Blood,” and you can hear it now via KCRW, whose Gary Calamar co-wrote the song, as music supervisor for the show. Hopefully it makes it onto a “True Blood” soundtrack, I love the song, it sounds like X at their most rockabilly.
 







 
Poolside
Poolside Album preview

 
L.A. duo Poolside continue to drum up buzz for their upcoming full-length album, Pacific Standard Time. Right now it’s streaming from our friends at KCRW ‘till July 16. After that you’ll have to wait a bit to pick up a physical copy of the disc. For now, enjoy the sweet sounds of this proggy, sunny electro duo’s music with a cocktail. Something blue, maybe with a tiny umbrella.
 

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Music History Monday: June 18

Posted by Jeff Harris, June 18, 2012 07:07pm | Post a Comment
To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com

Born on this day: June 18, 1942 - Pop music icon Sir Paul McCartney (born James Paul McCartney in Liverpool, UK). Happy 70th Birthday to one of the greatest musicians of all time and one of my biggest musical heroes. We ♥ you, Sir Paul!



On this day in music history: June 18, 1966 - "Hold On, I'm A Comin'" by Sam & Dave hits #1 on the Billboard R&B singles chart for one week, also peaking at #21 on the same date. Written and produced by Isaac Hayes and David Porter, it features Booker T. & The MG's providing instrumental support. At first, the duo are not fond of the song, feeling that the title and lyrics are too "corny and hillbilly." In fact, on the finished record, Sam Moore can be heard laughing out loud when Dave Prater sings the lyric "I'm on my way, your lover, if you get cold yeah, I will be your cover." Released as a single in March of 1966, the song will quickly rise up the charts, becoming their first R&B chart topper and first top 40 pop hit.


On this day in music history: June 18, 1967 - The Jimi Hendrix Experience will make their now legendary American performance debut at The Monterey International Pop Music Festival. The band will be booked to perform on the recommendation of Paul McCartney, having seen Hendrix and the Experience perform at the Saville Theatre in London two and a half weeks earlier (opening their set with The Beatles "Sgt. Pepper's Lonely Hearts Club Band"). The bands' set at Monterey will climax with Hendrix setting fire to his Fender Stratocaster and smashing it on the stage. The performance will launch Hendrix into rock superstardom in the US and worldwide.

Local Stuff: Videos From Poolside, Best Coast, Kitten

Posted by Billy Gil, June 15, 2012 11:30am | Post a Comment

Poolside – “Slowdown”
 
Poolside(Sally Struthers voice) Do you like watching scrawny L.A. hipsters swim and sing catchy tunes that sound like hip-hop without the rapping? Sure, we all do.
 
Poolside’s big summer single bowed yesterday on Pitchfork, along with its trashy summer vibes video. This thing was made to soundtrack the Ace and Standard hotels, all easy beats and lush synth hooks. Scoff if you must; this sort of thing is rarely done as well as it is here. Their nicely titled Pacific Standard Time album comes out July 9.




Best Coast – "The Only Place" video and KCRW performance
 
Best Coast
Best Coast
debuted a super cute video for “The Only Place,” from the album of the same name, this week where Bethany Cosentino and Bobb Bruno run around L.A. and give viewers a tour of the “real” L.A.: tacky souvenir shops, backyard pools, bikes, our gross but awesome river. And lots of Bobb! It’s as sweetly low-key and breezy as the song.
 

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70's Pop/Rock Artist Bob Welch Departs this Life

Posted by Billyjam, June 8, 2012 11:40am | Post a Comment

Bob Welch "Ebony Eyes" (1978)

Is it just me or does it seem like the frequency with which we are losing artists has been rapidly increasing over the past year? It seems like every week word of some great musician who came to fame in the '60s, '70s, or '80s has passed on. The latest to add to that sad, long list is '70's rock artist Bob Welch, known for both his solo work and membership of Fleetwood Mac, who died yesterday at age 66. Unlike many of the other artists who have passed on recently due to natural causes, the singer/songwriter/guitarist whose career never quite reached its full potential, was the victim of a self-inflicted gunshot wound to the chest.  As one of my fellow WFMU DJs noted following this tragic news, Welch qualified as a "classic tortured shoulda-been left-behind '70s artist."

  Welch recorded some timeless pure pop-rock perfection, including his hits "Hot Love, Cold World,” “Precious Love,” "Sentimental Lady" (originally recorded with Fleetwood Mac but then later reworked by Bob Welch), and 1978's "Ebony Eyes" (video above), which would be the biggest hit of his career.  But despite all of the successes Welch enjoyed, he never really reached the level of appreciation he deserved. He was unfortunate in that he had split Fleetwood Mac before they became hugely popular and then, on top of this, his own solo career stagnated back in the '80s. The two post-Mac groups he formed, Paris and Avenue M, never really took off and, as accurately noted in today's LA Times, his "early contributions [to Fleetwood Mac] helped pave the way for the sound the band is celebrated for today." Welch rarely gets much credit for those contributions.

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