At the beginning of documentary Beware of Mr. Baker, we’re introduced to the titular character when the misanthropic elderly man bashes his biographer in the face with a cane. Filmmaker Jay Bulger gets out of the car to show us his bloody nose, and from there we’re whisked back through not only the story of Ginger Baker, famed drummer for Cream, but also the story behind the creation of the film.
Bulger bills himself as a writer for Rolling Stone in order to get an interview with the reclusive Baker — this is a lie. However, the article Bulger comes up with once he meets with Baker in his South Africa compound does get published in Rolling Stone, providing the catalyst for the film. The brash Bulger, and his interactions with Baker, become a hilarious side story to that of Baker, the red-headed wild man who helped pioneer rock drumming as a member of Cream, with Eric Clapton and Jack Bruce. Baker’s unique, African and jazz-influenced style would go on to be widely used in hard rock and heavy metal in years to come. But Baker’s personal life is beset by drugs, family issues, several wives and money problems.

However, Beware of Mr. Baker is no predictable “VH1 Behind the Music” story, nor is it a sob story. It’s more a celebration of a life thoroughly lived, and of a character whose lust for life and for drumming supersedes his ability to live normally and care for anyone else. It’s riveting viewing, even (and perhaps especially) for those unfamiliar with Baker. The film’s editing, full of animated bits, stock footage and interview footage, jump-cutting and fading with psychedelic aesthetic, is nothing short of brilliant. It also includes enlightening, often funny interviews with the likes of Clapton, Steve Winwood, Carlos Santana, Lars Ulrich and Neil Peart.


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of these shots are ones advertising new album releases or concert dates from such acts as Poco, Loggins & Messina, Barbi Benton, Donovan, The Who, War, Joni Mitchell, Billy Preston, Neil Sedaka, Greg Allman, Elton John, Eric Clapton, Mahogeny Rush, Rod Stewart, Joe Cocker, Rolling Stones, George Harrison, The 5th Dimension, Steppenwolf, Rick Derringer, and many more. 
post break up anthems, or songs about loss and depression that just seep of sadness yet draw us like a moth to a flame. Why do people love Morrissey and the Smiths' sad songs about been miserable? Because - like hot tea on a hot day that fights fire with fire - so too do sad songs quell the sadness in our collective hearts. Some say that we like sad songs of others' tales of despair because we can indulge in their suffering from a safe distance. Like in the comic strip above we love/hate those sad songs so much we have to hit replay.
clincher line, "it feels so good to hurt so bad"
Day's Night
Pattie Boyd grew up in Africa, and moved back to England when she was about 10 or so. She ended up a model, working with 

