New Release: Lulu Jam's Temporada Alta

Posted by Eric Brightwell, July 13, 2015 02:35pm | Post a Comment

Lulu Jam - Verano de amor
Still of Lulú Jam!'s video for "Amor de verano" 
Directed by Roberto Doveris, filmed by Valentina Sáez for Niña Niño Producciones

After a seven year recording hiatus, Chilean electro-pop group Lulú Jam! have a new album out called Temporada AltaThe path of my discovery of Lulú Jam! is, I think, kind of amusing in that reveals something about the changing landscape at the intersection of technology and recording. I moved to Los Angeles in 1999 and one of the first bands I heard on the now-defunct Spanish indie station that I liked was “Tren al Sur” by the by-then-disbanded Chilean group, Los Prisioneros. More than any other band, Los Prisoneros opened me up to South American pop — not sweaty, clenched fist, sing along with the jukebox, pirate-shirted “Rock en Español,” but pop. 

A Venezuelan contacted me via LiveJournal and sent me a jpeg (this was before YouTube) of a video by Argentine band Miranda! and I caught a video for another of their songs, "Romix," on LATV. When Myspace launched, it's only obvious improvement over Friendster was that there bands could have profiles and Miranda!’s “Myspace friends” included several bands, the most interesting of whom were Lulú Jam!, a Chilean band with which they’d more than once shared a stage. 

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Elli et Jacno... et Lio. Les electro-ye-yes

Posted by Eric Brightwell, April 6, 2009 09:13pm | Post a Comment
Denis Quillard (born in 1957) came from an eccentric but distinguished family in Champagne. A chainsmoking fan of Gauloises, he was known to some as "Jacno," after Marcel Jacno, the illustrator who designed the cigarette manufacturer's logo. Jacno had learned to play flute at a religious school in Margency, Notre-Dame-de-Bury. As a child his musical heroes had been Chopin, Mozart and Satie, but as a young teenager, he gravitated toward The Who and The Rolling Stones. At fourteen, he took a job as a messenger boy, enabling him to buy a guitar. He also grew increasingly rebellious, experimenting with drugs, engaging in petty theft, and being expelled from a succession of schools. In 1973, he formed a short-lived band called Bloodsuckers.

Elli Medeiros was born January 18, 1956 in Montevideo, Uruguay. Her mother, Mirtha Medeiros, was an actress, and as a child, Elli also appeared in Uruguayan film, stage and TV productions. In the early '70s, along with her mother and her stepfather, she moved to Paris. The following year, at a protest, Elli and Jacno crossed paths. Soon, the two began dating and plotted a musical career.


In 1976, Elli and Jacno (joined by Bruno Carone, Albin Dériat and Hervé Zénouda) formed Les Stinky Toys in Rennes, Brittany. They played their first gig as Les Stinky Toys on the fourth of July, 1976. Les Stinky Toys quickly garnered a reputation as a willing and fairly able band who played several notable performances, including at London's 100 Club alongside The Buzzcocks, The Clash, The Damned, The Sex Pistols and Siouxsie & the Banshees. That came about after Malcolm McLaren discovered the band at a boutique in Les Halles. The notoriously hype-loving Melody Maker featured them on their cover. Conversely, the notoriously bitchy Trouser Press described them as "uninspired sub-Rolling Stones rock'n'boogie with terrible vocals by Elli Medeiros." In March of 1977, they played with Generation X, The Jam and The Police at Le Palais des Glaces. Soon after, they signed with Polydor and released their debut single, "Boozy Creed," followed by an album, Plastic Faces.

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