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Composer Carl Stone's Personal Record Collection For Sale at Amoeba Hollywood

Posted by Rick Frystak, October 3, 2014 01:01am | Post a Comment

Carl Stone LP Collection

Amoeba Hollywood has purchased one of the finest record collections that I have ever set eyes upon in my record store days (and that's about 13,870 days)!! Here we have obscure gems aplenty, many I've only seen perhaps once in my life, but here they are, side by side with records I've never ever seen before, and ones previously only legendary. In other words, a wonderful, rare collection!!!

Yes friends, I have negotiated a mutually satisfactory agreement that has allowed Amoeba to obtain the personal record collection of Mr. Carl Stone himself. Yes, THAT Carl Stone, composer and electronic sound artist extraordinaire, 21st-Century cultural icon, and truly a connoisseur of recorded sound in the left-of-center areas of many genres, and they are all here in the collection for sale in Amoeba's Hollywood store beginning the weekend of October 11 & 12: Avant Garde, Electronic, Musique Concrete, Experimental, Renaissance, Baroque, Medieval, Classical, New Music, World music, Jazz, No Wave, New Wave, Power Pop, Punk rock, Post-Punk, Industrial, and various "roots" musics.  All are original 1st pressings of mostly small, independent labels with loads of private pressings and imports.

Just, like, two words: mind blowing!!

This array of breathtaking LPs reflect Carl's usual pattern of being dead-center, ground zero, really at the apex of "what's happening" in music, never more true than in the pre-CD days of  this collection...a forward-thinking and quite wide-minded person's...one that doesn't come along very often. Don't think for a second that Professor Stone hasn't been feeding a constant, perhaps life-sustaining hunger to hear for himself the latest, most creatively interesting and challenging music (and in his case, even the sound of a big-piped sports car or machinery), from all over the world and across all genres. I presume he always has, and this collection of vinyl reveals that fact in every liner note and cover spine. Collectors like this are searchers, never quite satisfied with what is, what was, or even what "shall" be, barely trusting word of mouth and the writing on the walls. We collectors shake down anything that could offer that special chord combination, the emotional rush, the personal spirituality button pushed, or a memory bubbling over God-knows-how and why. Often these elusive platters make just a brief appearance in our airspace, only to become a faded memory, "Yeah, I saw that once at Amoeba…", or more likely, a 3 a.m.-tossing-and-turning-I'm-going-back-first-thing-in-the-morning-I-hope-it's-still-there angst-filled moment. Carl looked high, low, in, out and around for significant records. Carl got beaucoup promos sent to him. Carl had people hold things for him. Artists sent Carl their records out of the blue. Carl impulse-bought. Good record labels covered Carl. Carl special ordered records. Carl travelled the world and bought records as meals for his soul.

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Byrdsol Talks 'pierreponte,' Album Available to Download Exclusively on Amoeba.com

Posted by Billy Gil, July 21, 2014 08:25am | Post a Comment
byrdsol
Photo: Aida Daneshvar Photography

The new album by byrdsol (aka Burgess Tomlinson) takes the artist’s electronic sound and infuses with a healthy dose of folk heart, giving pierreponte an intriguing duality. On one hand, the music is put together by digital means, beats are introduced halfway through songs and acoustic strums are cut up and mended, yet Tomlinson’s breathy croon and bedroom composition style keeps the music grounded and connected.

The album is currently available as a download exclusively on Amoeba.com, while Tomlinson has started an indiegogo campaign for a physical release. I took a minute to catch up with Tomlinson, who currently works at Amoeba Hollywood, about his latest release.

How long have you been making music? 

Most of my life. I guess I got serious in 9th grade. The music director at my high school put the budget to good use. He built a complete midi studio with an Ensoniq sampling, sequencing, keyboard workstation, and a few now vintage drum machines. You were allowed to sign up for time blocks on your breaks or lunch, as long as you were involved in at least one music class, which I was for four years. I was also taking piano lessons at home and playing a few Casio-type keyboards my dad got me way into the nights. In 10th grade my friends and I started a band called Swirl, in a music-friendly basement. We recorded thtree songs in a local studio and played some extremely high profile arcade gigs at the local mall. 

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New "What's In My Bag?" Episode With The Glitch Mob

Posted by Amoebite, April 10, 2014 01:15pm | Post a Comment

The Glitch Mob

With two proper albums, five mixtapes, one EP and a slew of singles, The Glitch Mob are LA's beat scene rulers. The electro champions have remixed everyone from Daft Punk to The White Stripes to TV On The Radio. Their most recent full-length, Love Death Immortality, came out in February of this year on their own imprint, Glass Air. A quick look at their tour schedule and it's easy to see the Mob is in high demand. You can catch them performing out in the desert at Coachella April 11 & 18.

The Glitch Mob stopped by Amoeba Hollywood recently for some record digging. The guys picked up some really cool Drum & Bass, Hip Hop and Dub albums, kicking things off with Portishead's 1997 self-titled classic on vinyl. They follow it up with Aphex Twin's Selected Ambient Works Vol. 2 and ATLiens by Atlanta's biggest Hip Hop export and fellow Coachella artist, Outkast. They also share some of their influences, including DieselboyKing Tubby, and Nine Inch Nails. Check out the full episode for all their picks.   

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Amoeba Electronic's 2013 Best of LPs

Posted by Oliver / Matt / Jordan, December 19, 2013 02:58pm | Post a Comment


Thanks for supporting Amoeba and reading the Amoeba Electronic blog in 2013. Like us on Facebook for daily updates and feel free to hit us up with any requests/feedback. Without further ado, here are our Best LPs of 2013, compiled by Oliver, Matt and Jordan. 

 

ADR - Chunky Monkey LP Cover20. ADR - Chunky Monkey

Hippos In Tanks

While visual artists have been quick to adapt to the internet's Babel of information, musicians have been slow to comment directly on the vast digital buzz. Hippos In Tanks, as a label, has admirably pushed this conversation forwards while also displaying a fierce devotion to the traditional mediums of CD and vInyl. James Ferraro's "Farside Virtual" (Hippos In Tanks, 2011) was seen as a comment on emerging personality types in the face of rampant technoconsumerism, but in retrospect, can be seen as Ferraro's first step out of the cassette underground into sleeker rnb/hip-hop influenced production Gatekeeper's "Exo" had them abandoning the Carpenter-esque VHS aesthetics of their previous releases, even hiring internet artist Tabor Robak to create a playable game for reach song. The most successful effort in creating a musical analog to endless internet-meme driven communication is ADR's "Chunky Monkey". 

The record succeeds first and foremost because Aaron David Ross (1/2 of the Gatekeeper) is a completely badass producer. I woudn't be suprised if legitimate pop production is in his future based off of the seemingly effortless genre tourism on display here. Opener "Casual Friday" places  samples of sitcom saxaphones against a loping 303 and eerie processed piano that could be lifted from a Prologue release. "Sumo" seems to be an oblique comment on 90s boom-bap, while "What It Takes" could be lifted from a sinister Sprite commercial. "Stray Dog Strut" could be seen as ADR's reading of Sly and Robbie digidub, but in this tune, the comment on internet culture is palpable. In the midst of innocuous and expertly produced genre-exercises, ADR is prone to interrupt with unsettling samples (e.g. a screaming chorus of roller coaster riders) to fray the edges. The effect has an uncanny resemblance to cruising through life with 15 tabs open.

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New "What's In My Bag?" Episode With Electro Duo Disclosure

Posted by Amoebite, December 12, 2013 03:06pm | Post a Comment
Disclosure

Electronic music duo and recent Grammy nominees Disclosure have been quickly becoming dance music's latest craze. The English born musicians are brothers Guy and Howard Lawerence. Despite being born in the mid-'90s when U.K. garage was peaking, Disclosure pulls from the past to create their own brand of 2-step house. Some critics call them revivalist while others praise their elaborate production chops.settle The dudes are really good.

Disclosure made a lot of noise when they gave Jessie Ware's "Running" a hyper-soul synth pop makeover. The remix resulted in millions of plays on YouTube and Soundcloud. It didn't take long before promoters from London to Ibiza were falling over each other to book the duo.They quickly found fans in some of dance music's tastemakers, including Pete Tong and Annie Mac.

Their debut album, Settle, entered the U.K. charts at #1,  followed by a Grammy nod for Best Dance/Electronica Album. The duo will now ring in 2014 with a world tour. Pretty impressive for a couple of kids born in the mid '90s. 

Disclosure recently visited Amoeba Hollywood for another awesome episode of What's In My Bag?. These dudes are very much the "producer's producer" as it goes. Big fans of Hip Hop, Guy and Howard pick up J.Dilla's Welcome 2 Detroit, a classic in the underground Hip Hop scene. They also grab Gangstarr's Ownerz and A Tribe Called Quest's Anthology on vinyl. They make sure to dig up some house music and find a copy of Pepe Bradock's Lifting Weights 12". Clearly these guys love all things with big deep bass! These two brothers are super cool, down to earth and insanely talented. Check out the full episode of "What's In My Bag?" below.

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