Amoeblog

More Journeys Off the Beaten Track

Posted by Rick Frystak, November 29, 2011 04:44pm | Post a Comment

Peter Michael Hamel
Hamel
Vertigo 6641 055, 1972

2-Lp set on German Vertigo circa 1972 brings us a spiritual journey of minimalism and creative spark, alone in the studio…tape running and overdubbing, often not listening to the previously recorded material. Hamel was doing multi-tracked organ, synths, piano and percussion in Germany at the same time as Riley, Glass and those guys were, quite forward-thinking. He worked with maestros Joseph Anton Reidl and Luc Ferrari, but never went in that conrete’ or collage direction as a style musically. Terry Riley is still doing live organ pieces just like these herein, and classical composers have struggled with this style for decades. Here in these discs we have 2 luscious sides of organ and synthesizer pieces with each instrument “beating” or modulating the other, simple rooted tones yet always moving with melody and logic; 1 side of prepared piano with a Cage influence, yet Hamel shows his prog/pop and Indonesian gamelan inclinations rhythmically and tonally. Nice! The last side is synthesizer overdubs with water and breath sounds, owing to Hamel’s heavy spiritual side and his immersion in this new minimalism. This record is still fresh now, and vibrates with a wonderful, contemporary accessibility and creative spark even after nearly 40 years. And this 2-disc set on Vertigo vinyl is rarer than a 2-dollar bill at this point.

 

Pat Martino

Strings!
 

Prestige 7547, 1968

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Beaucoup Bins of Beautiful Boom

Posted by Rick Frystak, October 31, 2011 04:05pm | Post a Comment
Whazzup?! Tons of great records coming over our buying counter lately, much of it landing in "The Choice Bin," and circumnavigating my world. There's so much going on I don't where to start. Let's sample some of my choicest morsels of the past weeks and hope to nourish your auditory appetite!


Walt Dickerson

To My Queen
New Jazz NJ8283  1963 

A wonderful, somewhat neglected jazz music experience, with delicately grooving vibraphone and piano, gently singing over the percolating grooves of drummer Andrew Cyrille and bassist George Tucker. Andrew Hill on piano takes the passenger's seat to Walt Dickerson's moves on this date, and the results are a nice, ethereal journey that always swings and keeps the fire burning while keeping each note sensitive and meaningful. Cyrille's versatility here is a treat, as I'm used to hearing him mostly with Cecil Taylor, and his bubbling, bopping percussion is exemplary. The photo of Walt's "queen" on the cover sets the tone for this marvelous journey.
 
Steve Lacy Axieme Vol. 1
Steve Lacy

Axieme Vol. 1
Red Record VPO 120 1977

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All Enchanting Audio Artifacts Considered

Posted by Rick Frystak, October 2, 2011 01:02pm | Post a Comment
Hear Ye, Hear Ye!  Welcome to The Choice Bin, where only thee most "choice" long-play records traded in over our magnificent buy counter in Hollyweird are considered and discussed as art and a most logical slab of entertainment and inspiration. Now and again a noteworthy compact disc or book will slide across the buy counter, blip my radar and fall into my orbit, but it's 2011, so O.K.  I'll be your host as we ponder the spectacular and the insane. And if we're really fortunate, and nobody's glommed the goods, most of these gems will be available in Amoeba's "Buy Stuff" section, 'cuz after all....we're also a store! Follow the linkage...

Michel Redolfi Sonic Waters
Michel Redolfi

Sonic Waters
Hat Art 2002
(2-LP)


Mr. Michel Redolfii is, among other things, an architect of wondrous underwater acoustic installations...sometimes pools, sometimes oceans. This is a 2-LP set on the Swiss Hat Art label in a sweet little cardboard box package with lots of notes that documents Michel's electronic compositions done on a Synclavier II in the studio, and then being performed in a heated pool and in an underwater aquatic parks. The studio recordings are broadcast under the water through underwater speakers, while hydrophone mics pick up the transformation through the liquid medium, and it's natural mixing with underwater natural sounds. The stuff is eerie, gelatinous sonic stew that totally delights me with every listen. He calls it an "aerodynamic and amphibian" music. Indeed, Sire!

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Amon Tobin, Moby, Quantic, & Ladytron Among Artists At 2011 Decibel Festival

Posted by Billyjam, July 14, 2011 01:55pm | Post a Comment
       
Amon Tobin will perform his latest piece/current album ISAM at this year's Decibel Fest in Seattle

The line up for this year's bigger and better, eight edition of the Decibel Festival (full name DecibelInternational Festival of Electronic Music Performance, Visual Art and New Media) happening at several venues around Seattle September 28th through October 2nd, has just been announced with advance tickets now available.

Performers in this year's ever expanding annual festival include Amon Tobin, who will be performing his latest piece/current seventh album ISAM (see concert trailer above) Moby, Ladytron, Bonobo, Zomby, Quantic, Mad Professor, Holy Fuck, Martyn, Motor City Drum Ensemble, DJ Krush, Green Velvet, Araab Musik, Ulrich Schnauss, Chateau Flight, Girl Unit, Bok Bok, Atlantic Connection, Egyptrixx, Blondes, Matthewdavid, Salva, and many more.

This year's expanded variety of venues will include The Paramount Theater, The Showbox Market, The Crocodile, Fred Wildlife Refuge, The Baltic Room, Sole Repair, and The Illsley Ball Nordstrom Recital Hall at Benaroya. For more details and tickets for the 2011 Decibel Festival, visit here.

Beats, Chimera and Life in 2009 by Cas

Posted by The Bay Area Crew, December 31, 2009 05:48pm | Post a Comment
2009 was an odd year of music listening for me. Unfortunately, my preferred method of absorbing new music (whilst walking around the city) was thwarted by the demise of my iPod. After my computer speakers bit the dust in the wake of the iPod disaster, I was practically denied access to my most comfortable listening spaces. Thus, a lot fell through the cracks for me. At the same time, 2009 was the year I made an effort to wrap my head around dubstep, a genre that had been exciting just as much as it was often confounding in previous years. I can’t say I necessarily understand the genre much better, probably because it’s so ill-defined and constantly shifting. But I at least got a better sense of the elements of the genre I like and the ones I could do without. With a few exceptions, my Best of Electronica 2009 list is loaded with artists and releases that were bright lights in a pretty murky atmosphere of heavy beats and bass.


Telepathe – Dance Mother

Telepathe – Dance Mother

The self-conscious hipster affectations of this Brooklyn based electro-pop duo practically dictate that I should hate them on sight. But Telepathe (pronounced “telepathy”) members Busy Gangnes and Melissa Livaudais, with production assistance from TV On The Radio’s Dave Sitek, make music that is as casually beguiling as their facade is tiresomely forced. That may be a backhanded compliment, but I dare you to look at the intentionally horrible 80’s choreography and ugly sweaters on display in the video for lead off track “So Fine” without rolling your eyes or groaning at least once. I suggest chucking the visuals and making your way through the album’s mix of synth textures, propulsive beats, shoegazy guitars, and detached schoolgirl chanting and singing that I found undeniably infectious.

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