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New "What's In My Bag?" Episode With Electronic Producers Prosumer And Hunee

Posted by Amoebite, October 20, 2014 11:20am | Post a Comment
Hunee Prosumer

Prosumer is one of Europe's most renowned House DJ/producers. He was one of the first DJs to play UK Funky white labels, thus helping to break the left-field genre that takes grime, R&B, Dancehall, Dubstep and mashes it over House music. In 2011, Prosumer released Panarama Bar 03 for the Ostgut Ton label and received rave reviews from dance music critics and scenters alike. DJ/producer Hunee (aka Hunch), originally from Berlin but now based in Los Angeles, has released records through various well respected labels, including Permanent Vacation, Rush Hour and Retreat, to name a few. Both DJs are currently on tour in Europe.

Prosumer and Hunee recently visited Amoeba Hollywood and found some really cool records. It's easy to tell these two guys are vinyl pros and they dig deep in the crates! Hunee first picks up a copy of A Synthetic Life by Chicago's own Hieroglyphic Being. Prosumer follows up with a copy of the 94 East's Minneapolis Genius, which was the first official recording to feature a then unknown Prince. Showing their wide tastes in music, Hunee and Prosumer also pick up El Secreto De LAS 12 by World artist Finis Africae and Folk Jazz legend, John Martyn's One World on vinyl. From Electronica to New Age -Experimental Folk, Hunee and Prosumer find some great stuff at Amoeba!

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Composer Carl Stone's Personal Record Collection For Sale at Amoeba Hollywood

Posted by Rick Frystak, October 3, 2014 01:01am | Post a Comment

Carl Stone LP Collection

Amoeba Hollywood has purchased one of the finest record collections that I have ever set eyes upon in my record store days (and that's about 13,870 days)!! Here we have obscure gems aplenty, many I've only seen perhaps once in my life, but here they are, side by side with records I've never ever seen before, and ones previously only legendary. In other words, a wonderful, rare collection!!!

Yes friends, I have negotiated a mutually satisfactory agreement that has allowed Amoeba to obtain the personal record collection of Mr. Carl Stone himself. Yes, THAT Carl Stone, composer and electronic sound artist extraordinaire, 21st-Century cultural icon, and truly a connoisseur of recorded sound in the left-of-center areas of many genres, and they are all here in the collection for sale in Amoeba's Hollywood store beginning the weekend of October 11 & 12: Avant Garde, Electronic, Musique Concrete, Experimental, Renaissance, Baroque, Medieval, Classical, New Music, World music, Jazz, No Wave, New Wave, Power Pop, Punk rock, Post-Punk, Industrial, and various "roots" musics.  All are original 1st pressings of mostly small, independent labels with loads of private pressings and imports.

Just, like, two words: mind blowing!!

This array of breathtaking LPs reflect Carl's usual pattern of being dead-center, ground zero, really at the apex of "what's happening" in music, never more true than in the pre-CD days of  this collection...a forward-thinking and quite wide-minded person's...one that doesn't come along very often. Don't think for a second that Professor Stone hasn't been feeding a constant, perhaps life-sustaining hunger to hear for himself the latest, most creatively interesting and challenging music (and in his case, even the sound of a big-piped sports car or machinery), from all over the world and across all genres. I presume he always has, and this collection of vinyl reveals that fact in every liner note and cover spine. Collectors like this are searchers, never quite satisfied with what is, what was, or even what "shall" be, barely trusting word of mouth and the writing on the walls. We collectors shake down anything that could offer that special chord combination, the emotional rush, the personal spirituality button pushed, or a memory bubbling over God-knows-how and why. Often these elusive platters make just a brief appearance in our airspace, only to become a faded memory, "Yeah, I saw that once at Amoeba…", or more likely, a 3 a.m.-tossing-and-turning-I'm-going-back-first-thing-in-the-morning-I-hope-it's-still-there angst-filled moment. Carl looked high, low, in, out and around for significant records. Carl got beaucoup promos sent to him. Carl had people hold things for him. Artists sent Carl their records out of the blue. Carl impulse-bought. Good record labels covered Carl. Carl special ordered records. Carl travelled the world and bought records as meals for his soul.

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Yet More One Album Wonders

Posted by Eric Brightwell, September 22, 2014 04:00pm | Post a Comment
Here is an additional edition of my series of great, mostly obscure, one album wonders. In the album era (roughly the mid-1960s until the mid-2000s), the album was the dominant format of recorded music expression and consumption. It seems that most musicians from that era, if able to scrape together the funds for the recording of one studio album, generally returned with at least one more.  Some, like Sun Ra, somehow released more albums than I've had hot dinners. Even most excellent bands, in my opinion, would have done well to find something other to do with their time rather than keep making records after their fifth album or twelfth year (although there is the Go-Betweens Exception). The following acts mostly date from the Golden Age of the LP -- and yet were unable or unwilling, in all cases, to record more than one. 

*****

ORGANISATION - TONE FLOAT (1969)

Organisation - Tone Float

Although most musicians associated with the Krautrock scene usually argue that it didn't even exist as such except in the collective conscious of British music critics, on first spin of Organisation's sole album, Tone Float, the discerning listener will have little doubt that the album is a product of late-1960s/early-1970s Dusseldorf

Heading Organisation were Florian Schneider and Ralf Hütter, who famously went on to form Kraftwerk and have almost as famously been unfairly sniffy about their excellent pre-Autobahn output. Organisation's only album was produced by Konrad "Conny" Plank and, since its 1970 release by RCA Victor, has long been out-of-print. The other members of Organisation were Basil Hammoudi, Butch Hauf, and Fred Monicks. After the band's disorganisation Hammoudi joined another one album wonder, Ibliss, who released Supernova in 1972. 

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Our 300th "What's In My Bag?" Episode With DJ/Producer Pretty Lights!

Posted by Amoebite, September 4, 2013 04:38pm | Post a Comment

Pretty Lights

We are thrilled to announce the 300th episode of our What's In My Bag? series! We have definitely come a long way in our six seasons and we are so very grateful to our faithful WIMB supporters and fans for watching, commenting, and sharing our videos. We've discovered a lot of new music and learned a ton through the series, and from what you say to us on YouTube, Twitter and Facebook, it's clear that you guys have too. Thank you to all of you who love "What's In My Bag?" just as much as we do! 

Pretty Lights

To help celebrate this milestone, our 300th episode features DJ/Producer Pretty Lights, aka Derek Vincent Smith of Fort Collins, Colorado. Known for his sample-based electronic hip hop productions, he is one of the most talked about producers in the scene. Smith is currently on tour promoting his fourth album, A Color Map Of The Sun, with dates across North America and the United Kingdom. In addition to performing under the PL moniker, he also runs his own label, Pretty Lights Music, which is home to seven artists including fellow Colorado native Paul Basic and PLM co-founder Michael Menert.

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Divine Discs of the Electronic Continuum

Posted by Rick Frystak, September 13, 2012 02:28pm | Post a Comment


I am a searcher, never quite satisfied with music and sounds that already exist. There are many like myself out there. I am consistently persuing electronics-based records like these herein that testify to the pioneering spirit of those musicians, composers and scientists in search of the newest “musical “sounds available via technology of all levels of sophistication. Throughout history the primitive object or idea will lead the way to a monumentally sophisticated one, and visa-versa, as long as one is paying attention. Take thefuzzbox for example. That thing lead a revolution of little boxes that one plugs one’s instrument into to get big, wild (and conversely subtle) effects on said instrument ranging from fuzzy distortion to multiple octave voices to…God knows what now, huge racks of processing gear for a single riff.  At the same time in another part of the culture, Joel Chadabeguys and gals in long white lab coats were fiddling with room-sized computers to get a single tone that was not produced by a musical instrument, but alas, hallehlujah, a machine did it! And other folks were stringing audio tape across rooms and cutting inches of tape recordings to compose new recordings (Musique Concrete) to make other recordings to manipulate and, well, you get it.

The sense of experimentation and the ability to manifest those ideas has never left the true creative artist. There are sonic “searchers” among us that will never be satisfied with what already exists in the known sound worlds, and it is this motivation that fuels records like these. The daring ones, without concern of peer’s criticisms or naysayer’s pessimism, have forged ahead with whatever tools available to take these ideas and run with…no, FLY with them to the edges of reality.

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