Worldwide stardom hasn't softened M.I.A. one iota; if anything, it's made her resolve to be the planet's most provocative pop star that much stronger. Following the all-over-the-map Maya, by comparison Matangi is laser-focused, utilizing harsh industrial noise much in the same way Kanye West's Yeezus did, though she fuses it with a worldbeat touch and heavy EDM nods. Most of all, Matangi succeeds because it sounds like an M.I.A. album, even if it's been digitally chopped up and reassembled more so than previous releases. Her opening tracks come on hard, dropping names of wartorn nations in the title track amid a digital grenade of atonal sounds, while "Warriors" drills with a minimalist hip-hop beat. "Come Walk With Me" starts like a love song, quiet with a reggae sway, before jumping off the rails with a hyperactive dancehall-house beat. Though these tracks touch on her typical subject matter of empowering the global masses, she's also having a great time, rapping like a cocky hip-hop star and subverting the formula. And the second half of Matangi is loaded with ass-shakers. "atention's" twisted beat makes it one of her sickest dance songs since "World Town." The previously released "Bad Girls" makes an appearance in all its bhangra-beat glory, and "Bring the Noize" is the album's instant classic, unleashing a brutal beat that makes most EDM sound like kid's music as M.I.A. pulls off sounding disaffected while spouting rhymes at an impressive tick. Matangi is a welcome comeback after a troubling period for M.I.A., proving her once again to be one of the most forward-thinking pop music entities around.
Well, here we are. We weren't thrust into a new dark age oblivion, the world didn't end and neither did my workaday quest for the best music for the day. This year was rife with records that just had to be snatched -- reissues, compilations, and a fair few newbies too.
Here follows my personal, "show and tell" style best-of list for 2012: the year that didn't stop the big wheel a-turnin'. Rather than just dicing up a list of cold-cut favorites, I've included personal events and trends herein that shaped the music I sought and gravitated towards within the past year.
BEST NEW ALBUM OF THE YEAR: Jessica Pratt - JP. No contest. I have naught but the best of things to say about this disc of spun gold and I'm not alone. It seems every Barry, Rob, and Maurice in the blogosphere has been falling all over this record like autumn leaves in the rain. If you really want to know my take check out my real talk review of JP here, otherwise please do enjoy the album's opening track, "Night Faces" below.