Amoeblog

(Wherein Spring Fever takes over the jukebox.)

Posted by Job O Brother, March 28, 2011 04:25pm | Post a Comment
80's keyboard

Well my little dreamlets, we’re ten days into Spring, and it’s already clear to me what music is going to carry me through into Summer – it’s all about synthetics. Synthpop, that is, of the late 70’s and early 80’s variety.

This amuses me, because for much of my life I detested a lot of the music I’m going to celebrate here. A lot of the hatred stemmed from being so unhappy in the 1980’s; by association, the music “sounded” like unhappiness. Think of it this way: When was the last time you were taking a shower and felt like listening to the soundtrack to Psycho? Exactly.

Some say that synthpop began when Giorgio Moroder teamed up with Donna Summer and created the hit single "I Feel Love." Calling this the “start” of synthpop is convenient, but an over-simplification, because so much came before that informed it. What can be said is that the song was influential, both in terms of inspiring artists who would go on to develop the synthpop genre, and give mainstream audiences a taste for it.

What follows are some synthpop songs that bring me joy. Many can be claimed by other sub-genres of music, but they're all related. Some are guilty pleasures – the sonic equivalent to a Snickers bar, in that they are bad for me, but make me feel great for the duration I’m imbibing – and others I stand by as solid accomplishments. I’m also putting a spell on them: listening to these songs will make you feel a little ticklish in the deepest part of your brain, which will result in your not hating your fellow man as much (even though they totally deserve your hate). Enjoy!

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Cruise to Mexico: Part 5

Posted by Job O Brother, November 8, 2010 12:58pm | Post a Comment
travel poster mexico
Okay.


Day 4

Wednesday. September 15, 2010

MAZATLÁN


I awoke to a beautiful view of balmy, tropical islands along the starboard side of the ship. It proved the perfect backdrop to my morning coffee and obsessive playing of Scrabble on my iPhone.

“I wonder what the poor people are doing?” I mused to myself, thrilled at having played the word adz on a triple word score.

This question was answered when I ventured to the ship’s port side, which revealed a congested, smoldering-oil-scented labyrinth of tarnished industrial structures. The smog was enough to make L.A. seem like a beach on Oahu.

“Oh!” I said.


YOU WERE HERE

We had docked at Mazatlán. While the sight of such a gritty urban landscape was intimidating and caused one to question whether the most “green” thing to do was simply encourage the extinction of the human race, I was hopeful. As stated before, I’m a poor audience for the show of safe, tourist-friendly spectacles cruises contrive, and seeing some real estate that was teeming with real people (sorry, employees of Cabo Wabo) made me eager to disembark and explore.

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New Nominees for the Rock and Roll Hall of Fame

Posted by Whitmore, September 23, 2009 03:51pm | Post a Comment

Twelve nominees
were announced this morning for induction onto the Rock and Roll Hall of Fame located in Cleveland, Ohio. Among this year's possible entrants are first time nominees KISS, the Red Hot Chili Peppers, Genesis, the Hollies, LL Cool J and Jimmy Cliff; they join returning candidates ABBA, the Chantels, Darlene Love, Laura Nyro, the Stooges and Donna Summer.

Five of the 12
nominees will be chosen for induction from ballots cast by more than 500 music industry voters. An announcement of the inductees is expected sometime in January. The annual event will take place March 15, 2010 at the Waldorf Astoria hotel in New York City and a huge celebration is expected for this, the Hall's 25th Annual Induction Ceremony.
 
Coming this Oct. 29-30 at New York's Madison Square Garden, the Hall of Fame is celebrating its 25th anniversary with an astounding concert and lineup, which includes Bruce Springsteen, Simon & Garfunkel, Stevie Wonder, Crosby, Stills, Nash & Friends, Eric Clapton, Aretha Franklin, Metallica and U2. More artists are expected to be named for this two night shindig. The Rock and Roll Hall of Fame is also releasing a nine-DVD boxed set, Rock and Roll Hall of Fame Live, and the publication of a book, The Rock and Roll Hall of Fame: The First 25 Years.

Dance Music All Night Long

Posted by Smiles Davis, July 8, 2009 03:43pm | Comments (1)
Music, good music, is popping up everywhere and I’m loving every minute of it. Dance music in particular is really having the best year ever. I’m not just talking about house and techno, I’m talking about music that makes you wanna boogie, music that really makes you wanna get down with the get down and forget all your worries. I don't exactly know who to give credit to for putting the fun back in music but one thing is absolute: everything eventually comes full circle.

Back in the day—we’re talking the 70’s—there was disco, a little bit of hip-hop, some more disco, what was left of modern jazz, rock-n-roll, and a little more disco. The best thing about urban nightlife at that time was disco. And you didn’t hear none of that A.D.D. DJ we hear so frequently today, where the music selector changes songs every thirty seconds (thanks a lot DJ AM). No, none of that. The DJ’s at the discotheques usually played the long versions of songs, nearly in their entirety, to keep the feet on the dance floor all night long. Oh, how things have changed.

At that time, people weren’t up on hip-hop like that quite yet; it was still pretty underground. You had to know where to go to find a DJ spinning hip-hop. And chances are, if you knew about it, you knew it was the only spot in town where you could go to hear that type of music. Not to mention the fact that that one and only spot was probably members only. You had to be affiliated with a crew to gain access. If you weren’t a part of a tagging crew, a breaking crew, or one of the emcees or DJs, chances were you didn’t even know about it. But, back to disco. It started mainly on the east coast in the late 60’s. By the early 70’s disco had cross-pollinated and spread like wild fire all over the globe. Most popular soul and funk acts like Earth, Wind & Fire and The Bar-kays soon jumped ship and found themselves chin deep in the disco trend. Unfortunately, like most fads, disco was finished quicker than morning coffee and soon disappeared from the radar. For the most part, I think the public wanted it that way. Disco Demolition Night, a promotional event that took place on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, was in part to blame for the end of an era. However, industry folk and even many consumers talked about the decline of the genre long before this event took place.  

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TEN DISCO CLASSICS FROM 30+ YEARS AGO

Posted by Billyjam, January 8, 2009 10:48am | Comments (2)

Of all genres of popular music from the 1950's up til the present day, disco is perhaps the most discrimated against and unfairly hated upon Ironically, the hate is oft times spewed by the very same people who will be the first to dance to or sing along with said disco hits. Of course, karaoke nights and wedding DJs have only helped make some songs less enjoyable than perhaps they should be due to over exposure and bad sing alongs. A prime example would be Gloria Gaynor's "I Will Survive," which is still a great song even 31 years later but might be more enjoyable if we had only heard 3 million fewer times in our lives. The video for that song, along with nine other disco classics, is below. 

The videos include Lipps Inc.'s "Funkytown" from 1979, A Taste Of Honey's "Boogie Oogie Oogie" from '78, Anita Ward's "Ring My Bell" from '79 and, from that same year, Sister Sledge's second biggest hit "He's The Greatest Dancer" (their biggest hit was the eternally popular "We Are Family," which was also released that same year). 

Also included is what I consider to be the greatest and most influential disco record of all time, the Giorgio Moroder-produced Donna Summer song "I Feel Love" from her 1977 album I Remember Yesterday (Casablanca) and released as a single. So innovative was Moroder's futuristic production on this track, according to the liner notes of his Sound + VIsion box set, that, in 1977 while David Bowie was recording with Brian Eno in Berlin, "Eno came running in and said, 'I have heard the sound of the future'...he puts on 'I Feel Love' by Donna Summer…He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.'"

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