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New Django Django What's In My Bag? video & The Webby Awards!

Posted by Amoebite, April 17, 2013 02:30pm | Post a Comment

Britsih rockers Django Django visited Amoeba Hollywood for another special episode of "What's In My Bag?." These guys are serious about their wax selections. From classic '90s house vinyl, including the likes of Roy Davis Jr, to rock favorites like the Meat Puppets, it was strictly vinyl for this bunch. Watch and find out which Django Django member is a Golden Era Hip Hop head and a lover of disco greats like Giorgio Moroder!

Django Django                  

Django Django - What's In My Bag?
Watch and comment on YouTube

 

 

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AMOEBA WANTS YOUR VOTE!

Our amazing “What’s In My Bag?” series has been nominated for Best Online Film & Video: Variety Show in the prestigious Webby Awards!!! We’re the underdog facing stiff competition from Conan O’Brien and Rainn Wilson. Not to mention MIT and Fandango rounding out the field. Please vote and help us win the People’s Voice Award!

My Top 50 Albums of 2012

Posted by Billy Gil, December 17, 2012 07:24pm | Post a Comment

50. Purity RingShrines

purity ring shrinesPurity Ring make Cocteau Twins­-style dream pop by way of Salem’s hard-hitting witchhouse on an album more notable for its smooth blending of related genres than for its actual songwriting, but they’ve got a sweet sound nonetheless.

 

 

49. Cold ShowersLove & Regret

Cold Showers Cold Showers’ short and sweet debut heralds the arrival of a great new L.A. band, beaming shoegaze guitars over darkwave synths and goth-style vocals. (Read my review of Cold Showers' show here.)

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Albums Out 10/9: Tame Impala, Ty Segall, MellowHype, Django Django and More

Posted by Billy Gil, October 8, 2012 07:00pm | Post a Comment

Album Picks:

Tame ImpalaLonerism

tame impala lonerism

LP $19.98

DL $9.98

CD $11.98

Whereas Tame Impala’s awesome first album, Innerspeaker, was all about muscle, on Lonerism the Australian band tends to build its psych-rock songs more deliberately, more delicately. But they still kick ass, and hard. “Be Above It’s” titular refrain is whispered over a tumbling drumbeat until Kevin Parker takes off with a simple, Beatlesesque melody and he and his cohorts supply fuzzed out psychedelic flourishes. Thanks to Parker’s high, nasal voice, those comparisons to John Lennon keep coming, on songs like “Apocalypse Dreams,” where Parker’s vocals and melodies certainly are reminiscent of the Fab Four, but musically they’re no mere worshippers at the psych throne, more interested in squeezing strange, new sounds out of familiar territory and taking their arrangements through multiple tempo changes, broiling them through effects, laying moogs and synths over them and then looping back to the original melody like deja vu. Tame Impala also prove adept and producing the straightforward rock single on “Elephant,” which may draw comparisons to The White Stripes for more than just its title, but whose bass-heavy sound really pulls more from psych originators like Blue Cheer — just hookier. Parker, who produced the first Tame Impala record, as well as the recent, excellent release by Melody’s Echo Chamber, finds perfect sonic kinship in David Fridmann (Flaming Lips, Mercury Rev), who can be known for helping to dramatically change a band’s sound (Sleater-Kinney’s mindblowing The Woods, for instance) but who mostly seems to help Tame Impala sound even fuller, allowing the band’s punchiness to come through in tracks like the pop psychedelic wonder of “Music to Walk Home By,” but thickening it with layers of space-rock sound. The end result is that Lonerism hits hard but leaves a lasting impression, leaving the listener to wrap his or her head around all the wondrous sounds of the record and immediately wanting to track back and listen again.

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Django Django Talk Self-Titled Debut Album

Posted by Billy Gil, September 24, 2012 07:19pm | Post a Comment
Django DjangoUnfortunately, this in-store show has been canceled due to travel delays. You can still catch them at The Independent later tonight. 

For a new band without an album out in the U.S., British psych group Django Django already have a lot going for them. A band that began in drummer/producer David Maclean’s bedroom after the band met in art school in Edinburgh, Scotland, earlier this year Django Django (which also includes singer/guitarist Vincent Neff, bassist Jimmy Dixon and synth man Tommy Grace) released their debut, self-titled album, a whirling stew of spaghetti western guitars, Middle Eastern-inspired synthesizers and psych-pop structures, to universal acclaim in the U.K., putting them up for the esteemed Mercury Prize. As their album is set to release in the U.S. Oct. 9, they’ll play Amoeba San Francisco Sept. 25 at 6 p.m. Catch them before they blow up stateside, and preorder their album here! I caught up with Maclean as the band was in Chicago, settling into its U.S. tour, which also will put them at S.F.’s The Independent the night of Sept. 25 and L.A.’s The Echo Sept. 26.
 
PST: You guys haven’t done many interviews in the U.S. press yet, but there’s already a lot of chatter about this album. We’ve been hearing about it from the U.K. for some time now! Are you excited to come here and take over.
 
Maclean: Yeah, it’s good to finally have a label sorted and have it coming out in America. As you say, it’s been out in Britain since January. To finally have a release over here and get to come over and do some proper shows is amazing. We’ve been itching to do it all year really. It’s taken a while to but it’s good to finally get here.
 
PST: U.S. audiences seem to have become more amenable to psych pop as of late with the success of MGMT, Hot Chip and the like. Why do you think that sound is resonating with so many more people now than, say, in the ’90s?
 
django djangoMaclean: People like Beck have had the time to grow a long career now. I guess he would be someone who has influenced a lot of bands in the moment with the kind of way he mashes up psychedelia and funk and hip-hop. I guess since he broke out, there’s been a lot of bands both in America and Britain that are interested in pop music and making it slightly weird, whether its MGMT or Hot Chip, there’s a certain kind of strain of bands that have been doing that for quite a while, so I guess that it’s starting to resonate with people and sort of spread throughout pop culture.
 
PST: I’ve read you are sort of the aesthetic director of the band. How do you decide, amid all the musical ideas presented, which is a good fit for this band?
 
Maclean: I guess yeah, it’s different sometimes because we can sit down and start a track that ends up sounding completely different. From that starting point, it gets twisted and manipulated and the more people who get involved with it, it ends up sounding like us. I guess we’re happy just to take a starting point from anything, whether it’s a rockabilly riff or a drum machine beat. We just take it and work it ’till it’s something we’re happy with. So many songs … have started out sounding like garagey and ended up sounding electronic or started off techno-y and ended up garagey. They just go through a lot of phases and we end up happy where we’re at. … A lot of the ideas, we wanted a big psych sound and would aim toward that and end up with something else in the process. It’s just a mixture of playing around and also pushing limited resources — one mic and floor tom and guitar. For me a lot of the fun of making the album was pushing the sounds, not even pushing but just letting the music come out. … I think they all kind of are jangle but they come from sort of disparate places. For us that was just a fun thing to do, let the music sort of take us on a sort of trip.
 
PST: The aesthetic of the record sort of reminds me of steampunk. Like it makes me want to play Final Fantasy or something. What are some of your non-musical influences?

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New Preorders: Ty Segall, Muse, Bat For Lashes, Taylor Swift and More

Posted by Billy Gil, September 19, 2012 04:50pm | Post a Comment
flying lotusFlying LotusUntil the Quiet Comes – Oct. 2
 
The latest from the L.A. sound maestro features contributions from Erykah Badu, Laura Darlington, Niki Randa, Thundercat and Thom Yorke.
 

 






the vaccinesThe VaccinesCome of Age – Oct. 2
 
The second album from the NME-touted Brit punks.
 









 
MuseMuseThe Second Law – Oct. 2
 
The Britpop group turned arena rockers’ next album may have an electro edge, given its first single, “Madness.”

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