|Miles Michaud of Allah-Las|
Amoeba Hollywood’s Sunday Spins DJ series in June will begin this Sunday with Miles Michaud, the frontman for hazy L.A. garage-rockers Allah-Las. He’ll be spinning at the store starting at 5 p.m. The June series is curated by our friends at LA Record and takes place every Sunday in June at 5 p.m.
Michaud’s set is a perfect introduction to the new series—he and other members of Allah-Las got their start working at Amoeba Hollywood, so it’s a homecoming of sorts. The band’s excellent, self-titled debut is out now on Innovative Leisure. Check out my interview with the band here.
Here’s their video for “Tell Me What’s On Your Mind,” taken from Allah-Las:
As both a fan and practitioner of hip-hop Shing02 says that he cannot but hold deep respect and love for the Technics SL-1200. It was this feeling of awe for the turntable as to why he and DJ $HIN decided to set up the the icon series dedicated to "one of the most impressive runs in modern design achievements." The icons in the image above were each assembled from dozens of pictures found online, and reflect every model upgrade including function, buttons, lights, and finish. The website also outlines the history of the model which began back in 1970 when Japan's Matsushita Electric (later to become Panasonic Corp.) introduced direct-drive turntables (SP-10), updating and upgrading the model throughout that decade. It was in 1972 when they introduced the SL-1200 MK1. The website notes how the 1210 series was the European counterpart to the 1200s as well as how the company continued to manufacture many direct drive models before the MK2 in 1979 which would go on to become "the de facto industry standard." The following three decades of models resulted in only minor alterations in design. The very last model would be the MK6 Technics SL-1200 model in 2008. Two years later, in October 2010, the company ceased all production of the beloved turntable. Below is my conversation with Shing02 about the turntable and the new icon series whose future updates will include interviews with some retired Technics engineers.
Amoeblog: What made you guys decide to do this icon series dedicated to the 1200's?
DJ Traps working his winning routine @ last night's 2013 San Franciso Regional DMC DJ Battle
Proving that you really can make lemonade out of lemons DJ Traps - last night's winner of the 2013 San Francisco Regional DMC DJ Battle - shared during his acceptance speech that his personal life had not been going so good lately but that, via his craft, he had managed to turn all that negativity into something positive. "I been through a lot of shit recently," admitted the winner of the prestigious DJ battle without going into detail. "But I took it all out here," he said gesturing towards the two turntable and mixer set up on which he had just done his stunning six minute winning routine of the heated, high caliber DJ battle.
The competition - the second annual Bay Area DMC Regional in a row after a noticeable six year gap of any DMC battles in the Bay - was a fun and talent-packed turntable competition that was as much a DJ battle as it was a reunion and gathering of Bay Area hip-hop DJs of the past few decades. In addition to young DJ cats like Santa Rosa competitor DJ Lazy Boy (aka Gregory The Great) there were OG Bay Area DJs like DJ Apollo, Pos Red, DJ Quest, and QBert who all started out in the 80's as well as next generation DJs like Teeko, Snayk Eyez, and Golden Chyld who arrived on the scene in the 90's. The whole event, that ran from mid afternoon into the evening at Neck of The Woods on Clement St. in San Francisco, exuded good vibes and a shared love by all in the house for hip-hop DJ'ing and scratch music. DJ Lazy Boy, who placed third in the competition, said during his acceptance speech onstage with DJ Apollo - the MC of the night - that he had grown up listening to the Triple Threat DJ crew (the Bay Area supergroup featuring Apollo along with Shortkut and Vin Roc - another one of the night's judges) and that he used to practice his DJing to, using routines done by Apollo as his template, noting that "it was an honor" to now be onstage alongside his turntable hero.
Following a great warm up set by Mista B, who dug deep in his crates to spin lots of old school and golden era classics (Grandmaster Flash + Furious Five featuring Melle Mel, Run DMC, Audio Two, etc.) plus a bunch of throwbacks from the Bay Area including IMP/Cougnut and Rated X/C-Funk, the SF DMC battle started with the first round of each of eight DJs doing two minute routines.
DJ Nu-Mark spun a set frontloaded with hits and gradually growing weirder Feb. 28 at Amoeba Hollywood. Through promoting his fine Broken Sunlight album, released last year, the DJ stuck with a more traditional set of blending well-known records into one another. He got the audience percolating with an “L.A., California” refrain, building a beat with booming bass and classic funk horns as a crowd of beatheads nodded on. He worked in The Jackson 5's “ABC,” The O’Jays “For the Love of Money,” Men Without Hats’ “The Safety Dance,” Phil Collins’ “You Can’t Hurry Love,” the Beastie Boys’ “Intergalactic,” Justice’s “D.A.N.C.E.,” Kanye West and Jay-Z’s “Ni**as in Paris,” a remix of Violent Femmes’ “Blister in the Sun,” Jay-Z’s “Dirt Off Your Shoulder,” Oasis’ “Wonderwall” and many other songs. The set started with big hits everyone knew and moved into more obscure sounds — an extended didgeridoo part, instrumental passages, “Kung Fu Fighting” with an underwater effect, a muzak version of “Satisfaction.” Nu-Mark worked with a minimal set-up of a laptop and two turntables, moving quickly between songs and grooving hard, keeping the energy alive even as the set grew more challenging. See more photos of the performance here.