Last week the label Illegal Art did the world a great favor and released a nicely packaged comprehensive retrospective of the best of hip-hop cut-n-paste pioneer Steinski -- something that has never been easily available before, and not all nicely presented together like this.

But this great collection beautifully showcases the legendary producer who, both along with studio partner Double Dee and as a solo artist, directly influenced so many artists, including most notably DJ Shadow, Cut Chemist and Coldcut. 

Steinski: What Does It All Mean? 1983-2006 Retrospective is something that belongs in every music collection.  The 2 CD set comes with a nice booklet and liner notes by Hua Hsu that include Steve "Steinski" Stein's comments on each of CD 1's fourteen tracks. Included are the three legendary "Lessons" with Doug DiFranco (Double Dee) -- the first one originating as an 1983 entry in a Tommy Boy Records remix contest -- plus the artist's most important solo outings and remixes including the JFK assassination-themed "The Motorcade Sped On," recorded under the name Steinski & The Mass Media that came as a track on a free 7" EP compilation given away with UK mag NME in 1987.

The second CD is the artist's relatively recent Nothing To Fear mix made for BBC London's Solid Steel radio show a few years ago, with song titles for all 28 tracks in the CD booklet.

A quick glance at this week's Hip-Hop Top Five charts (all below) from the Berkeley, San Francisco, & Hollywood Amoeba Music locations (thanks respectively to Tunde, Luis, & Marques Newson) further proves what I've been feeling all along this year: that hip-hop is in one of the most exciting and healthiest states that it's been in for a minute. To my ears, nearly every new hip-hop full-length release dropping these days is quality shit. Sure, there's a few lemons here and there, but mostly new 2008 hip-hop is more likely to be on hit than sound like shit.

Another glance at these new rap charts also reveals that hip-hop has arrived at perhaps its most richly diverse stage in its 30 plus years.  It's as if in 2008 hip-hop has all grown up, multiplied, and gone forth and conquered the world (of music) with a wide range of sounds all qualifying as hip-hop today.  From the stripped down, style of Minneapolis' Atmosphere, to the bouncy hip-hop of the Bay Area's Lyrics Born (pictured above) with its funk foundation, to the trippy sounding Danger Mouse-produced new Gnarls Barkley, to the straight-up hard turntable hip-hop beats and cuts of DJ Quest, to the twisted soulful, ten-track, mostly instrumental,  grooves of the new one from the late J-Dilla -- a hell of a lot of musical territory is being covered under the hip-hop umbrella of '08.

HIP-HOP TOP FIVE @ AMOEBA MUSIC BERKELEY

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If you are a regular at Amoeba Music you may have already seen the silk screened poster art of Forest Stearns who has done several pieces specifically for Amoeba events.  Or maybe you've been lucky to catch Forest doing his art live at one of the interactive music-and-art Amoeba instores he has been a part of over the past year.

These include one with DJ Shadow (San Francisco Ameoba instore) and two with Cut Chemist (San Francisco and Hollywood Amoebas).  He has also done live interactive art with hip-hoppers such as Z-Man and at other events such as Reggae On The River.

Additionally the NorCal artist, who is just about to move to San Francisco, designed the poster for the Noisettes instore show at Amoeba San Francisco which reportedly everyone loved including Universal who Forest says want to take and flesh out to make an animation based on the illustration.  I recently caught up with the aritst to chop it up about life and art, and art and life. For more information visit his website: draweverywheredotcom.


AMOEBLOG: What inspires you to make art?

FOREST STEARNS: Art is what I do. It is a way to be myself. It is exciting and thought provoking, it creates a dialogue and has a lot of history to build from.


AMOEBLOG: And what keeps you doing art on the shitty days?

FOREST STEARNS: The shitty days are cool. I can sleep in then have some tea then by that point I can do some art and the day turns out pretty nice. The shitty days are when you work for someone else and hate it. I work for myself and work with others on projects that I get to choose. I am an optimist, so shitty days can usually be squashed by either looking at the art of others or getting down with some art of my own.