As he did for the NAMM 2010 & NAMM 2011 conventions in SoCal, once again my man Shing02 has filed a report on the this year's annual NAMM 2012 convention exclusively for the Amoeblog.  The renowned Japanese producer/emcee/multi-instrumentalist/all round hella great guy headed to the Anaheim Convention Center in Anaheim, CA music gear/tech convention a couple of weekends ago (January 19th - 22nd, 2012) to file this report (video above, text & photos below) with help from host Yamato Kaneko in which they visit DJ TechTools, STOKYO, Teenage Engineering, Vestax, AKAI, Tiptop Audio, McDSP, KORG, KDJ-One, RANE, Emulator, SlipmatsOnline.com, Vintage Vibe, NORD, Slaperoo and some other booths too. Thanks Shing02!


The annual NAMM convention in Anaheim showcases a convention center full of eye-candy for the gear geeks, and 2012 proved no different. Although the music and recording industry seem to be stuck in an age of meticulously fine-tuning software with no big leaps in ideas and technology, some brands still managed to stand out. My personal favorite was the OP-1 synthesizer by Teenage Engineering from Sweden, which was introduced last year at NAMM, but came back stronger with upgrades. In essence, OP-1 is a synth / drum machine that feels more like an old-school game than a modern machine, which creates a fun learning curve to create unique grooves. (It actually has a game-mode built into it!)

          


1) Gangrene Vodka and Ayahuasca (Decon)

2) Drake Take Care (Cash Money/Universal)

3) Moka Only & Chief Crickets (Feelin Music)

4) The Roots Undun (MCA)

5) Lazerbeak Lava Bangers (Doomtree)


Thanks again to diehard hip-hop music fanatic E-Lit at the Berkeley Amoeba store for this week's top five chart plus overview of some of the new releases for this exciting new year in hip-hop including the brand new 20 track Lazerbeak album Lava Bangers from the gifted member of the midwest hip-hop collective Doomtree who coincidentally will be doing a special Amoeba Music Berkeley in-store on Monday, Jan 30th 2012 in advance of their Slims San Francisco show the following night, Jan 31st. They will also be playing Santa Cruz the following night (Feb 1st) at the Catalyst (show info here) and Hollywood's Troubadour on Thursday Feb 2nd on a recommended bill with 2Mex. If you are in the East Bay on Monday (Jan 30th) do yourself a favor and stop into Amoeba Berkeley for the Doomtree family in-store since, as E Lit points out in the above video, it will be a great opportunity to meet and chat with such collective talents as Dessa, P.O.S., Sims, and Lazerbeak. More Doomtree Amoeba in-store info here

Ran into DJ Quest at Amoeba Berkeley today. He was at the East Bay store along with DJ 2Fresh digging in the vinyl beats and battle records sections. The legendary longtime San Francisco DJ, who is a founding member of the Bullet Proof Scratch Hamsters that made history by putting out the first DJ battle record (Hamster Breaks), is a regular at Amoeba Music. If he is not shopping there he is performing or overseeing the youth group of aspiring DJs that he mentors and regularly perform at Amoeba.

In fact just two weeks ago (November 19th) he was back again at Amoeba San Francisco with the Horizons Unlimited-The DJ Project & Quest School Of DJ Arts collective as part of the Haight Street Amoeba's ongoing Mandala DJ Series. Quest talks about this and many other things including his new CD (Cosmic Parasite which is available on CD at Amoeba - one of the very few places to get it in physical format) in the interview above that was recorded this afternoon. 
 

1) Freestyle Fellowship The Promise (Decon)

2) Phonte Charity Starts at Home (Hbd Label Group)

3) Lil Wayne Tha Carter IV (Cash Money/Universal)

4) Superstar Quamallah & Deqawn Talkin' All That Jazz (Cotter Records/Brick Records )

5) J-Live S.P.T.A. (Triple Threat Productions)

Thanks again to E-Lit at the Amoeba Music Berkeley for the latest Top 5 Hip-Hop chart and run down of new hip-hop releases in the Telegraph Avenue Amoeba store.  These include the recommended number one album of the week; Freestyle Fellowship The Promise (on Brooklyn's high caliber Decon Records, the new one from Little Brother's
Phonte Charity Starts at Home on the Hbd Label Group, Lil Wayne's Tha Carter IV which will likely be charting through end of the year, and Superstar Quamallah & Deqawn's Talkin' All That Jazz on Cotter Records/Brick Records (this is a real good release that i just got through checking out). Also recommended is J-Live S.P.T.A. on Triple Threat Productions. Long one of my favorite, albeit long running underrated hip-hop talents, J-Live has been tirelessly putting it down for a decade and a half.  And as his label name (Triple Threat) and new album cover and title imply he is a triple gifted artist - an MC, DJ, and producer - and he is amazing at all three - as proven on the new S.P.I.T. which stands for Said Person of That Abilility.

Coinciding with the ongoing 2011 DMC World DJ Championships happening currently in London, England at the 02 Arena's Indig02 this is the second in a two-part Amoeblog series on the current state of turntablism/skratch music (here's yesterday's Amoeblog). Note that the results for the DMC World DJ Championship battles (which end by midnight Friday, Oct 7th, UK time = 4pm West Coast time) will be published tomorrow in the Hip-Hop Weekly Rap Up Amoeblog. As you know turntablism is a musical form born out of hip-hop by the DJ but not given an actual name until  the mid nineties when DJ Babu coined the term turntablism to describe the DJ as a turntable manipulation artist - one as worthy of respect as any other musical instrumentalist. By that stage I personally had already been a convert for a good decade and a half to this infectious component of hip-hop music. In fact when I first heard hip-hop in its formative days I was drawn more to the DJ than the MC. And ever since I've been hooked on the sound of scratching and spellbound by beat juggling and all the other skilled moves that the DJ as mixer & turntable master so effortlessly throws down. To me this musical style, unique to hip-hop and whose pioneers included Kool Herc, Grandmaster Flash, and Grand Wizzard Theodore (creator of the scratch), has always been deserving of its own genre or at least sub-genre.  And as a diehard fan and supporter of DJ scratching from hip-hop's earliest days when I first heard in the late 70's through all the years later up to and beyond including that point when QBert altered the spelling of the word from scratch to skratch, I have thoroughly enjoyed closely following its evolvement; warmly witnessing turntablim/skratch music's creative growth as it blossomed with a seemingly never ending array of new sounds generated by an ever-progressing arsenal of new styles and techniques been added to this vibrant art form.