Amoeblog

Essential Records: The Pharcyde's 'Bizarre Ride II'

Posted by Billyjam, November 17, 2014 02:23pm | Post a Comment

The Pharcyde

Each person has their own personal way to judge and rate the music they love. For me the criteria for rating an LP an "Essential Record" includes two key qualities: first, it's an all killer, no filler album (no temptation to ever skip over any track); and secondly, it is such a quality release that it doesn't age one bit over time (the timeless factor). Sometimes an Essential Record gets even better over the years. Such is the case with The Pharcyde's remarkable 1992 debut album, Bizarre Ride II (Delicious Vinyl), which sounds even more amazing today than it did when I first heard it 22 years ago. I say this after playing the 57 minute record from start to finish twice in a row today, having not listened to it in a few years. Damn, that J-Swift-produced album is so incredibly good! It's packed with soul, passion, and richly varied but cohesive beats and flows - from jazzy to old school to next generation - with varying BPMs. But, most notably, the album was totally unlike anything else at the time.

In late 1992, the SoCal-based Delicious Vinyl record label released Bizarre Ride II within just a few weeks oThe Pharcyde Ya Mamaf fellow LA based hip-hop artist Dr. Dre's G-Funk classic, The Chronic. While the two landmark hip-hop releases may have been linked by timeline and geography, they could not have been further apart in sound and style. Even Bizarre Ride's wild, fun, cartoonish cover art set it apart as a record that did not take itself too seriously. The album effuses a feeling of nonstop fun all the way through, as proven by the numerous impromptu-sounding hilarious studio bits that were mixed in or left in the final recording, like at the end of "Ya Mama" where they are just riffing off of each other. Unique, too, is how many of the "skits" on Bizarre Ride sound like songs, such as the 2:10 long "Quinton's on the Way (Skit)" which is like a Louis Armstrong inspired jazz song that captures the guys having fun in the studio with their different sounding voices and tones perfectly in contrast with each other.

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Frank Nitt Talks About New Solo EP Jewels In My Backpack, Delicious Vinyl, Moving to LA, Frank-n-Dank, & J-Dilla

Posted by Billyjam, June 3, 2010 09:00am | Post a Comment
Frank NItt
The name of Frank Nitt’s just released six-song EP on Delicious Vinyl, Jewels In My Backpack, is more than simply some catchy throwaway title. Rather, it accurately sums up the new recording's sound -- one that melds the smooth glossy production of Terrace Martin (Snoop Dogg, Warren G, Talib Kweli, etc.) with the raw & gritty yet instantly engaging Mid West flow of the longtime Detroit emcee, who is known to most rap fans for his membership in Frank-n-Dank and his longtime affiliation with the late great J-Dilla

"I'm considered a backpack emcee, a grimy, underground emcee, while  Terrace Martin, he does records with Snoop and people like DJ Quik, his is a much bigger, shinier sound," said the artist, who was born Frank Bush. "So Terrace kinda represents the jewels while I represent the backpack -- Jewels In My Backpack."

In fact, that theme of juxtaposing opposite components but somehow making them effectively co-exist in one recording is what Jewels is all about. Hence, the EP song titled "H.A.T.E." is balanced out by another titled "L.O.V.E." "This whole record is all about balance," stresses Frank. "Like, I got a song called "Go Girl" which is about strong empowered women, but I also have a song called "Psychedelic Freaky Girls," which is about, I guess, the opposite of that. So this record is very balanced." It also has a nice Frank Nittbalance of guest contributors, including J. Black, Problem, Bad Lucc, Kurupt, and DJ Quik.

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Beat Swap Meet | Los Angeles

Posted by Smiles Davis, June 11, 2009 10:49pm | Post a Comment
Beat-Swap-Meet: A Record swap meet consisting of over 20 invited vendors & collectors from the LA and surrounding areas vending music genres of a wide array, but more-so focusing on Blues, Funk, Hip-Hop, Jazz, Punk, Reggae, Rock, Soul, and World 12" and 45 Records. An event considered to be the 1st of its kind in the LA area, The Beat Swapmeet hopes to reunify LA in a way that is long overdue. Come through, listen to Beats, Swap records & Meet new people.

Source: beatswapmeet.com

JAMEBLOG TOP TEN: WEEK OF 08:18:08

Posted by Billyjam, August 18, 2008 06:47pm | Post a Comment

Jameoblog Top Ten: 08:18:08

1) Wale - "The Kramer" (10 Deep/elitaste.com)
2) Fatlip - "What Up Fatlip? (Breakbot RMX)" (Delicious Vinyl)
3) NaS "Sly Fox" (Def Jam)
4) KRS-One "Pick It Up" (KOCH)
5) Jean Grae + 9th Wonder - "2-32's"  (Blacksmith)
6) Alltruisms - "Jalopy" (Gravel Records)
7) James Brown - "There Was A Time (Kenny Dope Remix)" (Verve)
8) Paris - "Get Fired Up" (Guerrilla Funk)
9) Girl Talk - "Don't Stop" (Illegal Art)
10) A.G. Cubano feat. The Jacka, San Quinn, & Matt Blaque - "I'm Winnin"  (City RIch/Blackhouse Ent)

On Wale's instantly engaging song "The Kramer," off his recent Nick Catchdubs mixed-Seinfeld themed The Mixtape About Nothing album-length digital download, he jumps head in and addresses the current hip-hop driven cultural use and abuse of the N word and, to a lesser degree, the B word. The Washington DC emcee, whose name is pronounced "Wah-Lay," uses Michael Richards' (aka Kramer on Seinfeld) infamous N word tirade, which he samples at the beginning of the track, as the jumping off point to address society's current use of the N word and its contradicting implications when used by blacks or whites-- specifically the dilemma of white diehard rap fans continually hearing the N word in their favorite music.

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