Amoeblog

Music History Monday: March 4

Posted by Jeff Harris, March 4, 2013 11:00am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Born on this day: March 4, 1944 - Legendary R&B singer, songwriter, and musician Bobby Womack (born Robert Dwayne Womack in Cleveland, OH).

Happy 69th Birthday, Bobby!!

 


On this day in music history: March 4, 1967 - "Ruby Tuesday" by The Rolling Stones hits #1 on the Billboard Hot 100 for one week. Written by Mick Jagger and Keith Richards, it is the fourth chart-topping single for the British rock band. Richards will come up with initial idea for the song, writing it in a Los Angeles hotel room in early 1966 while the band are in the city recording tracks for their album Aftermath. The song is based on a groupie Richards knows and his then girlfriend, Linda Keith. Jagger will write most of the lyrics including the songs' chorus. The Stones will record "Ruby Tuesday" at Olympic Studios in London on November 8, 1966 with additional overdubs recorded on December 3rd. Guitarist Brian Jones will also play the recorder on the song, giving it its distinctive baroque sound. "Ruby" is originally released as the B-side of "Let's Spend The Night Together" in January of 1967. When American radio stations feel that the former song is "too suggestive" for airplay, DJ's will flip the single over and play "Ruby Tuesday" instead. Entering the Hot 100 at #78 on January 21, 1967, it will speed to the top of the chart six weeks later. Certified Gold in the US by the RIAA, "Ruby Tuesday" will be added to US LP pressings of The Rolling Stones' next album Between The Buttons when it is released on February 11th.
 

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Amoeba Bloggers Answer: What Was Your First Album?

Posted by Billy Gil, March 6, 2012 07:09pm | Post a Comment
I recently was at Amoeba Hollywood and overheard a customer telling an employee Davy Jones had died. I hadn’t heard the news yet. She brought it up because she was buying Katy Perry records for her daughter. She said her daughter didn’t even have a record player — she just wanted every bit of Katy Perry merchandise she could get her hands on.
 
The only artist I can ever remember being that obsessive about was The Smashing Pumpkins, but that was in high school. But it got me thinking about those first tapes, records, singles etc. that everyone got as a kid.
 
ace of base the signFor me, the first album I ever bought on my own was Ace of Base’s The Sign on cassette. I had always liked music, but at 11, I had just started to pay attention to what songs were on the radio. A friend made me a tape from the radio and “The Sign” was on it. I loved it. In the coming weeks and months, albums by Nirvana, Guns N’ Roses, Stone Temple Pilots, Green Day, and my beloved Pumpkins would follow, but really it all started with Ace of Base for me. Though if I’m being technical, I had a cassette single of Paula Abdul’s “Promise of a New Day” that I listened to constantly when I was like 9, but I didn’t buy that — I won it at a cousin’s music-themed birthday party, at which my dad dressed himself and me as Simon & Garfunkel. I had no idea who they were. I think I was Paul Simon.
 
While I’m embarrassing myself, I thought I’d extend the question to the other Amoeba bloggers: What was your first album? Not kids’ music, but not just the cool stuff, either — the tapes we once listened to repeatedly and then put away in a drawer somewhere once we realized how lame they were, though I’m still on the hunt for The Sign on vinyl. Here are their answers:
 
Eric Brightwell
the cure kiss me kiss me kiss meMy first record was Luciano Pavarotti's My Own Story, a compilation of “musical highlights of his spectacular career.” They used to heavily advertise it on TV when I got home from school, and I was hooked. My first cassette was Peter Gabriel's So. I'd liked the singles from it, but when “Big Time” came out, I was obsessed. My first CD was The Cure’s Kiss Me, Kiss Me, Kiss Me. I was introduced to it by a German exchange student named Ina. Before she left I rode my bike into town to a Wal-Mart to get a blank cassette to dub it. I loved it so much, I thought it warranted being purchased on CD. 
 


Live to Tell Like Madonna, or Just Smell Like Her

Posted by Kelly S. Osato, February 28, 2012 12:15pm | Post a Comment
Madonna claims to "have always been obsessed with fragrance" but scent-conscious consumers must wonder what Ms. "candy perfume girl" wants the world to smell like. I think it's safe to say that we know it won't stink of hydrangeas.

madonna truth or dare perfume ad candy girl rosary black and white nude 2012 beayty scent campaign

In fact, it is reported by Fragrantica.com that Madonna was "deeply involved in the process of making her perfume". Working closely with Stephen Nilsen, Givaudan perfumer, they created a "composition of white flowers on an intensive gourmand background. The scent is both a light and dark, opening with notes of gardenia, creamy tuberose and neroli. The heart consists of jasmine, benzoin and white lily, debbie deborah gidbson electric youth 80's perfume for women scent frangrance vintagebased on vanilla absolute, caramelized amber and sensual musk" without a even a hint of hydrangea whatsoever.

Come May 2012 Truth or Dare by Madonna, a fragrance that queen Madge claims is "something personal that was an expression of me but that other people could relate to as well. Something honest, and yet daring, hence the name" will be made available to the masses and marketed as part of a larger Madonna sanctioned Truth or Dare lifestyle label. Good grief. At least we were spared the same of Miss Debbie Gibson's Electric Youth campaign, though I know of at least one young-at-heart who still bleeds for the stuff. However, seeing as Truth or Dare by Madonna is for women 25-45, with the 35-45 age group being the primary market aim for the fragrance, could it be that all the Debbies-come-Deborahs who once embraced the "youth is energy" Electric Youth credo are now being urged to re-embrace the girl-talk slumber party appeal all over again with Madonna? Take a look at this:

12 inch die cuts

Posted by Mr. Chadwick, July 11, 2009 12:35pm | Post a Comment
megatone records 12" sleevedance & music records disco special 12" sleeve
The art of the 12" company sleeve can really be quite entertaining. The middle sleeve above is not a Big Beat sleeve-- does anyone out there know what company made these? The Alicia Bridges and Travolta sleeves below are not company sleeves, but are good examples of the disco die cut promotional sleeve popular in the early years of the 12". Experiments with the 12" single format began in 1974 and by 1975 a decent amount of promo 12"s had been released. Within a couple of years the 12" single would become the format of choice for promoting dance oriented tunes. By the 80's, 12" records were pressed for most every mainstream hit, dance oriented or not. Springsteen w/  "dub version" b-sides, etc.
stiff records 12" hotbiscuit sleeveemi manhattan records 12" sleevealicia bridges i love the nightlife 12" sleeve
macola record co. 12" sleevewestbound records 12" sleevejohn travolta a girl like you disco single sleeve
midsong records 12" sleevemercury records 12" sleevedebbie gibson shake your love sticker atlantic records 12" sleeve
wea blanco y negro records 12" sleevemca records disco 12" sleeve
avi records 12" sleevek-tel flash back greats cover
Above we have a couple of die cut sleeves used to market LPs, not 12"s. Below there's a Russian example. This sleeve may have been used for either LPs or 12"s, but this particular release is a disco-ish LP.
platinum chess records disco 12" sleeve sylvia automatic lover atlantic records hits from 12" series cover