Amoeblog

New York State of Mind Amoeblog #56: 1970's New York City On Film

Posted by Billyjam, November 13, 2013 01:00pm | Post a Comment

Over the past week since the election win of distinctly left leaning liberal Democrat Bill de Blasio as New York City's next mayor with a landslide win of 73% of the vote, following 20 years / five consecutive terms of conservative Republican mayors Michael Bloomberg and Rudy Giuliani who brought sweeping changes to the Big Apple including sharp drop in crime statistics, there has been much talk of what actually lies ahead for the city of New York under the new liberal mayor elect whose "progress" themed campaign platform was run on the promise of bringing sweeping changes (particularly in areas of inequality, most notably the racial profiling of NYPD's 'stop and frisk' policies) to the citizens of New York City. 

One thing that both supporters and detractors of de Blasio seem to share is their uncertainty as to what exactly lies ahead for New York City once the new mayor of "change" takes office on January 1st. All agree that there will be sweeping changes to the running of NYC on a day to day basis particularly in that of the NYPD - but as to what those changes will ultimately mean for New York City is up for debate. Both sides seem to agree that de Blasio will return NYC to an earlier time, but just how much earlier is up for debate. Some have suggested that New York might return to how it was in the 1970's - a time of economic upheaval when Gotham was a dingy, disheveled, crime-ridden metropolis - albeit one romanticized by many in retrospect.

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Paranoia, They Destroy Ya: Death Sentence vs. The Brave One, or Jodie Foster's Continuing Relevance to the Presidency

Posted by Charles Reece, February 8, 2008 12:50pm | Post a Comment
Given Hillary Clinton’s history of backing neo-liberal economic policies and war-making by the United States and its allies, her advocacy of women’s rights overseas within what is widely seen outside this country as an imperialist context could actually set back indigenous feminist movements in the same a way that the Bush administration’s “democracy-promotion” agenda has been a serious setback to popular struggles for freedom and democracy.  -- Stephen Zunes, Sexism, the Women’s Vote and Hillary Clinton’s Foreign Policy
These promises of morality, protection, and recognition of harm are false promises. The criminal justice apparatus is about order and its reproduction, and about maintaining the existing hierarchy of status and privilege, and only incidentally about crime or morality or the safety of individual citizens and their communities. It operates most effectively at
the level of the symbolic, by naming individual offenders as morally defective, and using them as scapegoats, and only incidentally as a useful tool for community security, although at times it is the only and the most appropriate social institution available. -- Diane L. Martin, Retributivism Revisited: A Reconsideration of Feminist Criminal Law Reform Strategies

At a time when Spider-Man still had some aesthetic worth, being drawn by the great Steve Ditko, New York was on its way to becoming a dangerous city, giving the super-powered vigilante something to do, presumedly on a daily basis.  However, looking at the crime stats for NYC in 1965, one finds that only 3% of its inhabitants experienced any sort of crime for that year.  With a population of 18 million, it's no wonder that there was rarely a cop around as the Vulture was flying off with his ill-gotten loot.  Now, if you're one lone webslinger, even with the aid of your trusty spider-sense, it ain't very likely that you'll be fortunate enough to come across a crime as it's occurring even on a monthly basis, much less a daily one.  Thus, we have one of the central absurd conceits of the vigilante sub-genre (with radiated powers or merely a stock of ammo): always being in the right place at the right time.

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