Amoeblog

Behind the Scenes: Dawn McCarthy and Bonnie "Prince" Billy's "What the Brothers Sang"

Posted by The Bay Area Crew, February 20, 2013 11:50pm | Post a Comment

Dawn McCarthy and Bonnie "Prince" Billy's newly-released love letter to The Everly Brothers, What Dawn Mccarthy Bonnie Prince Billy Will oldham What the Brothers sangthe Brothers Sang, was recorded at a studio called The Butcher Shoppe in Nashville, which is owned and operated by Grammy award-winning engineer David Ferguson and singer-songwriter John Prine. Summoning up the magic of others who have recorded there before them (Johnny Cash!!), the duo was joined by musicians Emmett Kelley, Dave Roe, and Kenny Malone, with featured players Billy Contreras, John Mock, Dan Dugmore, Matt Sweeney, Pete Townsend, John Catchings, Bobby Wood, Joey Miskalin, Nils Frykdahl, Ian McAllister, Joey Baron, Dr. Chris Vivio, and Noah Tag.  

Filmmaker Lara Miranda bottled some of that behind-the-scenes magic with this atmospheric short. Enjoy.

 

 

What The Brothers Sang Promo from lara miranda on Vimeo.

 

Best of a Rapid Decade: One per year plus a few too good to not mention...

Posted by J. Mark Beaver, January 6, 2010 04:00pm | Post a Comment

In recently trying to fill in a friend on what I'd spent the last year or two listening to, I realized that my personal taste tends to gravitate towards some element of either Folk form (any hint of hill-folk finger-pickin' or Ozark/Appalachian melancholy and I'm in), Psychedelia or the tendency to extend a theme for a good long jam (a category in which I include a lot of the Jazz that I like), or just a great, funky groove.

With those qualifiers in place, the following is a year by year review of the last decade which somehow got past me with out noticing it. I mean, really?!! 2010?!!!  I didn't see it coming: 

2000: Album of the Year

Air's enjoyable and wacky Moon Safari had been on the decks for a couple years before they contracted for the soundtrack to Sofia Coppolla's Virgin Suicides. The resultant score is absolutely sublime and marked the French electronauts as contenders to watch.

For myself, it was the defining sound of the millennium's new year.
















Shelby Lynne released a killer country-soul gem, I Am Shelby Lynne, that echoed early material from the likes of Bonnie Raitt. Thinking that it was a brilliant debut from a talented 32yo unknown, I was eventually shocked to find that it was her 6th album. I listened to it for months.

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