Amoeblog

50 Favorite Albums of 2011

Posted by Aaron Detroit, December 18, 2011 12:00am | Post a Comment

Aaron Detroit, Buyer at Amoeba Hollywood. As you may know, I've worked in Hollywood for 8 years, but started my time with Amoeba - way back in 1998 -  at the San Francisco store. This is my extensive list of 2011 releases that I fell in love with or had hot and heavy affairs with this year.

50 Favorite Albums of 2011



  1. Wild Beasts Smother

In 2008, Brit quartet Wild Beasts released their shaky-legged -but- stunning debut, Limbo Panto. In the four years since, the band has released two thoroughly dazzling masterpiece full-lengths of deceptively delicate indie rock, lyrically bent towards looking in the dark recesses of the heart and libido, largely sung by co-vocalist Hayden Thorpe in his trademark falsetto. Smother finds the band adding a new restraint to their arrangements that allows the tension in the lyrics to hit with hair-on-end chills. It is a singular LP by a singular band that I expect will eventually reach a Radiohead-level stratosphere. 

Continue reading...

Dennis Hopper 1936 - 2010

Posted by Billyjam, May 29, 2010 11:50am | Post a Comment
Dennis Hopper

We lost another great today. Actor/director/artist Dennis Hopper died earlier today (May 29th) at his home of complications from prostate cancer after battling it since last fall. He was 74. Hopper came to fame as the director, co-writer and costar (opposite Peter Fonda) of the 1969 low-budget, drug-fueled film Easy Rider, that was a landmdennis hopperark for the counterculture and a surprise hit. He made his screen acting debut over a decade earlier in 1955's Rebel Without A Cause playing a rival high-school gang member opposite James Dean.

Hopper didn't only play a hard drinking, drug imbibing individual on film. The actor, whose hard partying alcohol and drug reputation preceded him for many years, had his ups-and-downs in Hollywood as a direct result. Not surprising considering that, by his own admission, for one long extended lost weekend that lasted five years, he was consuming on average three grams of coke, a half a gallon of rum, plus a case of beer every day.

But after getting his life back on track his career enjoyed a resurgence. Following being out of the Hollywood spotlight, a newly sobered up Hopper returned to his former glory in 1986 for his Oscar nominated role in Hoosiers, followed that same year by his amazing role as the twisted & deranged character Frank Booth in David Lynch's Blue Velvet (check out the brilliant yet disturbing clip below).

In all, Hopper appeared in well over a hundred different films, including (in no particular order) Apocalypse Now, Giant, True Romance, Cool Hand Luke, Hang 'Em High, True Grit, The American Friend, Rumble Fish, Speed, and River's Edge. Look for these and other Hopper films on DVD at Amoeba Music. Below are some select Hopper movie clips. And check the nice career-long photo dedication to Dennis Hopper on the Washington Post's website.

Continue reading...

Artist Interviews at Amoeba!

Posted by Amoebite, March 19, 2010 02:40pm | Post a Comment
So many amazing artists have performed live at Amoeba over the years!

While they are at our stores we like to take some time to get to know 'em a little better by having interviews, which we capture on video because we want you to have as much access as us! Check out just sampling of the MANY great artist interviews we have on our website below! For even more interviews click here! 


David Lynch (Hollywood)



Patti Smith (Hollywood)


No Age (Hollywood)


Man Man (San Francisco)


Pete Rock (Hollywood)



Continue reading...

Documenting the Already Forgotten: The Interview Project at davidlynch.com

Posted by Charles Reece, January 31, 2010 05:23pm | Post a Comment
The webcasts started back in June of last year, but I just heard about them. Directed by Austin Lynch and Jason S., a 100 so-normal-they're-surreal citizens of these United States are interviewed in situ by Angie Schmidt and Julie Pepin. The Interview Project covers 20,000 miles and selects potential subjects as "they're found." Each interview is about 2 minutes long and introduced by David Lynch (father to one of the directors):

 interview project david lynch

They go to places like Marfa, Texas:

interview project lynch marfa texas

Which is where No Country for Old Men was largely set. And they interview Texans like Doc Whitman:

interview project lynch doc whitman

Whose Steve Ditko-styled hands suggest a lifelong struggle against nature and industry:

interview project doc whitman hands   steve ditko hand

They, of course, meet other people from other places, too, if you're into that sort of thing:

Continue reading...

Taking the Lynch Meme Challenge: Canonizing David Lynch

Posted by Charles Reece, October 6, 2009 11:33pm | Post a Comment
No, I haven't given up on talking Inglourious Basterds to death; I'm almost finished, cross my heart. It's just that Dave Fiore distracted me with thinking about how I'd rank Lynch's feature films (The Grandmother and The Alphabet are probably my favorite shorts). Nothing will pull me into a conversation faster than my favorite living director. One thing I've noticed about my enjoyment of his films is that over time it's negatively correlated with my initial reaction: the less I liked them on first viewing, the more I like them with each re-viewing, and vice versa. Another is that I prefer the ratio-narrative Lynch to the one who lets his dreams/"ideas" take him wherever (granted, many, including Fiore, don't much agree that my preferred Lynch even exists). So, in order of my enjoyment/rewatchability/hours of mental masturbation afforded:

I. Lost Highway (1997)

lynch lost highway poster

Well, actually, it's the first half and finale with Bill Pullman's Fred Madison that place the film on top. For sure, LH contains some of Lynch's weakest moments: Balthazar Getty's Pete Dayton ("you liked it, hunh?"), music chosen by Trent Reznor (Bowie's "Lost Highway" over Payne's -- really?), and a menacing cameo by Marilyn Manson and Twiggy (about as spooky as W.A.S.P. in Ghoulies 2). Nevertheless, most of Lynch's major themes receive their fullest and most direct expression here: Vertig-inous duality (Renee vs. Alice), repression and oneiric escapism (the hallways, Fred's fugue state as a release from his impotence and murderous deed), and the demands of the always elusive Real (the intrusive mirror, phone calls, video tapes and, of course, Robert Blake's Virgil, the white-faced Mystery Man). Some poor casting and music supervision can't ultimately diminish Lynch and co-writer Barry Gifford's perfect construct.

Continue reading...
BACK  <<  1  2  3  4  5  >>  NEXT