The short, engaging documentary Secondhand Sureshots, which every DJ / record collector must see, proves that there is indeed gold to be found in the dollar bins, and that a crate digger with a good eye and a good ear can simultaneously recycle and create from those cheap vinyl finds. Filmed four years ago as a production of dublab, this crate digging in the dollar bin documentary was very recently released on DVD by the Stones Throw label with bonus material. The film, which screened over the weekend at the Downtown Independent, was directed by Frosty, who aptly and eloquently described it as "an experiment
in creative sound recycling." The film takes place in Los Angeles, where it follows J-Rocc, Daedelus, Nobody, and Ras G on a crate digging excursion (a "secret mission" is the film's official description) at the local thrift store's (Out Of The Closet Thrift Store) dollar bins to see what musical magic they can conjure up out of what most people would immediately discard as crappy records (and some are really crappy). As any modern crate digging beat maker will tell you, it is not about what the original record you have in your hands has to offer, but what you can cull from it to transform it (via chopping up and reworking sounds) into something new and wonderful, and this is where the skills of these four gifted producers come into play. The film comes as a DVD + CD set containing the original 30 minute documentary with additional films featuring more music and art creation plus extra beats and mixes from all four producers, and some other niceness. Recently I caught up with Secondhand Sureshots' director Frosty to ask him about his love letter to dusty old vinyl.


For many, many years now Tuesdays have been the music industry's standard day of the week to release new records and CDs. And today, Tuesday March 3rd, is when brand new Los Angeles music label FoF Music is dropping its inaugural release, Friends of Friends Vol. 1 featuring Daedelus and fellow LA electronic act, duo Jogger. But similarities with the traditional music industry business model end there for this modern, post-Internet age, self-described "T-shirt label," whose catalog will be all digital file only releases.
w his competitive digging-buddies pushed him out of the funk and soul crates and into the altogether stranger world of childrens' recordings and soundtracks.
fun atmosphere and the line-ups were always unique and very strong. I've known Kev for a while as a contemporary in the hip-hop game -- when I took the job as Talent Buyer for The Knitting Factory NY one of the first things I did was reach out to Kev to bring Low End to NYC. It took about six months of planning, but it proved to be a good idea!"
