Amoeblog

Whiskers on roses & raindrops on kittens: IV. Pax de deus

PART FOUR


4.) “The Discreet Charm of the Bourgeoisie”


This is a film by the great, Surrealist, film director, Luis Buñuel. It came out in 1972 and was nominated for an Academy Award for Best Foreign Language Film (“The Garden of the Finzi-Continis” won).

While most any of Buñuel’s films qualify for this list, I singled out this one because it makes me laugh the most, and that’s something I need right now.

It’s mostly in French, so those of you who get sudden attacks of spinal meningitis at the mere thought of reading subtitles would do well to overlook this one. (Le grand art n'est pas pour des lâches!) However, if you can appreciate a film that is an adventure, that challenges you, and doesn’t necessarily answer the questions it itself poses, check it out. Also, if you like many foxy ladies, that helps, too.


 Girls with curls and big long locks, and beatnik chicks just wearing their smocks

While decidedly a comedy, and absurd to the point of astonishing, it is also a biting critique of social classes, with the wealthy being a primary target.

What is it about? Well, pretty much, it’s about a group of friends who keep trying to have a dinner party and failing again and again and again. And again. I know, you can’t wait to see it now, right? But really, it’s a gas. (Just be grateful I didn’t recommend another favorite, Goddard’s “Weekend”, which I find equally gay, but wouldn’t dream of recommending unless you were really serious about these pretentious French films.)

Posted by Job O Brother on August 7, 2007 at 05:54pm | Comments (1)

Michelangelo Antonio Dead

Michelangelo Antonioni died yesterday. He was partially paralyzed by a stroke in 1985 and unable to speak for the last 22 years.

 


He began his career in the 1930s but really began to make a name for himself in the 1950's.  While his peers made gritty, immediate neo-realist films focusing on social issues and the struggles of the poor; Antonioni used film to examine the space between bourgeois characters with a highly refined and stylized directorial aesthetic.



In 1960 he released L'Avventura  starring the iconic Monica Vitti. It was a radical departure from European film before it. It remains an amazing depiction and evocation of alienation and dread. Its title is seemingly ironic (although "avventura" also means "fling" apparently in addition to "adventure").

His subjects were almost always aimless, wealthy and unhappy. The films invariable had very long takes, minimal dialog and a surface that prevents the viewer from coming up with easy answers to Antonioni's implied questions.  L'Avventura and his subsequent films practically filled the screen with emptiness. Il Deserto Rosso (1964), his first color film, remains one of the bleakest and most beautiful films I've ever seen. I'm sure Criterion will "present" it in the months to come. It also has one of Giovanni Fusco's best scores, mostly consisting of disconcerting electronic beeps and belches (and silence) not to mention amazing Carlo Di Palma's amazing and ground-breaking cinematography.

Posted by Eric Brightwell on July 31, 2007 at 10:05pm | Post a Comment