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Samantha Bumgarner -- fiddling ballad woman of mountains

Posted by Eric Brightwell, March 12, 2009 06:49pm | Comments (1)
Aunt Samantha Bumgarner c. 1937

Aunt Samantha Bumgarner (née Biddix) was a fiddle and banjo player from North Carolina who, in 1924, became the first woman to record hillbilly music. In doing so, she opened the doors for all the great female hillbilly and country musicians who followed. Imagine for a second a world without Brenda Lee, Iris Dement, Jean Shepard, Loretta Lynn, Patsy Cline, Norma Jean, Skeeter Davis, Sue Thompson and Tammy Wynette, to name a few. Not a pretty place.

Dillsboro, North Carolina c. 1904

Samantha Biddix was born in Dillsboro, North Carolina on Halloween, 1878, the same year Black Bart held up his last stagecoach and, more relevantly, Thomas Edison patented the phonograph. Her parents were Has Biddix, himself a fiddler, and Sara MaLynda Brown Biddix. Though Biddix showed an early interest in music, her father wouldn’t allow her to touch the fiddle, an instrument occasionally referred to by hillbillies as a “devil’s box.” Nonetheless, when he wasn’t around, she played it and displayed a natural talent. The banjo, then viewed as a slightly more acceptable instrument for women, was not forbidden and Biddix’s first, constructed from gourd and cat hide, was presented to her at fifteen. Later, having demonstrated her skills for her father, he bought her a ten cent model and allowed her to perform with him in the area. Ultimately, he consented to her entering a banjo competition in Canton and she won. Gaining confidence, she began entering and winning competitions routinely.

English Folk Songs from the Southern Appalachians 

When she married Carse Bumgarner in 1902, he gave her her first fiddle but she remained most acclaimed for her banjo playing. A few years later she acquired the nickname "Aunt Samantha." Although through the lens of modern ignorance, a hillbilly woman gaining fame with the banjo may seem completely out of the ordinary, it was actually fairly common for women to play the instrument, especially amongst hillbillies. In 1916, when Cecil Sharp and Maud Karpeles began field recording in the upper south, nearly three quarters of the hundreds of tunes they compiled as English Folk Songs from the Southern Appalachians were performed by women. In addition, many famous male hillbillies learned to play from the women in their lives. Ralph Stanley was taught to play by his mother, Lucy Smith Stanley. Cynthia "Cousin Emmy" May Carver taught "Grandpa" Louis Jones. Clarence "Tom" Ashley learned to play from his aunts, Ary and Daisy. Morgan Sexton was schooled by his sister, Hettie. Earl Scruggs was beaten to the banjo by his older sisters, Eula Mae and Ruby.

Country from other countries

Posted by Eric Brightwell, October 23, 2008 06:57pm | Post a Comment
Country Music

In the American South, traditions from Celtic music, folk, blues, gospel and mountain music melded together into what was originally known as Hillbilly music. Hillbilly produced some incredibly popular artists like Jimmie Rodgers, who sold over a million records in the '20s, back when there were probably like 2 million people in the country.

In 1949, Billboard started referring to it as Country, since many Hillbillies began to feel like they were performing some kind of minstrelsy for urban, northern audiences who'd stick some straw baies on the stage to make these noble savages feel at home.

Anyway, it wasn't just popular at home. There are seemingly more fans of country outside of the U.S. than in it. Before long, other countries were producing their own Country, influenced by the original but occasionally tailored to their own traditions.

Canadian Country

Canadian Cornfield

It shouldn't really come as a surprise that Canada, our kid sibling to the north, would have their fair share of Country musicians. in fact, outside of the U.S., Canada is the Countryest country. Originally it developed out of their heavily Celtic Maritime Provinces. Most Country, however, mirrors the U.S.'s and many Canadian Country artists have infiltrated Nashville unsuspected and undetected, capable of producing Pop Country as bland as our indigenous experts. Most Canadian Country musicians sing about Tennessee this and Kentucky that, happy to not reflect their own backgrounds. Those that do have a more distinctly Canadian tone often have an elevated Folk aspect to their music.

Canadian Country artists include Shania Twain, Adam Gregory, Hank Snow, Paul Brandy, Wilf Carter, Tommy Hunter, Stompin' Tom Connors, Corb Lund, George Canyon, Don Messer, Anne Murray, Lucille Starr, Marg Osburne, Ian Tyson, Mercey Brothers, Maurice Boyler, Gordie Tapp, Carroll Baker, Bob Nolan, Stu Davis, Gene MacLellan, Myrna Lorrie, Ray Griff, Ronnie Prophet, Colleen Peterson, The Good Brothers, Terry Carisse and Prairie Oyster.

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Don Helms 1927 - 2008

Posted by Whitmore, August 14, 2008 08:47am | Post a Comment


Don Helms
, steel guitarist and the last surviving member of Hank Williams' band, the Drifting Cowboys, died Monday in Nashville of a heart attack. He was 81. Helms played with Williams on and off for about decade, from 1943 until 1953 when Hank Williams died from just living too fast at the age of 29 on New Year's Day, in Canton, Ohio. Helms is featured on over a hundred Hank Williams recordings -- actually 104 to be exact. His steel guitar sound added a heart breaking mournfulness to many of Williams' ballads, songs like “Your Cheatin' Heart,” “I'm So Lonesome I Could Cry,” and “Cold, Cold Heart,” but Helms could also add a touch of playfulness on up-tempo tracks such as “Jambalaya” and "Hey, Good Lookin'."

Donald Hugh Helms was born Feb. 28, 1927, in New Brockton, Ala. He got his first steel guitar when he was 15, and by 18 he was playing with Williams in juke joints around the south. After serving in the army during World War II, Helms re-joined the Drifting Cowboys when Williams became a star on the Grand Ole Opry in 1949.

After Williams' death, Helms stayed in demand as a session player and went onto play on dozens of classic recordings such as Patsy Cline's “Walkin' After Midnight,” Lefty Frizzell's “Long Black Veil,” Ernest Tubb's “Letters Have No Arms,” and Stonewall Jackson's "Waterloo." Helms recorded with most every great Country-Western star of the day, including Ray Price, Loretta Lynn, Johnny Cash, Carl Perkins, Webb Pierce, Ferlin Husky, Chet Atkins, Cal Smith, the Wilburn Brothers, and Jim Reeves. According to legend, Helms wrote Brenda Lee's first number one hit “Fool Number One” in exchange for getting Loretta Lynn a recording contract with Decca Records.

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Angels & Incest: When Is Your Sister Not Your Sister? When She's Only Acting!

Posted by Charles Reece, February 19, 2008 01:06am | Comments (4)
The "love that dare not speak its name," which Oscar Wilde shared with Lord Alfred Douglas was cited at the former's trial for gross indecency.  Accepting homosexuality as morally permissible has often been cited by conservative moralists as providing a slippery slope to Gomorrah, setting precedent for even lewder acts, such as bestiality or incest.  However, regarding incest (but I'm betting bestiality, as well), its lure seems to have been with us as long as homosexuality.  If not always accepted in practice, incest is a longstanding part of mankind's fantasies as a seedy imaginative otherworld, suggesting what's always possible if man-made laws didn't get in the way.

clash of the titans laurence olivier zeus

Greek deities and demigods, for example, were a saucy bunch: Zeus, the longest running head of the Gods, was the son of brother and sister Titans, Chronos and Rhea.  Following in the family tradition, Zeus's second wife was also his aunt Themis, goddess of law.  After things went south with that, he hewed even closer to his father's matrimonial views and married his sister Hera, who gave birth to Hephaestus, buttfugly God of blacksmithing.  Hera, being the Goddess of chain-smoking trailer trash with a thing for two-timin' goodfernothins, had little need or love for such a ghastly son and kicked the poor fuck out of Olympus.  Despite this treatment, according to some versions of the myth, Hepahestus sided with his Ma's henpecking his Pa, resulting in Zeus beating the tar out of him, giving him an eternally permanent limp.  Those kind of mommy issues point towards meth addiction and a life of petty larceny, if these had been mere mortals.  But they weren't, so Hephaestus managed to marry the most beautiful of all the Olympians, Aphrodite, Goddess of love, who was also his half-sister by way of Zeus's tryst with Dione.

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