Amoeblog

Amoeba Acquires Eclectic Treasure Trove of 30,000 LPs! (Eddie's Record Collection, Part I)

Posted by Billyjam, July 1, 2012 11:55pm | Post a Comment
If you're an avid record collector or an Amoeba regular then you might have already heard something about the incredibly large and eclectic record collection that Amoeba Music acquired recently  from a private collection in Queens, NY. This collection will be presented for sale to Amoeba shoppers at the Hollywood store starting on July 21st. Perhaps you read the enthusiastic preview of this collection by Amoeba Hollywood's ever-discriminating classical music expert Rubin who, in his four decades of working closely with classical releases, says he has never viewed a collection quite like this. "The most eclectic collection of classical music I have ever seen," he wrote in his recent Amoeblog Huge Vinyl Collection to Hit Amoeba Hollywood on 7/21. Eastern European Classical Gems Galore! 

Beyond the Eastern European and other classical (primarily 20th Century composers) that Rubin addressed, this vast treasure trove of vinyl - 30,000 units in scale - includes lots of different types of music. Among the many other genres that are liberally represented are a whole lot of jazz, an eclectic mix of soundtracks (movies and stage shows from the US, Europe, and beyond), and a refreshingly unique selection of spoken word. Even more impressive is the fact that the majority of these records were never opened, and are still shrink-wrapped and perfectly preserved.

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Huge Vinyl Collection to Hit Amoeba Hollywood on 7/21. Eastern European Classical Gems Galore!

Posted by Rubin Meisel, June 28, 2012 12:40pm | Post a Comment

We were lucky enough to buy a huge collection of vinyl from a well-known collector who lived in Kew Gardens in the New York Borough of Queens and collected a bit of every thing. My task is to describe what, in my 39 years of experience, is the most eclectic collection of classical music I have ever seen.

Normally, when one sees a large collection of classical, you see Beethoven, Mozart, Bach, and so forth, performed by world renowned artists. But Ed (withholding his last name) collected mainly 20th-century composers from every European country and a lot of American music that has been unjustly forgotten.

I think I know my composers, but there were a number of them in this collection that I have never heard of and whose existence is scantly documented in reference books that are in the English language.

One of the few sanguine effects of Eastern European communism was that each country had it’s own state-run record label that methodically recorded the music of every prominent living composer.

MelodiyaHere are a few examples:

 

COUNTRY LABEL
 Soviet Union  Melodiya
Romania  Electrocord
Bulgaria Balkaton
Hungary Hungaroton
Czechoslovakia Supraphon
East Germany Nova


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This Moment's Glory With ECM Records

Posted by Rick Frystak, March 4, 2012 05:56pm | Post a Comment
ECM Records has always been one of my favorite labels, peerlessly rich in variety and deeply honest with it's mission and intent of quality. I remember my first ECM LP was an unplayed white-label promo copy of Terje Rypdal's What Comes After, which really set me up to fall in love and get on board with the vision of Manfred Eicher, the label's owner and director. The sound on that record, with it's reverberant, creamy echo and crystal clear, dissonant music and the impression it made on me shall never be forgotten (and I can revisit it at will). Was this Jazz music? Rock? Classical? I didn't care at all to label it, only to consume as much as possible of this new sound, and start down the path to discovery of each title I could find in my town and towns around Los Angeles.

Of course, I didn't love everything that the label released, but I always listened with very open ears. Just the cover art direction alone still fascinates me and is the subject of multiple design books. Manfred has also become the preeminant Classical music producer since I've been a listener, not an easy coup, resulting in a perfect fit with his sound and the composer's vision. It still applies that ECM is a creative energy second to none with no cliches, no boundries, and no borders as to what can be done within it's domain, Year after year, which totals over 40 now, the ECM label has been there for me, re-igniting my passion for music, and with a quality like no other.

Here, fellow travellers, are some of my favorties of this moment's newest CD releases form this wonderful treasure. Click on the titles to see if they are available for purchase at Amoeba.com.

And what's your favorite ECM release?

Visit www.ecmrecords.com

Boris Yoffe 
Boris Yoffe
Song of Songs
ECM 2174

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The Choice Bin's Choice-y-er Buy Counter Scores of 2011

Posted by Rick Frystak, December 18, 2011 07:08pm | Post a Comment
As the year 2011 flies to a close, I've gathered some of my favorite scores from the past year together to reflect upon how much great stuff gets traded in at our used buying counter. All this art came in over Amoeba's trade-in counter but didn't make it past my "gotta check this out" sensors-in-overdrive...lots of stuff maybe not have been released in 2011 but plucked from the ocean of "keepers" and brought ashore, as the relevance and quality make it so, and the joy of reconnecting with a reissue or another format.  Our "Insurance Return" policy keeps the good stuff coming in as well.  And I've forgotten more titles than I've remembered...

Vinyl
LPs


John Adams

Harmonium

ECM 1984

I've owned this on a compact disc for ages, and then I see the magnificent film, "I Am Love" with the great Tilda Swinton and I see a vinyl copy of it and my head goes, "BUY THIS"!  This record was cut up and used as the score in such a wonderful, effective way, swooning, tilting and fanfare-ing the scenes making the picture so much more intense and sentimental. Bravissimo. The wax sounds amazing, too, as is the ECM tradition.



Havergal Brian

Complete Piano Music
Cameo Classics 1981

Amazing moods and very sound writing for piano. Think Debussy, Copeland, Ravel, Mozart, Haydn, Bryars and Gershwin and all this rolled into one fellow born in the U.K. in 1876. The great sound on this disc makes it so enjoyable, and being a wonderfully produced U.K. pressing with a brilliant performance by Peter Hill seals the deal.

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2011: That Which Doesn't Kill Us Makes Things Longer

Posted by Job O Brother, December 13, 2011 11:03am | Post a Comment
vintage father time
"Why couldn't I have been the year with Obamacare?"

Oh, 2011! Can it be it’s only been a year since I knew ye? This was a year of firsts: The first time I had a kitten who liked to lick new, clean plastic with an almost fetishistic zeal; the first year I lived in Los Angeles without working the floor at my beloved Amoeba Music Hollywood (I miss you, desperate holiday shoppers!); the first year I grew more than one grey hair at the same time (I blame you, traffic on Fairfax!)

It was also the year I suddenly, and without any obvious explanation, decided I loved and wanted to see any and all films of the horror genre. This came as a surprise to me. My boyfriend accuses me often of only liking films where nothing ever happens – preferably with a lone clock ticking in the corner of an otherwise quiet room. It annoys me when he claims this, mostly because I cannot defend myself.

The horror section in Amoeba Music’s DVD section provided me with many hours of happy judging-a-book-by-its-cover moments. Some gems I was hypnotized by were…

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