Amoeblog

Hip-Hop History Tuesdays: Joe Conzo (Born In The Bronx) Amoeblog Interview

Posted by Billyjam, July 15, 2014 06:47pm | Post a Comment
     

"It's pretty humbling and amazing to see my photos from when I was a sixteen, seventeen year old kid," Joe Conzo told the Amoeblog - as seen in the above video clip - speaking last week by the wall of photos on display at Gavin Brown’s Enterprise gallery space on Greenwich Street in the Village in New York City. The exhibit is similar in title and theme as well as contributors to the highly recommended 2007 published book Born In The Bronx that he is an integral part of. "Born In The Bronx: Afrika Bambaataa, Buddy Esquire, Charlie Ahearn’s Wild Style and Joe Conzo - A Visual Record of the Early Days of Hip Hop" the exhibit that is curated by Johan Kugelberg (editor of the book) runs through July 26th, 2014 at the downtown gallery space and is well worth visiting - and it is free.

In addition to Conzo's photos on exhibit are such artifacts as classic original era hip-hop show flyers by Buddy Esquire (RIP), a grid of original cells from the animated sequences of Charlie Ahearn’s landmark hip-hop film Wild Style, and a wall display of LP and 12" vinyl from the Afrika Bambaataa's influential record collection.  There's also Afrika Bambaataa manuscripts and notebooks and the original lyrics handwritten for “Planet Rock” - all of which adds up to must-see material for any true hip-hop history fanatic.

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(Wherein which you may get cancer.)

Posted by Job O Brother, April 11, 2010 03:33pm | Post a Comment
get well soon

Recently, one of my boyfriend’s favorite celebrities died from one of his least favorites diseases.

Dixie Carter passed away April 10, of complications from endometrial cancer.








Cancer has been an unwelcome houseguest in our lives for a while now. The boyfriend’s from the Lone Star State, where getting cancer seems to be as common as sequenced sweaters and tuxedos matched with leather boots. The stars at night are big and bright deep in the heart of Texas, but so it seems are a few malignancies.

No amount of my assurances will convince the boyfriend he won’t necessarily get cancer; it’s neither a birthright, nor a curse – but he’s already decided which hospital will treat him and where to find the best wig for the occasion. It’s the “wedding day” daydream equivalent for the hypochondria set.

Favorite Sesame Street Collaborations

Posted by Gomez Comes Alive!, June 28, 2009 01:12am | Post a Comment
Johnny Cash W/ Oscar The Grouch- "Nasty Dan"


Celia Cruz- "Songo Song"


Stevie Wonder w/ Grover



Ray Charles w/ Bert & Ernie - "I Got A Song"


Los Lobos w/ Elmo - "Elmo & The Lavender Moon"

Celia Cruz - La Vida Es Un Carnaval

Posted by Gomez Comes Alive!, April 4, 2007 12:04pm | Post a Comment



No club or bar frequented by Latinos would be the same without it. Neither would any wedding reception, quinceañera or backyard party. In fact, if you were to drive through the L.A. barrios, my guess is that you would hear the song at some point in your journey.





Celia Cruz’s “La Vida Es Un Carnaval” was originally released in 1998 and it hasn’t left the dance floor since. The song was an international hit for both Celia Cruz and for recent Cuban expatriate Isaac Delgado, who released his version in 1999. Isaac’s slightly melancholy version is good but Celia’s version is bombastic. It maybe pop music but it’s good pop music. The horn lines are catchy to point that you will be humming them all day. The tempo is perfect. Not too fast for novice dancers and not too slow for the experts. It is a song that mixes well with other forms of Latin music. I’ve have heard versions done in Reggaeton, Banda, Cumbia, & Merengue style.

Then there is the chorus. It is the chorus that hits home for most people.

Ay, no ha que llorar,
Que la vida es un carnaval,
Es mas bello vivir cantando.
Oh, oh, oh, Ay, no hay que llorar,
Que la vida es un carnaval
Y las penas se van cantando.

Which roughly translates to:

Ay, no need to cry
Life is a carnival
It's sweeter to live singing
Oh-oh-oh ay, no need to cry
For life is a carnival
And singing relieves the pain

“La Vida Es Un Carnaval” makes me think of people I used to work with in the factories in my teens. My co-workers were mostly undocumented immigrants from Mexico, Central America and the Philippines. Most of them came to the U.S. to make money to send back home. Some escaped from the wars in Central America during the 80’s. Others saw no future where they were and came to the U.S. to try something new. Regardless why they came, they had to give up family and homeland to come here and work.