Despite being labeled a “mixtape,” Drake’s fourth album, finally out physically, is yet another slice of excellence from the Toronto rapper. Opener “Legend” again details Drake’s meteoric rise along the lines of Nothing Was the Same’s “Started From the Bottom” (“If I die, I’m a legend,” he declares after detailing his successes) over a spare, ghostly beat. But it’s never all about braggadocio with Drake, as paranoid lyrics like “it’s so hard for me to let new people in” seep in. That continues onto single “Energy,” with its refrain “got a lotta enemies” and lines like “I got girls in real life tryin’ to fuck up my day/Fuck goin’ online, that ain’t part of my day.” Drake gets a lot of grief for complaining, but he’s also his own worst enemy and critic, calling himself out for “thinking about money and women 24/7” on “Know Myself” in a way that helps make him more compelling. Those other Drake complaints—that he’s not hard enough, that he’s not the best pure rapper—are routinely silenced by the pure quality of tracks like “Madonna,” a perfect example of how Drake’s unique cadences and lyrical candidness more than make for any perceived weaknesses. If You’re Reading This doesn’t have a crossover track with appeal approaching megahit “Hold On, We’re Going Home,” but Drake doesn’t really need that at this point to make a strong album, and the production across the album is stellar nonetheless, freeing Drake and his collaborators to focus in on what makes him sound great rather than individual tracks. No-nonsense beats by Boi-1da jibe well with PartyNextDoor’s codeine-fueled productions, among others who worked on the album. If You’re Reading This’ 17 tracks run long without the bigger production of a similarly long album like Take Care, but there aren’t really any weak songs, either. Latter-half tracks like his back-and-forth with Lil Wayne (who’s in fine form here) on “Used To,” the reflective raps on “Now & Forever” over Eric Dingus’ “Trap House 3 Remix” (no, that’s not Grimes) and suddenly animated closer “6PM in New York” all count as highlights. However much If You’re Reading This might be a smaller release between blockbusters, it feels as essential as anything Drake has done.
Like Tame Impala? Nuts for Drake? Sure, they're great. But a big part of Coachella also has been the chance to see legendary bands reunite and take the stage, as well as long-established artists alongside the newcomers. Here are 10 great albums by reunited or established artists you should know before heading to the desert next weekend.
The album that started the Brian Johnson era of AC/DC (following the death of lead singer Bon Scott) is their biggest and has many of their best-loved hits, including “You Shook Me All Night Long” and the title track. It’s good to know the rest of the songs, even if you’re not especially sober by the time AC/DC goes on (which is probably how they’re best heard anyway).
Join Amoeba Music and Noise Pop from February 21st - February 26th for a toast to two decades of independent culture in the Bay Area. This year's musical lineup includes The Flaimin Lips, Built to Spill, Archers of Loaf, Cursive, Die Antwoord, Bob Mould, Surfer Blood, Grimes, Budos Band, The Fresh & Onlys, Release The Sunbirdand, so much more. But that's not all! Noisepop 2012 also boasts impressive art shows all around town, a rockin' film series with screenings at the Roxie and Artists Television Access (ATA) (read more about that HERE), a festive pop-up shop (located in The Bold Italic Headquarters at 34 Page Street) that's just brimming withevents, and the Culture Club happenings at Public Works.