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David Byrne Sues Florida Gov. Charlie Crist for $1million for Unauthorized Use of Talking Heads' "Road to Nowhere"

Posted by Billyjam, May 25, 2010 04:25pm | Post a Comment
david byrne
Yesterday afternoon in the United States District Court for the Middle District of Florida in Tampa, artist David Byrne filed a $1million suit against the governor of Florida, Charlie Crist, along with his senatorial campaign, alleging that the governor used the Talking Heads' mid eighties single "Road to Nowhere" (Sire/Warner) without permission or proper licenses.

Gov. Crist, who is also Florida's former Attorney General, used the Talking Heads song, found on the band's 1985 Little Creatures album, earlier this year in a website and YouTube ad directed against his then-Republican primary opponent, Marco Rubio.

According to a report on Billboard's website, Byrne, "became aware of the Crist ad from a friend in New York, where the Talking Heads co-founder resides." Byrne told the music magazine that he "was pretty upset" when he learned about the song's unauthorized use and stressed that the lawsuit, "is not about politics...It's about copyright."

This is not the first time that an American politician has used a famous rock artist's music or likeness without permission. Back in 1984 during his re-election campaign, Ronald Reagan, while giving a speech in Talking Heads Hammonton, New Jersey, appropriated the work of the state's favorite son Bruce Springsteen (referencing the then popular "Born In The USA"). When Springsteen (a liberal & most opposed to Reagan) found out about this, he was pissed and put an immediate stop to it. More recently, John McCain, in his 2008 Republican presidential candidate run, used Jackson Browne's song "Running on Empty." Browne filed a suit and won. His lawyer in the case, Lawrence Iser, is now representing Byrne in the case against the Florida Gov.

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Coachella 2009 30/30 Initiative: The Gaslight Anthem

Posted by Amoebite, April 14, 2009 02:08pm | Post a Comment
127 Bands, 5 Stages, 3 Days and 1 Mean Sunburn.

"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find
30 Reasons To Love a Weekend in the Desert."

- By Scott Butterworth

Coachella LineupThe Gaslight Anthem

Day #25 - Artist #25 - The Gaslight Anthem:
The Gaslight Anthem
I think what I love about The Gaslight Anthem is that they take me back to summer days spent with my friends on Pier 30/32 on the beautiful San Francisco Bay watching our favorite punk rock bands at the annual Warped Tour. But I hate to call them a "Warped Tour" band; that label just feels so limiting. The same issue was brought up in Pitchfork.com's review of their second album, The '59 Sound, that slapped the dreaded "Sophomore Slump" across the band's face with its release in August 2008. Pitchfork's notoriously cynical reviewers expressed the essence of the band in the exact way I felt, but didn't know how to describe: "The Gaslight Anthem might work the Warped Tour mall-punk circuit, but they're not of it. Instead, they belong to an older breed of punk band, one we don't see too much anymore: Social Distortion, Alkaline Trio, fellow Jersey knuckleheads Bouncing Souls. These bands might be emotional, but they're about a million miles removed fromThe Gaslight Anthem - The '59 Sound emo, especially in the way that term gets tossed around now."

Coachella 2009 30/30 Initiative: The Hold Steady

Posted by Amoebite, March 19, 2009 05:08pm | Post a Comment
30 Coachella Bands in 30 Days

127 Bands, 5 Stages, 3 Days and 1 Mean Sunburn.

"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find 30 Reasons To Love a Weekend in the Desert."

-By Scott Butterworth
   
 
Day #3 - Artist #3 - The Hold Steady:

I hate to start off with what I'm about to do, because I think the world of rock and roll journalism has no shortage of the cliche, metaphor-based music review, but it jumped out at me. I couldn't help it. You know, the kind of description like:  "(insert new awesome band)'s album sounds like the aftermath of a night out on the town, when the band is using the crosswalk at Abbey Road after leaving the pub, and is run down by a bus driven by Pink Floyd."

The Hold Steady - Stay PositiveWell, I'm going to do it anyways. When I first heard "Stay Positive," the title track off The Holdy Steady's 2008 album, I sensed something unique, yet so familiar, from the Brooklyn-based (by way of Minneapolis) band. The formula instantly popped into my head. Ready for this? I promise it's the only cheesy metaphor I'll be using. If Bruce Springsteen and the E Street Band were constestants on the improv sketch show Whose Line is it Anyway and were told to sing a song in the style of the Dead Kennedys, ala Wanye Brady, we would get "Stay Positive."

Multiple Personalities

Posted by Mr. Chadwick, June 17, 2008 10:25pm | Post a Comment
A few months back I got a real chuckle out of friend who has years of experience working some big time gigs at a couple of major labels. He thought the sticker blog featuring multiple Janet Jackson stickers was a riot.  He had helped with the albums design, including the stickers, but really didn't recall designing different stickers for it.  Here's a whole gallery of sticker variations, none of which are as fun as the Janet example, but they do provide anecdotal details regarding the chronology of hits, attempted hits, awards, milestones etc...





"Not Fade Away" in Its Many Mutations.

Posted by Miss Ess, June 11, 2008 06:06pm | Post a Comment
"Not Fade Away"buddy holly not fade away the crickets is one of the best songs ever written: simple, direct, pleading, mentions a Cadillac in its lyrics...I mean, what more could you want in a song?

I had the great pleasure of witnessing a Bob Dylan show in 2000 from about four people back. It was incredible, and one of the highlights was "Not Fade Away."  I've pretty much been thinking about the song ever since then.

For Buddy Holly to write something so pure and so fantastically mutable, especially at the age of 21, is remarkable. He owes a debt to Bo Diddley for the beat, that's for sure! The song's been covered a zillion times over and each time there's something new-- whether it's Dylan's band's killer harmonies or Mick Jagger's haughty congas--  and "Not Fade Away" retains its greatness. Yeah, even in the Rush version.

Here's Dylan performing the track back on the same tour I saw him on with his kick ass band.  The sound quality's not the greatest, but I still think it rocks:


Now here's Bruce Springsteen, back when he was the hardest working man in show business, performing the song:


And of course there's the Stones:

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