New Reissues Out This Week from David Bowie, Queen, Bob Marley & Captain Beefheart

Posted by Amoebite, September 24, 2015 05:40pm | Post a Comment

Reissues Out September 25

Four seminal artists are getting the reissue treatment this week. The works of David Bowie, Queen, Captain Beefheart, and Bob Marley are back and better than ever, with remastered albums, 180 gram vinyl, and some very fancy box sets. Completists and collectors, take note of these soon-to-be essentials, available at Amoeba.

David Bowie, Five Years 1969 – 1973 Box Set and individual album reissues

David Bowie Five Years 1969-1973

With Five Years 1969 – 1973, Parlophone rolls out the first in a series of career-spanning Bowie retrospective box sets. The first installment is a ten-album, twelve-disc (or thirteen-LP) collection featuring remastered versions of David Bowie (aka Space Oddity), The Man Who Sold The World, Hunky Dory, and Pin Ups, reissues of Aladdin Sane and The Rise And Fall Of Ziggy Stardust And The Spiders From Mars, and the first-ever pressing of the 2003 mix of Ziggy Stardust which had previously been available only on DVD. The box set also includes two live albums, plus Re:Call 1, a new comp featuring singles, non-album cuts and b-sides.

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Sleater-Kinney to Release 'Start Together' Box Set With All 7 Albums on Vinyl

Posted by Billy Gil, September 2, 2014 11:17am | Post a Comment

sleater-kinneyThe late, great Sleater-Kinney will get the remaster and re-release treatment Oct. 21 when Sub Pop releases all seven of the band’s albums on vinyl in the Start Together box set.

The set will include the band’s self-titled debut (1995), Call the Doctor (1996), Dig Me Out (1997), The Hot Rock (1999), All Hands on the Bad One (2000), One Beat (2002) and The Woods (2005). All seven albums also will be remastered and re-released separately on LP and CD the same day, according to Pitchfork. The remaster work was done by Sterling Sound’s Greg Calbi from the original analog tapes.

It’s a great chance to revisit one of the best and most consistent bands of the past two decades, particularly when all-female or female-fronted bands don’t tend to get venerated through history in the same way that male bands do. That’s especially sad when you consider Sleater-Kinney were better overall than just about every other band out there and that they never got bad—actually, they went out on their highest note, the Dave Fridmann-produced The Woods, which is a classic. Here’s hoping for a reunion too—never got to see this band live!

Hear The Woods’ “Entertain” below, sung by guitarist (and now Wild Flag member and Portlandia co-star/co-creator) Carrie Brownstein:

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New Fela Kuti Vinyl Box Set Announced, Curated by Brian Eno

Posted by Billy Gil, August 12, 2014 10:15am | Post a Comment

fela kuti box set vol. 3Knitting Factory will release their third set of vinyl reissues by Afrobeat legend Fela Kuti Sept. 29, assembled by Brian Eno.

This set will include the albums London Scene (1971), Shakara (1972), Gentleman (1973), Afrodisiac (1973), Zombie (1976), Upside Down (1976) and I.T.T. (1980). It will also include a 12-page booklet with an intro by Eno, song lyrics and contributions by Afrobeat historian Chris May, Pitchfork reports.

Vol. 1 of the Kuti sets was curated by The Roots?uestlove while Vol. 2 was curated by Ginger Baker.

Eno and Talking Heads famously used Afrobeat and Kuti as an inspiration for the classic Talking Heads album Remain in Light, which Eno produced. Watch Eno talk about his longtime enthusiasm for Kuti’s music in the video below:

Current 93 Celebrates Its 28th Year with a New Album and Three Box Sets

Posted by Aaron Detroit, June 30, 2010 06:00pm | Post a Comment

Current 93
began a new revitalized era with the release of last year’s quite exceptional Aleph at Hallucinatory Mountain. The long running project helmed by the forever impish David Tibet introduced dark swirling pools of amped-to-11 guitars to its starry-eyed mix of esoteric tripping and psychedelic visions alongside Tibet’s more recent languid and typically pensive compositions. Mountain also marked a new C93 era in that it is the first full-length release to fully delve into Tibet’s most recent obsession: apocryphal Christian texts written in Coptic. Tibet used his inspiration from these ancient texts to write his fever dream poetry that is, as with most C93 albums, the focus of Mountain. This month welcomed the release of Aleph’s follow-up, Baalstorm, Sing Omega. Baalstorm sees the happy return of Mountain collaborators and Tibet’s post-Michael Cashmore wingmen James Blackshaw and Andrew Liles (as well as many other co-conspirators). The heavier elements on Aleph are replaced here by some light Eastern percussion, creepy-yet-playful outbursts of children’s voices (either real or made to sound childlike via a pitched-up Tibet), and Liles’ atmospheric electronics. Like its predecessor, Baalstorm is a journey best taken all at once, but unlike Mountain it is a journey much more easily traveled courtesy of its majestic and less oppressive atmosphere.