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COMETBUS ISSUE #52 THE SPIRIT OF ST. LOUIS, ANOTHER GREAT READ

Available at Amoeba Music, the Cometbus series never disappoints
cometbus
I recently picked up Cometbus #52 (The Spirit of St. Louis) at the Berkeley Amoeba Music store -- one of several fine independent retailers that carry the legendary, decades old, punk-literary series. As with all the previous installments of this Aaron "Cometbus" Elliot- penned slim book, such as last year's Cometbus #51 The Loneliness of the Electric Menorah, ever since I started reading it I can't put it down...which is a problem, in a good way, because I know in no time I will have read the entire engrossing 66 pages of this latest Cometbus. So  I find myself rationing my reading, allowing myself just nine pages, which is three Cometbus chapters, a day.

Cometbus #51 was a sort of history of the subculture of Telegraph Avenue, focusing on its bookstores and record stores. It incorporates into its story Cody's, Moe's, Universal, Rasputin, and (of course) Amoeba Music, as well as such age old Telegraph Avenue characters as Ace Backwards and Julia Vinograd (aka The Bubble Lady), whose poetry was included in that last issue.

For the The Spirit of St. Louis Cometbus, as its title implies, Aaron writes about St. Louis and the close-knit cast of colorful characters (including Brett, Pete Feet, Spike, Wayne Two, Penguin, Jody Lee, & Katie from Haiti) in the local punk scene that he interacted with in a previous time -- he never says exactly when, but, based on the music references, it seems like it is circa early/mid nineties. 

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Posted by Billyjam on September 16, 2009 at 11:36am | Post a Comment

(For which we beg your forgiveness)

walker
I spend a lot of time walking; it’s my favorite mode of transportation, except for maybe riding a train, but riding a train from my apartment to, say, Amoeba Music Hollywood, would require either walking half the day to the train station, spending lots of money on a ticket to the next nearest destination which would be somewhere on the outskirts of Los Angeles, at which point I would either have to walk back, which would take a couple days (stopping for food/bathroom/weeping breaks) OR a couple hours in a cab (which would cost more money than I make in a week) OR require walking to a bus-stop and a day-long bus ride. I could do all that, or I could walk the 10 minutes from my apartment to Amoeba.

So, while technically riding a train is my favorite mode of transportation, context is of some consideration, and that results in walking sometimes being my favorite mode of transportation.

Please accept my apologies for the above two paragraphs; they were a complete waste of both our time.

While walking to various destinations, I often enjoy listening to books that have been recorded. People, myself included, still most often refer to these as “books on tape,” even though compact discs are the preferred vehicle for said recordings (“said recordings” – get it?).

I am really hating my journalistic “voice” in this article. Like, a lot. But, going on…
tape

Amoeba Music has a hearty supply of used, “books on tape” and other spoken-word gems. In the Hollywood branch, they’re located in the jazz room, tucked between the classical and experimental sections. We put them there because they kept getting picked-on by the rock/pop DVD’s and vintage posters, both sections known for their name-calling and general rowdiness.

Posted by Job O Brother on April 6, 2009 at 03:12pm | Post a Comment

Happy Birthday Dr. Seuss!

On this date in 1904 Theodore Geisel was born

Gadzooks
Dr Seuss
Do you know what this morn brings?
For one thing on this day you were born,
So let’s sing
Ting a ling a song we’ll bring
So toot a flute
Go blow a horn
Let’s celebrate this great date in 1904.
Today sir
Is Monday for sure
Take a look
In my calendar book.
On page three you can see
The month to be is March I believe
And the day,
It says number two,
But not the number two like pooh,
Number two
Like a smooth loop into a curly cue.
The day between one and three,
A second before the third,
Two before four and three before five …
Just a try to solve
What’s enough and where's the stuff
And answer all the whys.
 
Anyway, let me say to you today good sir
Happy birthday in the grandest way
And to make sure of that
Here’s a party hat
A special one, elaborately done
That’s more than just wacky fun,
Designed and refined by critters you made
Who came alive on the page,
Books for kids age one to one hundred twenty three
With names that begin and end from A to Z
And stories even the man on the moon likes to read.
We’ll croon to you a zany tune,
We’ll sing to you a from a crazy balloon
Painted blue and red with yellow thread,
With a sunny bow that glows
Where ever it goes.
We’ll teach a baboon to cook a cake,
We’ll find a dancing prancing loon
To shimmy and shake.
 
Oh but Dr. Seuss let me sigh
It’s so sad and all too bad  
You’re not alive, still today
We will cheer loud and clear
Happy birthday, you're a hundred and five.
So take a look at all your books
and the words that shook us snooks
I still sneak a peak at least once a week,
Catching up with old friends of mine,
From time to time I take a seat
Kick up my feet,
Retreat into your boxes and foxes
And what a fish does
And how to talk to a Cat in the Hat
And a Zither Zather Zuzz.
I used to read to my son for fun,
And now he likes to read alone
On his own
Till the book is done,
It’s a funny twirling whirling
World you shared with us.
Thus and such from me and him
And a zillion,
Kajillion others too
Again and again from us to you
Thank you, Dr. Seuss
Thank you thank you
So very very much.

Posted by Whitmore on March 2, 2009 at 01:25pm | Comments (2)

Jack Kerouac

the 50th anniversary of the publication of "On The Road"
Posted by Whitmore on September 5, 2007 at 09:08am | Post a Comment

NEW HIP-HOP LIT: BRONX BIANNUAL No. 2

Bronx Biannual brings back that old New York hip-hop - in a fresh literary style.

The recently published Bronx Biannual Issue No. 2 (Akashic Books) is the sophomore publication in the ongoing new ten-part black literary series that was founded and is edited by Bronx born and bred hip-hop journalist//author Miles Marshall Lewis. The 230-page collection boasts over a dozen talented hip-hop generation writers, both known and unknown, all carefully selected by Lewis, who began his hip-hop journalism career back in the early nineties working on the first edition of Vibe magazine as an intern. From there, he worked his way up to become that magazine's editor. He has also been editor at XXL and written for numerous publications including LA Weekly, Rolling Stone, Village Voice, and Essence.

A few years ago he published his first book, Scars of the Soul Are Why Kids Wear Bandages When They Don't Have Bruises, and last year kicked off the Bronx Biannual literary series.

I recently caught up with Miles, who splits his time between New York and Paris these days. I also caught up with one of Bronx Biannual's contributors -- noted hip-hop journalist and author Michael A. Gonzales, who co-wrote the groundbreaking hip-hop book Bring the Noise: A Guide: A Guide to Rap Music and Hip-Hop Culture (Crown, 1991) and has written stories and reviews for Spin, High Times, Mode, XXL, The Village Voice and Entertainment Weekly. He penned the piece "Blues For Sister Rose" in Bronx Biannual No. 2.

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Posted by Billyjam on July 12, 2007 at 11:35am | Comments (2)