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Alasdair Roberts Chats About His Beautiful New Album Spoils

Posted by Miss Ess, June 4, 2009 04:32pm | Post a Comment
Drag City recording artist and Scotsman Alasdair Roberts' new album Spoils is one of the best I've heard all year. It's a lyrically dense, elegant and complex album with trad folk touches. One of its best qualities is its natural ease -- it manages to sound both organic and dense, positively medieval and modern at the same time. Roberts has been creating eloquent, idiosyncratic albums for quite some time, since 1994 to be exact, at first with the band Appendix Out and then simply under his name for the past 8 years. He was rather famously signed to Drag City after handing Will Oldham a tape of his music back in 1995, and his musical career has blossomed on since then. Spoils feels like the culmination of the sound he has cultivated since his first solo album. It is well worth tracking down and listening to repeatedly. My interview with Alasdair follows.

alasdair roberts

Miss Ess: When and how did you begin writing songs?

Alasdair Roberts: At 15 when I saw footage of the Hindenburg disaster on television and heard the pain in the presenter's voice saying, "Oh, the humanity." I then wrote my first proper song called "Autumn."

ME: What records from your youth have stayed with you most strongly?

AR: Early eighties pop singles. "Karma Chameleon" by Boy George; "Don't Leave Me This Way" by the boy georgeCommunards. "Pass the Dutchie" by Musical Youth.

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