Amoeblog

Show Recap: Foy Vance at Amoeba Hollywood

Posted by Billy Gil, August 27, 2013 04:40pm | Post a Comment

foy vance amoebaIrish singer/songwriter Foy Vance played to a rapt audience Aug. 22. He showed how his voice could stretch and fill space on “You and I,” a song that features Bonnie Raitt on his recently released album, Joy of Nothing. He created ghostly guitar noise using a bow and copious reverb on the outset of that album’s title track to breathtaking effect, while his high-end, slightly raspy voice sent shivers during the chorus. He paused every so often to chat with the audience, asking questions like, “Is the plural of synopsis ‘synopsises’?” [My inner grammar geek was screaming “SYNOPSES!!!”] He sat and played piano for his Elton John moment on single “Closed Hands, Full of Friends,” saying the song was the catalyst for writing the album. Before performing album closer “Guiding Light,” he made it seem as though Ed Sheeran was about to come out and perform with him as he does on the album, sending the girls in the audience into a tizzy before revealing it was a joke. Even without Sheeran, “Guided Light” started a sing-and-clap-along that got virtually everyone there involved — a little girl in front of me adorably clapped and dance to her own beat. It was a sweet moment that showed what makes Vance so special to his dedicated following, who seemed to hang on his every word. See and download photos from the show here.

Continue reading...

out this week 6/14 & 6/21 & 6/28...bon iver...john maus...

Posted by Brad Schelden, June 30, 2011 11:46am | Post a Comment
Bon IverIt is hard to believe that it has been over three years since the first Bon Iver album came out. For Emma, Forever Ago was released by Jagjaguwar in February of 2008. This was just a month after I moved to Los Angeles. I will be the first to admit that I did not immediately fall in love with this album. It took a while. It just didn't hit me over the head and make me fall in love with it. I l know it had this effect on many of my friends. Maybe I just wasn't ready for it. Or I was trying to resist the cult of Bon Iver for some reason. But it slowly made its way into my heart. I never didn't like it. I just didn't love it. But it did grow on me over the year and the year following. I would find myself going back to it every once in a while. And I was strangely excited for the release of his new new album. It had been a while and I was ready for more Bon Iver. I also love that everybody has a different way that they say Bon Iver. Some people say boniver like it is one word. Others say Bon Iver like Bon Jovi. It is a bit confusing. It is based on the french phrase "Bon Hiver" which means "good winter." But I guess he didn't like the H and didn't want people to mispronounce it. But he should have spelled it "Bone E Ver" since that is really how it is pronounced. I instantly fell in love with the Bon Iver cover of "I Can't Make You Love Me/Nick of Time by Bonnie Raitt. You can find this track on the new 12" for the single Calgary. It was also on an EP that wasbon iver calgary given away with the album on release date. I never thought that Bonnie Raitt would make me fall in love with Bon Iver. But I think this is what really did it. You might first think that a Bon Iver cover of Bonnie Raitt would be amazing. But it is. I am hoping that Bonnie Raitt, who seems to be in some sort of semi retirement, also loves the cover. How can she not. Maybe this will pull her out of retirement. Maybe she will cover a Bon Iver song! Maybe she will appear with Bon Iver on SNL!

Continue reading...

Best of a Rapid Decade: One per year plus a few too good to not mention...

Posted by J. Mark Beaver, January 6, 2010 04:00pm | Post a Comment

In recently trying to fill in a friend on what I'd spent the last year or two listening to, I realized that my personal taste tends to gravitate towards some element of either Folk form (any hint of hill-folk finger-pickin' or Ozark/Appalachian melancholy and I'm in), Psychedelia or the tendency to extend a theme for a good long jam (a category in which I include a lot of the Jazz that I like), or just a great, funky groove.

With those qualifiers in place, the following is a year by year review of the last decade which somehow got past me with out noticing it. I mean, really?!! 2010?!!!  I didn't see it coming: 

2000: Album of the Year

Air's enjoyable and wacky Moon Safari had been on the decks for a couple years before they contracted for the soundtrack to Sofia Coppolla's Virgin Suicides. The resultant score is absolutely sublime and marked the French electronauts as contenders to watch.

For myself, it was the defining sound of the millennium's new year.
















Shelby Lynne released a killer country-soul gem, I Am Shelby Lynne, that echoed early material from the likes of Bonnie Raitt. Thinking that it was a brilliant debut from a talented 32yo unknown, I was eventually shocked to find that it was her 6th album. I listened to it for months.

Continue reading...