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Music History Monday: August 26

Posted by Jeff Harris, August 26, 2013 02:13pm | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: August 26, 1964 - "You Really Got Me" by The Kinks is released. Written by Ray Davies, it is the first major hit for the North London based rock band. Having released two previous singles that fail to make an impact, The Kinks will be pressured by their UK label Pye Records to deliver a hit record or be dropped from the label. After Davies writes "You Really Got Me," he and the band will try the song with a number of different arrangements before finding the right one. The Kinks will record the track with American producer Shel Talmy at IBC Studios in London in July 1964. The single's trademark distorted guitar sound is achieved by lead guitarist Dave Davies slicing the speaker cone of his guitar amp with a razor blade. It will also be one of the first rock songs to feature power chords (perfect 5ths and octaves) rather than major or minor triads. This will lay the template for the hard rock and heavy metal music genres that will follow in the years to come. The song will hit #1 in the UK and #7 on the Billboard Hot 100 on November 28th. One of the records that will help define the '60s "British Invasion" era, "You Really Got Me" is inducted into the Grammy Hall Of Fame in 1999.
 


On this day in music history: August 26, 1967 - "Ode To Billie Joe" by Bobbie Gentry hits #1 on the Billboard Hot 100 for four weeks. Written by Bobbie Gentry (birth name Roberta Lee Streeter), it will be the biggest hit for the Mississippi born singer/songwriter. The cryptic story song about a young man committing suicide for unknown reasons is an immediate smash. Recorded at the Capitol Tower in Hollywood on July 10, 1967, the track will be completed in less than an hour of studio time. Arranger Jimmie Haskell will add the song's crowning touch by overdubbing violins and cellos to the spare arrangement. The unedited version runs over seven minutes and it pared down to just over four minutes. Originally issued as the B-side to her debut single "Mississippi Delta," DJs will very quickly favor the flipside. "Ode To Billie Joe" will enter the Hot 100 at #71 on August 5, 1967 and it will rocket to the top of the chart just three weeks later. The song will also send Gentry's album (also titled Ode To Billie Joe) to #1 for five weeks (unseating The Beatles' "Sgt. Pepper's Lonely Hearts Club Band"), and winning her two Grammy Awards for Best New Artist and Best Female Pop Vocal Performance.
 

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The Women I've Loved

Posted by Job O Brother, March 23, 2012 03:07pm | Post a Comment
man ray

In honor of March being Women's History Month, I've created the following list of female musicians (with a smattering of bands consisting of, or fronted by, women) who have rocked me, rolled me, and everything in-between. Presented from A to Z, I hope you'll waste your employer's time and/or ignore your children's needs long enough to peruse this list and find some swell new chanteuse to make your knees sway...


Laurie Anderson


Ruth Brown


Wendy Carlos


Karen Dalton


Missy Elliott


Fanny


Bobbie Gentry


Nina Hagen


The Art of the LP Cover- On The Fringe

Posted by Mr. Chadwick, October 10, 2010 04:45pm | Post a Comment

The Art of the LP Cover- Cigarette Holders

Posted by Mr. Chadwick, August 26, 2010 01:10am | Post a Comment

Jody Reynolds 1932 - 2008

Posted by Whitmore, November 15, 2008 12:45pm | Post a Comment

Rockabilly Hall of Fame
member Jody Reynolds died this past week of liver cancer in Palm Desert, California. He was 75. His most famous record, and sole Top 10 hit, "Endless Sleep," not only added a strange evocative sound to the typical Rockabilly rave-up of the day -- Reynolds differentiated himself from many of the era’s rockabilly artists with his disquieting, haunting melodies -- but was a forerunner in the long line of melodramatic teen hit records and a genre sometimes known as “teardrop rock."

Born in Denver on Dec. 3, 1932 as Ralph Joseph Reynolds, his family soon moved to Oklahoma, where he grew up listening to country music and Western swing acts such as Eddy Arnold and Bob Wills, eventually picking up the guitar as a teenager. In 1956 while performing in Yuma, Arizona, Reynolds wrote the song “Endless Sleep” after listening to Elvis Presley's "Heartbreak Hotel" five times in a row on a jukebox. Two years later Reynolds met a music publisher named Herb Montei who forwarded the demo version to the Los Angeles based label Demon Records. Demon liked the demo but executives insisted on Reynolds tacking on a more uplifting end to the song; the revised finale has the suicidal girl saved from drowning by her guilt ridden beau. Another peculiar bit of history about “Endless Sleep” -- writing credits for the song went to Jody Reynolds and Dolores Nance, but according to Reynolds, Nance was a fictitious person created by the Demon Records to make it appear that there was songwriting team.

By the summer of 1958 “Endless Sleep” became a huge national and international hit, peaking at No. 5 on Billboard's Hot 100 singles chart, no doubt opening the door for several other doomed tales of love-death tinged million selling pop hits including Mark Dinning's "Teen Angel," Ray Peterson's "Tell Laura I Love Her," Dickey Lee's "Patches" and the Shangri-Las' "Leader of the Pack," to name but a few. Reynolds' next single was not as successful. “Fire of Love” peaked at number 66 on the Billboard charts. It would be his last charting single. Still, he continued to record and tour into the 1970’s for several labels including Smash, Brent and Pulsar Records. His typically anomalous 1963 recording, and excellent single, on Titan Records, "Stranger in the Mirror" / "Requiem for Love" featured a very young Bobbie Gentry (“Ode to Billie Joe”) in her debut. Eventually Reynolds opened a music store in Palm Springs and worked as a real estate agent. He was inducted into the Rockabilly Hall of Fame in 1999.