In between the albums Blonde on Blonde and John Wesley Harding, Bob Dylan holed up in Garth Hudson’s Woodstock home with his band (that would be The Band), where the group tore through multiple recordings a day for the summer of 1967. Those recordings would not only provide the seeds of hit songs for other artists, they would go on to spawn The Band’s Music From Big Pink. Though a collection of these recordings was released in 1975, the entirety of this legendary fertile period had never been released until now. Vol. 11 of The Bootleg Series gives Dylan fans what they’ve dreamed of having. Running in chronological order, we start with the sweet “Edge of the Ocean,” a simple, rough-and-tumble recording that of a never-before-released song that represents the seedlings of Dylan and The Band’s momentous summer. We get early versions of “You Ain’t Goin Nowhere” with cool, scattershot lyrics about feeding cats. There’s an early take of The Band’s “I Shall Be Released” that is stunning in its shambolic simplicity. You can almost feel the room around which “Quinn the Eskimo” was recorded as the band casually rolls through the future Manfred Mann song. Some of the recordings can be a bit rough, sure. But listening through these recordings and finding your favorites is the next best thing to having been there yourself during these epic recording sessions. And the prime cuts from Vol. 11 taken together still represent the great lost Dylan album. For fans of Dylan and The Band—really, for all fans of music history—Basement Tapes Vol. 11 is an essential listen. Hear "Odds and Ends" via Rollingstone.
Out Sept. 23
The Internet pretty much exploded when Richard D. James announced Syro, and with good reason. It’s the ambient/electronic artist’s first album in 13 years, and from the sound of the glorious “minipops 67 [120.2][source field mix]” (OMG vocals), it’ll have been worth the wait.
Out Sept. 23
Listen up, Dylan fans: B Dizzle has another set of Bootleg tapes coming our way this November.
The Basement Tapes Complete: The Bootleg Series Vol. 11 is due Nov. 4 on Legacy. These recordings comprise the time when Bob Dylan and his band (that would be The Band) holed up in West Saugerties, New York at a house they dubbed Big Pink to make some of their most iconic recordings some 50 years ago, according to Rollingstone.
Band member Garth Hudson helped producer Jan Haust salvage what they could of the previously unused recordings, which will be released in a chronological order (using Hudson's numbering system) in the six-disc release, which will include covers of country songs by artists Johnny Cash, Hank Williams and Harlan Howard as well as R&B legend Curtis Mayfield, along with traditional rearrangements and lots of originals. There also will be a two-disc version of highlights released called The Basement Tapes Raw.
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Born on this day: May 12, 1928 - Legendary pop songwriter, producer, and arranger Burt Bacharach (born Burt Freeman Bacharach in Kansas City, MO). Happy 86th Birthday, Burt!
Born on this day: May 12, 1948 - Singer, songwriter, and musician Steve Winwood (born Stephen Lawrence Winwood in Handsworth, Birmingham, UK). Happy 66th Birthday, Steve!
On this day in music history: May 12, 1958 - "All I Have To Do Is Dream" by The Everly Brothers hits #1 on the Billboard Best Sellers chart for four weeks, topping the Rhythm & Blues Best Sellers chart for five weeks on May 19, 1958, and also topping the Country & Western Best Sellers chart for three weeks on June 2, 1958. Written by Felice and Boudleaux Bryant, it is the second chart topping single for the rock & roll duo from Brownie, KY. Having also penned The Everly Brothers first number one single "Bye Bye Love," the husband and wife songwriting duo will write the ballad "All I Have To Do Is Dream" in only fifteen minutes. The Everlys will record the song at RCA Victor Studios in Nashville, TN on March 6, 1958, in just two takes. Legendary guitarist Chet Atkins will also play electric guitar on the track. Released as a single in April of 1958, it will quickly become a smash. Entering the Best Sellers chart at #9 on April 28, 1958, it will leap to the top of the chart two weeks later. When it tops the country singles chart on June 2, 1958, it will become the first record in Billboard chart history to top the pop, R&B, and country charts simultaneously. The single will also backed by the song "Claudette," written by a then relatively unknown musician named Roy Orbison, inspired by his wife. "Claudette" will also chart, peaking at #30 on the pop Best Sellers chart on the same date that "Dream" tops the chart. A rock & roll standard, "All I Have To Do Is Dream" will be covered numerous times over the years including versions by actor Richard Chamberlain (#14 Pop), Bobbie Gentry and Glen Campbell (#27 Pop, #6 Country), and Andy Gibb and Victoria Principal (#51 Pop). The Everly Brothers original version of "All I Have To Do Is Dream" is certified Gold in the US by the RIAA and is inducted into the Grammy Hall Of Fame in 2004.
plant in Canton, Miss. who are pushing for a vote to organize as part of the UAW
In light of the ever increasing war being waged against unions and in turn the stripping of the basic rights of the working class in this country and elsewhere, this year's May Day (the internationally recognized day to celebrate and to defend the rights of workers everywhere from Modesto to Moscow) seems extra significant on this May 1st, 2014; perhaps even as significant as that very first mass US May Day protest back in 1886 when hundreds of thousands of disgruntled workers across the US, in a fight for an 8 hour work day, walked off their jobs in protest. Hence for this May Day I have assembled a selection of songs/videos that reflect the plight of struggling workers in a time when the gap between the rich controlling class and the rest of us gets wider and wider.