Since it opened two months ago (fittingly on Record Store Day, April 19th), the Oakland Museum of California's (OMCA) ongoing exhibit Vinyl: The Sound and Culture of Records has been resoundingly popular and is attracting museum visitors of all ages and generations, from those who grew up with records to those too young to have ever seen vinyl firsthand or had opportunity (until now) to put down the needle and experience playing vinyl in all its analog glory.
The exhibit, which runs through July 27th, is sponsored by Amoeba Music who supplied nearly all of the vinyl for the hands-on exhibit. The action is in OMCA's Great Hall alongside another cool exhibit scheduled for the same run: Eric Nakamura's SuperAwesome: Art and Giant Robot exhibit.
As well as supplying nearly all of the records on exhibit and featuring a window display at the Berkeley Amoeba store dedicated solely to the OMCA exhibit, several Amoeba staffers have contributed to the exhibit by way of curating the numerous crates that dot the cavernous exhibit hall. These include Gail Todd, Marc Weinstein, Lori Katz, and myself who are among numerous other contributing music nerds -- such as avid local rap collector 12 Man Rambo, noted San Francisco producer Dan the Automator, and author Denise Sullivan -- who each drew up lists of 33 records per crate (some more, some less).