Amoeblog

Boris: Back to Black

Boris' foggy new dronathon and super limited double-live LP.
Boris live at Amoeba Berkeley
Japan's reigning purveyors of thunderous heavy rock, Boris, hit the shelves of Amoeba San Francisco's Underground Japanese Rock section with a one-two punch this winter with their latest studio recording, Cloud Chamber (featuring, once again, guest Ghost guitarist Michio Kurihara), and Smile -Live in Prague-- a very limited (only 425 copies issued) double-live LP "official bootleg" recorded (with permission) in the Czech Republic on the trio's latest tour in support of their album Smile. Though both are pricey, as doubless many a Boris fan has already guessed, both are worth shelling out the exra dough for, as many a Boris fan surely already knows. Here's why: Cloud Chamber is a first class return to the strom and drang style doom that fans of (lowercase 'b') boris have found in previous releases like flood and at last -feedbacker. It is just the sort of storm surge of sound that lays defenseless listeners down as if prone on the slab, hypnotized for sacrifice; beware of drowning. Smile - Live in Prague, on the other hand, has garnered more pointed attention for its sleeve art than for the bounty of copies we've recieved, given its inherent rareness. Some call the artwork, an obvious homage to San Francisco black metal band Von, a flagrant rip off. I find it delightful and, really, par for the course considering the lengths Fangs Anal Satan (Boris' art-working name) goes to produce, or reproduce if you will, some of the most coveted, kick ass packaging that drives both sticker prices and collectors' expectations upwards of the norm. Here are some of my favorite of Boris' artful tributes as, the old adage says, imitation is the sincerest form of flattery. (And check out images and reviews from Boris' amazing three Amoeba instores-- they've played each and every Amoeba -- here, here and here.)

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Posted by Sweeney Osato on March 30, 2009 at 12:21am | Post a Comment

Coachella 2009 30/30 Initiative: Henry Rollins

“I Know That I Know Him, But I Don’t Know How I Know Him”
30 Coachella Bands Featured in 30 Days

127 Bands, 5 Stages, 3 Days and 1 Mean Sunburn.

"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find 30 Reasons To Love a Weekend in the Desert."

-By Scott Butterworth

     
Day #1 - Artist #1 - Henry Rollins:

“I know that I know him, but I don’t know how I know him.” This is the response I got a couple weeks ago while I was rattling off a whole list of bands/artists, trying to convince my roommate to skip a weekend of his usual non-stop studying for medical school (I mean, where is that going to get you in life anyway?) and join me for the weekend at the Coachella Festival in Indio this April. He made the above statement when I emphasized how excited I was to see Henry Rollins. In the past, I’ve found myself saying the same thing about a number of artists, before my phase of being a self-proclaimed/admitted complete music nerd (which I make no apologies about currently being at the height of). There were many artists that I knew that I was supposed to know…but I just didn’t know why. Some might even say that there were many artists "that wanted me to want them…that needed me to need them," and in fact, I passed up going to many years of Coachella festivals because I simply didn’t have the age, the life experience, a job at a record store, or an older brother to steal records from, to realize the musical, cultural and historical significance of the many artists that have graced the stages of Coachella since 1999.

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Posted by Amoebite on March 17, 2009 at 07:53pm | Comments (1)

1980's CALIFORNIA PUNK SHOW FLYERS

Subhumans, Descendents, Angst, Go-Gos, Circle Jerks, Angst, Black Flag, 7 Seconds, DI, Misfits, etc
subhumans
I recently found a bunch of old California punk flyers buried in a box that had been stored for years since back in the 80s when these shows that took place in both the Bay Area (SF and Berkeley) and in SoCal. This Amoeblog focuses on some California punk flyers from the 1980's.

Almost as much as I loved the music itself, I equally loved most of the simple but impassioned flyer designs and the raw energy that went into making them. They were  often created by a band member or one of their extended crew. While the styles ranged a little bit from one flyer to another, they were usually just handdrawn graphics or images or maybe just one simple image cut out of a magazine and slapped on the page.

Sometimes the main information (the band names or club info) might have been handwritten or else typed out, but not like today on a computer. Back then it was usually made on a typewriter, then blown up on a copy machine to match the scale of the flyer.

Compared to now, when everyone has the luxury of a tricked-out computer oozing with graphic programs etc. that can do every type of desired design at the click of a finger, this was an archaic and simple time. It was when cut-and-paste meant literally cutting out an image or graphic with a scissors and pasting it with glue or Scotch tape or sometimes just spit to hold things in place. Having a friend who worked at a local Xerox store or working there yourself was always a plus. Same went for those who did fanzines. I remember many show flyers being so rushed that they would be Xeroxed and all passed out before anyone would catch some glaring typo or ommission such as the date of the event having been left off the flyer! Or sometimes with handwritten flyers it was impossible to make out the name of the venue or the date because it was so badly drawn or so artisitically done that design prevalied over content and legibility.fucked up and photocopied

Posted by Billyjam on January 28, 2009 at 11:35pm | Comments (2)

BLACK FAG & BLACK FLAB KEEP BLACK FLAG'S LEGACY ALIVE


And the best current Black Flag tribute band award goes to Mimosa Beach, CA based Black Fag who are currently in the midst of their state-wide I Caught Henry Kissing Santa Claus tour with dates this week including at The Exit in Fresno on Thursday, Thee Parkside in San Francisco on Friday, 924 Gilman Street in Berkeley on Saturday, and Downtown Brew in San Luis Obispo on Sunday.

At these shows Black Fag, who are comprised of Liberace Morris (vocals), Greg Streisand (guitar), Cher Dykeowski (bass), and Robo Simmons (drums), will be doing enthusiastic covers of such Black Flag classics as "TV Party," "Six Pack," and "Wasted." And perhaps they will be joined at some of these shows by their backup dancers: Raymond Pettiboner, Joe CarGucci, and Bugger.

According to Black Fag's pink backdrop MySpace, their story began back in the small town of New Hope, PA. "Singer Liberace Morris was raised in neighboring Doylestown, but found a home among New Hope's thriving gay community. He worked at a vintage clothing/toy store while pursuing musical theatre at the Bucks County Playhouse at night. One night after Pippin rehearsal, black fagLiberace came home to find his boyfriend in bed with another man. While drowning his sorrows at the local watering hole, The Raven, Liberace started singing and playing Black Flag's "Nervous Breakdown" on the piano. The rest of the bar simply ate it up until the end of the song, when Liberace stood up and started haphazardly hurling martini glasses around the place. He was permanently ejected from The Raven and convinced that his life was officially over." 

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Posted by Billyjam on December 17, 2008 at 06:00am | Comments (2)

Alternate (Universe) Album Art

Found Art Gallery
Being that it's been some time since I gave you all some found art, I've put together a gallery for you chock full of homespun goodness (badness?).  Here's a batch that has a bunch of customized LP covers, direct from Vinylandia...






Lovely piece here, I think it might even be more appropriate than the actual album cover...below is an original Aladdin Records comp that someone created an awesome pink cover for...













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Posted by Mr. Chadwick on June 29, 2008 at 10:45pm | Post a Comment
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