Kim Free produces spacious, dark pop marked by Free’s otherworldly voice, minimalist bass and keyboards, and her striking violin playing, for which she’s been employed on Zola Jesus’ recent tour. As a solo artist, she had a number of limited-run, lo-fi darkwave releases as Black Church before stepping out on her own this year with Angel Shadow, a more starkly naked collection of songs on which Free played every instrument, as she does live. Kim Free plays Amoeba Hollywood Wed. Oct. 24 at 7 p.m. I caught up with Free before the performance.
PST: The construction of your songs is really interesting. It feels very solitary, despite the presence of other instruments in the background. Did you want the songs and the record to have a sort of intimacy? Or is that just the way you play live, and you wanted to capture that on record?
Free: I didn’t really set out with any intentions for this record. I wrote all the songs in my bedroom, based on the instruments I happened to have at the time. When I wrote the record, I was living with a lot of people, and I would always retreat to my room to kill time between work and whatever else, and Angel Shadow is what came out.