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10 Releases to Check Out on Record Store Day

Posted by Billy Gil, March 26, 2013 06:35pm | Post a Comment

Record Store Day 2013 takes place April 20, featuring new releases, reissues of out-of-print albums and other rarities. I’ve pulled out 10 titles or sets of releases that jumped out to me personally. If it’s anything like last year, you’ll have to get here early to get those in-demand releases (check out last year’s coverage here).

You can view a listing all of the releases that will be made available that day here and find more information on Record Store Day's official site. Check out my picks below.

 

The BatsBy Night

The Bats AmoebaThe debut release by The Bats, part of the Flying Nun clan of New Zealand jangle-pop bands. The Bats are fronted by Robert Scott, sometime bassist of The Clean, a band whose cult infamy has helped lead to their brethren being rediscovered by a new generation. I haven’t heard By Night, but having quite enjoyed 1987’s Daddy’s Highway, I’m sure their debut is just as chockfull of jangly delights. Seriously, I want to just jump on an airplane slash time machine and live in New Zealand in the ’80s and listen to awesome bands like The Bats, though they’re still around making fine records today.

 

 

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Redd Kross' Steve McDonald Talks to Amoeba About "Researching the Blues"

Posted by Billy Gil, August 16, 2012 04:02pm | Post a Comment

redd krossRedd Kross have been the quintessential underground band for the past three decades. The band has nearly always eschewed both pop and indie convention by staying true to its sound, likely angering as many pop fans with its snottiness and random references to Tatum O’Neil and Shonen Knife as they would indie purirsts with its insistence on lacing its acidic songs with undeniable pop hooks.
 
From Hawthorne, Calif. and based around the duo of brothers Jeff and Steve McDonald, Redd Kross first released music in 1980 with a self-titled EP, after opening for Black Flag as teenagers for its first gig. Other musicians came and went as the band released records throughout the ’80s and ’90s, hitting their stride with 1987’s Neurotica and 1990's Third Eye. Following 1997’s Show World, the band all but disappeared, with its members occasionally surfacing for other projects — Steve McDonald famously added bass parts to The White StripesWhite Blood Cells, redubbing it Redd Blood Cells, which saw thousands of downloads and press hubbub. The brothers McDonald separately produced albums by other artists as well.
 
researching the bluesThe elusive band returned in 2006 to play a set at REDCAT in Los Angeles covering the band’s entire catalog, featuring the Neurotica-era lineup of the McDonalds, Robert Hecker and Roy McDonald. They toured and played a killer set of the entire Born Innocent album opening for Sonic Youth, who played all of Daydream Nation (I was there! Yessss.), at the Greek Theater in L.A. In 2008 they played Coachella, among numerous other festivals and appearances over the past few years. Now, finally, Redd Kross have released an album of new material, entitled Researching the Blues. The album has seen some of the band’s best reviews, garnering an 81% on reviews aggregator Metacritic, and it’s not hard to see why, hearing the enlivened swagger the band displays on songs like the title track (download free here), while maintaining the dynamism that has always set the band apart, also including shimmering power-pop ballads like “Dracula’s Daughter” and “Winter Blues.”

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Amoeba San Francisco's Record Store Day 2011

Posted by The Bay Area Crew, April 19, 2011 09:09am | Post a Comment

by Sally
Davey Havoc pic by Audra, all other pics by Kaitlin.

record store day 2011 amoeba

Every year Record Store Day just gets bigger and bigger, and the craziness grows! Here in SF before we opened the line was INSANE outside our doors and the first person in line had been there since 6am! That's some dedication! Even more astounding, customers were calling Friday night and asking if they could camp out for prime spots on the big day!

record store day 2011

At 10:30am on the button, the doors were opened and people swarmed into the treasure-laden vinyl aisles of Amoeba SF. There were hoardes of people packing the rows and surrounding the 7"s. Watch an awesome video below shot by Audra of the line and the vibe before the doors were flung open!





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Alex Chilton Dead at 59

Posted by Whitmore, March 17, 2010 11:30pm | Post a Comment

alex chilton
Alex Chilton (December 28, 1950 - March 17, 2010).
Legendary music icon known for his work in the 1960’s with the chart topping Box Tops and his ground breaking band Big Star is dead from an apparent heart attack in a New Orleans hospital. He was 59.

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James Luther Dickinson 1941 – 2009

Posted by Whitmore, August 19, 2009 05:02pm | Post a Comment

The legendary Memphis musician, producer, and raconteur James Luther Dickinson died this past Saturday in a Memphis hospital after complications following triple bypass heart surgery; he was 67. Dickinson played with the likes of Aretha Franklin, Ry Cooder and The Rolling Stones and helped shape what would be called the Memphis Sound, a gritty blend of gospel, country and southern blues. Though never exactly a household name, Dickinson is one those great cult figures in musical history whose life and stories were bigger than the times themselves.
 
Jim Dickinson was born November 15, 1941 in Little Rock, Arkansas. His family moved to Memphis, Tennessee in 1949. He signed his first recording contract right out of high school with Rubin Cherry's Home of the Blues. Later Dickinson recorded for Sam Phillips' Sun label; he sang lead vocals on the last record ever released on Sun, "Cadillac Man" by The Jesters. Starting in about 1965 he began working as a session player in the Memphis studios, joining Charley Freeman, Tommy McClure, and Sammy Creason in the rhythm section that would become know as the Dixie Flyers. They went on to be the house band at Atlantic Records' Criteria Recording Studio in Miami, Florida in the early '70s, backing artists like Aretha Franklin, Sam & Dave, Jerry Jeff Walker, Ronnie James Luther Dickinson, Dixie FriedMilsap, Kris Kristofferson, Carmen McCrae and Maria Muldaur.
 
He played piano on the Rolling Stones' classic "Wild Horses" and even appeared in the documentary film of the Stones, Gimme Shelter. Dickinson also played piano on The Flamin' Groovies masterpiece Teenage Head. He went on to be Ry Cooder's sidekick; touring, playing keyboards and co-producing some of Cooder’s soundtracks such as Paris, Texas, The Long Riders, and Crossroads. Dickinson's career as a producer got kick started working with Big Star, the pioneering Memphis power pop band, producing one of the most influential albums from the 1970s, Third/Sister Lovers (NME magazine ranked it #1 as the most heartbreaking album ever recorded). His production work with Big Star led to other gigs, sometimes under the moniker East Memphis Slim. In the 1970’s and 80’s Dickinson produced the likes of The Replacements (Dickinson always said he learned more from them than they learned from him), Jason & the Scorchers, Green on Red, The Radiators, Mojo Nixon, Chris Stamey, Alvin Youngblood Hart, Screamin' Jay Hawkins, Mudhoney, Alex Chilton, Toots Hibbert (of the Maytals), The Texas Tornados, Steve Forbert, G. Love & Special Sauce, Joe "King" Carrasco, Flat Duo Jets, Tav Falco, and many others. As a session musician, he's worked with Los Lobos, Primal Scream, Poi Dog Pondering, Arlo Guthrie, Willy DeVille, Esther Phillips, Delaney and Bonnie, Petula Clark, Rocket From the Crypt, and Bob Dylan (Dylan acknowledged him as a “brother” while accepting the Grammy award for 1997’s Time Out of Mind, and once said, "If you've got Dickinson, you don't need anybody else.").
 
One of my all-time favorite records is Dickinson's first solo album, released in 1972 on Atlantic and entitled Dixie Fried. This soulful yet wonderfully cockeyed, twisted and loopy album has become a cult classic. He dubbed the genre “world boogie.” Dixie Fried was one of those records that disappeared without a trace upon initial release, only to be rediscovered years later. Originally recorded in 1970, the out there in left-field amalgamation of country, R&B, soul, and rock finds Dickinson mostly covering other artist’s material, but everything he touches shimmers with that cool and greasy Memphis groove -- probably why Atlantic Records saw it unfit for public consumption for a couple of years. By the time it came out, Dickinson was off touring with Ry Cooder and had no time nor desire to promote the album. Dickinson said that by mid 70’s he was seriously hated over at Atlantic records. They tried pushing him out the door, giving him what was referred to as "the Jesse Ed Davis treatment," or to quote Jerry Wexler, "right down the old pipe, baby." For years Dixie Fried circulated around the underground, developing a extraordinary following. But as far as Atlantic was concerned, the album’s notoriety was surely due to some bizarre bayou voodoo; the label kept its distance. Finally in 2002 it was re-released on CD by Sepia Tone Records.
 
Last month, Jim Dickinson was relocated to a rehabilitation facility; doctors had hoped for an eventual recovery. His death comes only a week after a benefit concert and tribute was held in Memphis at The Peabody Skyway to raise money for escalating medical bills. Performers at the benefit included John Hiatt, Jimmy Davis and the Grammy-nominated North Mississippi Allstars, whose members include Dickinson's sons Luther and Cody. Dickinson always understood the enduring power of music and that is mirrored in his epitaph he wrote himself: “I’m just dead, I’m not gone.”
 
James Luther Dickinson is survived by his wife Mary and his two sons.

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