The Pervert's Guide to Ideology - Sophie Fiennes (director), Slavoj Zizek (writer)
... and speaking of Zizek, here's more of we got in his and Fiennes' previous collaboration, The Pervert's Guide to Cinema. But what could be more entertaining for people who prefer thinking about film (or people) to the object itself than a film about a guy with the same preference? A major feature of criticism is drawing or creating connections between things -- that is, analogical mapping, by which we acquire some insight into the target domain by comparing it to a more familiar source domain. For example, the focused horror at the shark in Jaws shows the way the genocidal grouping of the Jews functioned for the Nazis: all other problems fall aside when there's the immediate danger of Ja(e)ws. My favorite bit from The Pervert's Guide to Ideology is how he reveals the operation of the titular subject itself in the lyrics of "Offcier Krupke" from West Side Story. The gang is perfectly aware of all the liberal social excuses for their delinquency, but continue to act as if determined by impoverished social constraints. Ideology operates as long as we act as if its in control, regardless of our true belief. Relating the song to the explanations given for the recent London riots, he says we are always responsible for how we subjectivize our objective conditions (which is hardly a typical comment heard from leftists). Criticism is just as much an art as what it critiques. It's also just as creative -- often more so in Zizek's case. He's a master cartographer, who's remapped the psychogeography of our pop cultural terrain.