Amoeblog

Fight For Your Right: A Beastie Boys Tribute Night at the SFJFF

Posted by The Bay Area Crew, November 19, 2014 05:38pm | Post a Comment

Exercise your right to party with the San Francisco Jewish Film Festival in celebration of the original American Jewish rappers, the Beastie Boys! It all goes down on the second night of Chanukah, Wednesday, December 17th at Public Works at 8:30pm. Come get on up ‘n’ get on down with live music from Bay Area bands Felonious, Jazz Mafia, and DJ Cylcofunk, who will be spinning rare Beasties B-sides, remixes, and other hip-hop surprises all night long.

Landmark music videos featuring early directorial work from Spike Jonze, Tamra Davis, and of course, the dearly departed Adam "MCA" Yauch, will be projected all night, providing a visual aid to your sonic illuminations. Put on your best club wear or dress as your favorite Beastie Boy for a chance to win SFJFF tickets and an original painting of the Beasties by local artist Chris Fabbri.
 

Fight For Your Right: A Beastie Boys Tribute Night at the SFJFF
Wednesday, December 17
Doors at 8:30PM @ Public Works SF, 161 Erie St.
$10 advance tix | $15 door.

Music History Monday: July 14

Posted by Jeff Harris, July 14, 2014 08:05am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: July 14, 1967 - Bee Gees 1st, the US debut album by The Bee Gees, is released. Produced by Robert Stigwood and Ossie Byrne, it is recorded at IBC Studios in London from March 7 - April 14, 1967. Following their breakthrough success with their 12th single release "Spicks And Specks" (#3 AUS Pop) in Australia in late 1966, The brothers' father Hugh will send demo tapes of their work to Beatles manager Brian Epstein. Epstein will pass the tapes on to Robert Stigwood (Cream), who will invite the band to come to England in February of 1967 to audition for him. Impressed by what he hears, Stigwood will become the band's manager, with The Bee Gees moving to the UK. He will secure them recording contracts with Polydor Records in the UK and Atlantic Records subsidiary Atco in the US. The album is actually the third full-length release by the band, but is their first to be released internationally. It will spin off three singles including "New York Mining Disaster 1941" (#14 Pop) and "To Love Somebody" (#17 Pop), the latter of which is originally intended for Otis Redding. The album's cover is designed by artist/musician Klaus VoormanBee Gees 1st will peak at number seven on the Billboard Top 200.
 

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Music History Monday: April 21

Posted by Jeff Harris, April 21, 2014 10:30am | Post a Comment


To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.


Born on this day: April 21, 1959 - Singer, songwriter and founder of The Cure, Robert Smith (born Robert James Smith in Blackpool, UK). Happy 55th Birthday, Robert!
 


On this day in music history: April 21, 1958 - "Twilight Time" by The Platters hits #1 on the Billboard Best Sellers chart for one week, also topping the R&B Best Sellers chart for three weeks on April 28, 1958. Written by Buck Ram, Al Nevins, Morton Nevins, and Artie Dunn, it is the third pop and fourth R&B chart-topper for the Los Angeles-based vocal group. The song is originally recorded in 1944 by The Three Suns and by big band leader Les Brown. When The Platters record it in early 1958, it will initially be the B-side of "Out Of My Mind." American Bandstand host Dick Clark prefers "Twilight" and begins heavily plugging it on the show, making it the A-side by default. Entering the Best Sellers chart at #7 on April 14, 1958, it will leap to the top of the chart the following week. The single will sell over 1.5 million copies by the time it tops the charts,  The success of the record will be significant as more than 90% of its sales on the 7" 45 RPM format, leading The Platters label Mercury Records to phase out the manufacturing of the 10" 78 RPM record, the format that had dominated the music industry for the first half century of its existence. "Twilight Time" is certified Gold in the US by the RIAA.
 

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Hip-Hop History Tuesdays: The Beastie Boys' Paul's Boutique, 25 Years Later

Posted by Billyjam, April 1, 2014 09:25am | Post a Comment
beastie boys paul's boutiqueHard to believe that it is already a quarter of a century since the Beastie Boys' Paul's Boutique was initially released, and five years since the 2009 20th anniversary deluxe reissue of that landmark second Beastie Boys album. Paul's Boutique, while widely considered the group's greatest recording, was initially considered a (commercial) flop by its label, Capitol Records, back in '89 cut to its lackluster sales in comparison to its predecessor. In fact so disappointing to Capitol were sales that, following a huge initial hype / marketing campaign, they completely stopped promoting the album. Many rap fans, drawn to group by the hits on their Rick Rubin produced 1986 Def Jam debut mega-hit album Licensed To Ill, were disappointed too. But true hip-hop fans saw/heard the brilliance of Paul's Boutique that was a distinct departure from Licensed To Ill.

Instead of Rick Rubin handling production on this sophomore release, which demanded repeated listens to fully appreciate its depth and brilliant nuances, was produced in good part by the Dust Brothers and recorded in both Los Angeles and Brooklyn over an extended period of time to ensure it came out just right and to the liking of members Michael "Mike D" Diamond, Adam "Ad-Rock" Horovitz, and the late Adam "MCA" Yauch.  It did, and sure while it may not have been as commercially successful as Licensed To Ill (still a great album too) Paul's Boutique was a far greater quality recording and one that truly stands the test of time as proven by such tracks as "High Plains Drifter," "Looking Down The Barrel Of A Gun," "Car Thief," "Shadrach," and "Get On The Mic." No wonder then that over the years it grew in popularity (and sales),  is regularly included high up on music lists' best albums of all time, and was reissued on its 20th anniversary.
 
Re-released five years ago to celebrate the 20 year anniversary of its initial 1989 release, the 2009 reissue of the LP reissue version was on 180 gram vinyl, in a nice two-sided, four-panel gate-fold sleeve - that revised the very original expensive gatefold pressing of the album. The 2009 reissue also included a digital download card to access bonus audio band commentary on the album that was so close to the Beasties' hearts. For instance the track "59 Chrystie Street" was titled in reference to an early residence of the Beastie Boys, back earlier in the 80's when they were young punk rockers about to morph into full time hip-hoppers.

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New York State of Mind Amoeblog #50: Steely Dan's Week-Long Series, Government Shutdown's Impact On The Big Apple + More

Posted by Billyjam, October 2, 2013 11:03am | Post a Comment

This week in New York City the weather is just perfect: sunny, no rain or fog, temps in the upper seventies, and none of that typical overbearing summer humidity. Ideal weather to cycle round town and enjoy sights like the above one taken yesterday morning heading east towards Washington Square Park in Greenwich Village where the fountain, that is normally turned off, was on in full force. Meantime in the park itself people, including NYU students, tourists, and neighborhood residents, all seemed to be in a good mood taking in the glorious weather of the first day of October in New York City. Near the fountain several members of ZTA (Zeta Tau Alpha) busied themselves spreading the word on National Breast Cancer Awareness Month by handing out pink ribbons to passers by and with drawing images and messages on the concrete park ground with colored chalk (see pic below).

Meantime a little further down the island of Manhattan on this fine first day of October the vibe was less happy as tourists who had traveled to Battery Park at the end of the island to take the boat over to the Statue Of Liberty and nearby Ellis Island were disappointed to learn that, due to the government shutdown, that the National Park Service had closed the famous landmark. An estimated 15,000 people visit the Statue Of Liberty everyday but not yesterday or today or for as long as the Government shutdown (now, October 2nd, in day two) lasts. The Statue Of Liberty and Ellis Island were not the only destinations shut down in New York City. The Park Service also closed The National Museum of the American Indian, Federal Hall, and Theodore Roosevelt's Birthplace.
 

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