Meanwhile, Best Coast’s Bethany Cosentino documents the process of entering adulthood and looking for lasting love the way few singer-songwriters can on The Only Place. Her sophomore full-length album is a more grown-up affair than the anxiety-pinned sunshine pop of Crazy For You, aided by springy, shimmering production from Jon Brion, but luckily Cosentino hasn’t changed too much. The longing Cosentino communicated in songs like Crazy For You’s “Boyfriend” is still present in songs like the swaying countrified ballad “No One Like You,” asking “if I sleep on the floor, will it make you love me more?” The simplicity of her lyrics belies their cleverness, as she pleads with her subject by offering to leave in order to make him stay. Throughout The Only Place, Cosentino and multi-instrumentalist Bobb Bruno reference ’50s and ’60s country starlets and girl groups, creating Phil Spector-style melodrama with crystalline guitars and lyrics yearning for individualism within codependence in songs like “How They Want Me To Be.” Throughout, Bruno and Brian keep things chugging along nicely in order to allow Cosentino’s personality to shine and not wallow too much in sentimentality, giving the haunting, Julee Cruise-style ballad “Dreaming My Life Away” some nice propulsive drum work, an improvement from an earlier, sparer recording, while “The Only Place” and “Let’s Go Home” burn with college-rock energy to spare. And Cosentino has never sounded better, her voice now brimming with confidence and pulling the heartstrings directly rather than from behind a shield of reverb and lo-fi sonics. It’s impossible not to be affected as she sings simple lines like “I wanna see you, for ever and ever” in the show-stopping “Up All Night.” She makes us feel the simplest sentiments as deeply as the first time we felt them, a hallmark of a truly great songwriter and performer. (The LP comes with a free bonus 7" while supplies last.)
And I would be remiss not to mention the reissues of My Bloody Valentine’s Loveless, Isn’t Anything and EPs 1988-1991, including songs released between those two albums, plus previously unreleased songs from that era. I’m not the biggest reissue person — often seems like a money grab with few good unheard songs and tweaks only an audiophile can hear, but this is My Bloody Valentine we’re talking about. The band’s two shoegaze classics sound better than ever, as only the most delicate nob twiddling has taken place at the hands of Kevin Shields. Anyone who doesn’t own these two albums, two of the best ever in my humble opinion, should get these import CDs right now. Even if you don’t buy CDs anymore. It’s time. Meanwhile the EP collection is a no-brainer for any fan of the band, as My Bloody Valentine’s throwaways tend to be better than most bands’ entire catalogs. Superfans may have the material Tremolo and You Made Me Realise EPs already, all excellent of course, but not songs like “Good For You” and “How Do You Do It,” terrific jangly pop songs gnarled by shuddering noise that sound nearly as good as anything on Isn’t Anything.