Amoeblog

(In which we swing down, sweet chariot stop and, let me ride.)

Posted by Job O Brother, January 31, 2011 12:42pm | Post a Comment
Note her cheerful, colorful clothing!

I take the bus to and from work at Amoeba Music, and rarely do I disembark without witnessing something story-worthy. Unfortunately, these stories usually fall under the “horror” genre. Occasionally I tell them to the boyfriend, but usually I tell no one, because even remarkable things become forgettable when they happen constantly.

The above filmed snippet occurred on my way home after working a recent Friday. The elderly woman in the seat in front of me is flipping-off the many people, both locals and tourists, men, women and children, that swarm the sidewalks of Hollywood Boulevard at night. What everyone did that so riled the wrinkly rider remains a mystery. Later on in our journey, when the bus stopped in front of an assisted living establishment, she began gesticulating again, only this time she waved (to no-one – there was no-one standing outside the building) and crossed herself like a good Catholic. In-between these two fits of cursing/blessing, she simply sat and sniffled into her small stash of tissue, kept clutched in her claw. Aww.

If I was a smarter writer, I would simply ride these buses daily and record the many scenes I see. As it is, I stuff my Skullcandy earbuds Eustachian tube deep (often vainly), trying to block out all external noise with sweeter sounds such as these:

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(In which we mix up something good.)

Posted by Job O Brother, August 10, 2009 08:28pm | Comments (2)
music
Yum!

Today I’ve been doing one of my favorite things: making a mix-tape. Of course, I’m not using any tape in this process, but somehow saying “mix cd” feels awkward. Much like saying “dump Coke” and “poop shoulder” – those are also awkward to say.

Anyway, crafting a playlist for a pal is one of my great joys. I don’t have much free time these days, what with my stupid ol’ grown-up lifestyle, but I used to make mix-tapes for people at the drop of a hat. The most casual of relationships could be an excuse.

“What are you doing, Job?”

“Making a mix-tape.”

“For who?”

“A guy from the bakery.”

“What guy?”

“…The baker.”

“Oh. You’re friends with the baker? The old dude? Isn’t he, like, half deaf?”

“Is he? I dunno. I only just met him yesterday. Well, I mean, I saw him. Baking... things. I didn’t really talk to him. But there was music playing in his bakery – some Sarah Vaughn – so I thought I’d make him a mix of cool jazz and vocalists and maybe even throw in some early French cabaret…”

And so it goes.
tapes

A good mix-tape isn’t just an assortment of rad songs, though they’re the meat of it. I’m of the opinion that truly neat-o mixes are bound together by little, sonic amuse-bouches; snippets of odd, silly, or even spooky clips. A line from a movie, an excerpted musical flourish, an individual sound effect even – all these things work.