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Jon Moritsugu Retrospective in Downtown Los Angeles plus his latest film, Pig Death Machine

Posted by Eric Brightwell, August 12, 2013 11:28am | Post a Comment
Pig Death Machine posterJon Moritsugu (click here to read an Amoebog interview) and Amy Davis's latest film, Pig Death Machine, is playing in Downtown Los Angeles for one week (9 August till 15 August).


For those that aren't familiar with him, Jon Moritsugu is an auteur in the proper sense of the word. From 1986's Mommy Mommy Where's My Brain till  to his latest, all films have all reflected a distinct, personal creative vision. He has his own section in Cult Cinema on the mezzanine of Amoeba Hollywood.


Here's a trailer and plot summary of his latest:


"Starring Davis as a nerdy, yet doornail-dumb hottie who eats undercooked, paraside-laden, pink piggy and is transformed into a dangerous genius, while across town, a punky-buxom-botanist eats the same meaty treat and ends up endowed with the supernatural ability to 'hear' her specimens."




"A sci-fi/psych-horror/screwball ride of chaotic, day-glo fever dreams and glitter-dusted nightmares, shot in the stunning wilds of New Mexico and featuring the music of Deerhoof, Dirty Beaches, Polvo, and industrial legend Monte Cazazza (Throbbing Gristle)."

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Los Angeles Asian Pacific Film Festival 2011

Posted by Eric Brightwell, April 29, 2011 02:49pm | Post a Comment
Los Angeles Asian Pacific Film Festival

I missed the opening date (Film Radar is my one source for all things cinematic happening in and around LA). Oh well, the Los Angeles Asian Pacific Film Festival runs from April 28th till May 7th. 

The festival began in 1983 as the Los Angeles Asian Pacific Film & Video Festival back when Asian-American Cinema was first being revived after a long absence. Since then it has grown to include more films and the works of Asian Cinema and the global Asian diaspora.

Asian Pacific Film Festival 2011

Screening venues include West Hollywood's Directors Guild of America and the Laemmle’s Sunset 5, and the CGV Cinemas in Wilshire Center.

To find out about film schedules and parties, click here. Have a great Asian Pacific American Heritage Month and...
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Korean film festival of Los Angeles - KOFFLA 2010

Posted by Eric Brightwell, March 2, 2010 02:20pm | Post a Comment

KOFFLA 2010

I’m kind of embarrassed to admit it, but up until three months ago, the only Korean films and dramas I’d seen were 녹색 의자 (Green Chair), 미녀는 괴로워 (200 Pound Beauty) and 소울메이트 (Soulmate). I’d been given a grip of dramas by the good folks at MBC but I’d dutifully passed them along to my own soulmate’s mom, who’s a raging Korean drama addict.

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Asian-American Cinema Part IX - the 2000s

Posted by Eric Brightwell, May 27, 2009 04:00pm | Post a Comment
The ninth of a nine part series on Asian-Americans in front of and behind the camera

INTRODUCTION TO ASIAN-AMERICAN CINEMA


The first efforts to combat negative racial stereotypes of Asians and Asian-Americans in film began in the silent era, when a few empowered figures attempted to create an alternative Asian-American Silent Cinema. After their efforts faltered, Hollywood provided most cinematic images of Asians in the '30s, 40s, 50s, and '60s. With the birth of Asian-American theater, Asian-American cinema was revived in the 1970s and began to take off as a viable independent cinema in the 1980s. By the '90s, the scope of Asian-American Cinema broadened considerably, a trend that continued in the 2000s.

APAMERICA IN THE 2000s
In the 2000s, Asians became the fastest growing racial minority in the county. As of 2006, there were over thirteen million Americans of Asian descent (not counting Native people). Of the top ten languages spoken in American homes (English, Spanish, Chinese, French, German, Tagalog, Vietnamese, Korean, Italian and Russian), four are Asian.

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Asian-American Cinema Part VIII - the 1990s

Posted by Eric Brightwell, May 26, 2009 11:55am | Post a Comment
The eighth of a nine part series on Asian-Americans in front of and behind the camera


INTRO TO ASIAN-AMERICAN CINEMA

In the silent film era, a few Asian-Americans braved decidedly limited opportunities and even attempted to create a cinematic outlet for their voices. By the dawn of the sound era, Asian-American cinema disappeared and Hollywood once again controlled depictions and roles. In the post-war era, roles for Asian-American actors grew in number, if not diversity. As a result, Asian-American theater arose to fill the void, ultimately leading to the rebirth of an authentic Asian-American Cinema that grew slowly over the next two decades before expanding rapidly in the '90s and continuing in the 2000s.

APA DEMOGRAPHIC MILESTONES IN THE '90s

The 1990s were a time of tremendous growth in the Asian-American population, resulting in a notable demographic milestone when Monterey Park became the first Asian-American majority city on the US mainland. It was soon followed by several others, including Cerritos, Cupertino, Daly City, Milpitas and Rowland Heights in California as well as Millbourne in Pennsylvania.

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